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Find out moreOur Diversity genre celebrates a wide range of inclusive narratives. It's about empowering people by respecting and appreciating what makes them different, in terms of age, gender, ethnicity, religion, disability, sexual orientation, education, and national origin. As a team, we read widely and make sure that we offer intersectional representation in our book recommendations.
Angela Makholwa’s The Blessed Girl is a wildly witty South Africa-set novel underpinned by smart and serious commentary on corruption, duplicity, drug abuse, sexual abuse, and what it’s like to be “blessed” (“a person, usually female, who lives a luxurious lifestyle funded by an older, often married partner, in return for sexual favours”). Hats off to the author for interweaving a rambunctious, read-in-one-sitting rollercoaster with shining a light on real-life struggles. Super-confident Bontle has been “charming the pants off people since the day I was born” when her parents “knew that I was destined to go far because of the way I looked, hence they named me Bontle – The Beautiful One… Watch out, world!” Bontle sure knows how to get what she wants from one of the many men she has falling over her, paying for her penthouse, flash cars, designer clothes, cosmetic surgery - luxuries her hair extension business would never give her. Bontle may not have excelled at school, but she does have a “PhD in MENcology, baby!” and manages to juggle several men at once, putting her troubled past behind her – for a time at least. Cracks begin to show when some of the men slip from her manicured grasp, when her past starts snapping at her heels, and Bontle must piece herself back together. Balancing outrageous entertainment with exposing ugly underbellies and a young woman’s realignment of a life swerved off-course, readers who enjoyed Sarong Party Girls will adore this. Head to our 'Black Lit Matters' list to find more must-read novels by black writers. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
It’s more than 20 years since I read my first Mike Gayle book. And I loved it. Perfectly pitched and incredibly funny, I became a fan. This is Mike’s most grown up novel yet and I adored it. Unable to put it down I ploughed through, consumed by the story of Kerry and her fierce love for her long-lost brother Jason. Although worlds apart, with Jason’s adoption, idyllic childhood and privileged education, they are connected and a stream of events change their lives forever. My glasses steamed up with my tears as I cried through the pages. Incredibly sad but gorgeously uplifting and beautifully written. Bravo, Mike. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
This is a tenderly written, fascinating and thoughtful semi-autobiographical novel. We follow Sissy through her life, as she experiences growing up in Zambia, and the impact it has left on her as an adult based in the United States. Sheena Kalayil explains that actual events and locations are placed and located in the novel. The prologue sets a beautifully described scene, the difference between the India of Sissy’s grandparents, and Zambia of her childhood settled vividly in my mind’s eye, noise, smells, memories all within touching distance. I particularly adored the small moments, the small actions that made this book feel so tangibly real. Time slides backwards and forwards with no explanation, none is needed. I was occasionally left unsettled as I became aware of the thoughts and feelings of the future Sissy, and waited for an explanation to occur in the past. ‘The Wild Wind’ looks at the presence of memories that bruise, that affect, that create our future selves, it is wonderfully readable and gently provocative too.
“I was born black, working class and northern in Margaret Thatcher’s Britain”, so begins the author’s personal prologue to a book that provides a vital, alternate lens through which to view Europe. Growing up as such, Pitts felt “I was being forced to react against one culture or overidentify with the other”. A visit to the Calais Jungle in 2016 resulted in him being stopped, searched and ID’d before being allowed in, albeit still under suspicion. A bleak reminder that when non-whites have the right documents, “I wasn’t all the way in”. What follows is a document of Pitts’s encounters and meetings with dozens of Afropeans; black citizens of Europe juggling identities and loyalties – a self-described ‘black French militant’ on the outskirts of Paris; a Belgian-Congolese artist in Brussels; a Sudanese-German chef in Berlin; a fascinating interview with Caryl Philipps, the acclaimed Kittian-British writer. A remarkable feat of research and understanding, this seminal book is reportage at its finest, enhanced by the author’s striking photography.
An intriguing and thoughtful debut that pushes, prods, and provokes thoughts on social class, wealth and motherhood. Golden Oaks is a retreat that locates and looks after host females who act as surrogates for the extraordinarily rich, those who can’t or don’t want to carry their own child. Every move, every heartbeat of each host is monitored until they give birth. We follow the lives of four women, each with very different reasons for their involvement with the retreat known by the occupants as The Farm. For the first few chapters I sat on the edge, watching and learning, I then felt myself sliding into the pages, fully immersed, compelled to witness. Joanne Ramos has created a fascinating storyline, with intimate access to the thought processes of the four women ensuring I was able to observe the interaction, the assumptions, the decisions made. The Farm is a clever, challenging debut, and while set just in the future, is very much of our time.
An intriguing and thoughtful debut that pushes, prods, and provokes thoughts on social class, wealth and motherhood. Golden Oaks is a retreat that locates and looks after host females who act as surrogates for the extraordinarily rich, those who can’t or don’t want to carry their own child. Every move, every heartbeat of each host is monitored until they give birth. We follow the lives of four women, each with very different reasons for their involvement with the retreat known by the occupants as The Farm. For the first few chapters I sat on the edge, watching and learning, I then felt myself sliding into the pages, fully immersed, compelled to witness. Joanne Ramos has created a fascinating storyline, with intimate access to the thought processes of the four women ensuring I was able to observe the interaction, the assumptions, the decisions made. The Farm is a clever, challenging debut, and while set just in the future, is very much of our time.
Crossing cultures, continents and generations, this exquisitely involving exploration of frictions between family and friends, of love, loss and the criss-crossing complexities of life truly had me in its hold. In Ghana, sensible housegirl Belinda performs her domestic duties to perfection, with irrepressible eleven-year-old Mary shadowing her work. Mary brims with childish obstinacy, and with a daringly direct wisdom beyond her years. She’ll stamp her feet and curl her lip for attention or sympathy, but she’s also gloriously curious, a devoted, proud, joyously forceful bundle of humanity. Then Belinda is summoned to Brixton to befriend Amma, a privileged and troubled young woman. Amma initially refuses to play ball. She’s childishly rude, but they learn from each other and even confide their deepest secrets. When tragedy strikes, Amma rages: “The cruelty of the fucking world is proved fucking every day. The unfairness of life is just, like, unbelievable”. Ultimately, though, both young women evolve and broaden their outlook on the world and who they are. Alongside the heartfelt human drama, there’s much humour too, such as when Belinda describes Britain to Mary – it’s a peculiar place where cats “sleep in the bed with the white people” and “they kiss the animal as if it hasn’t roamed around the town eating sewage.” Her assessment of TV host Kilroy-Silk is hilarious too. He may seem “fully white”, but his “face is more orange then usual”. Poignant, finely-observed, funny and eloquent, this is an exceptional debut. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Girl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years. Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.
Stop here to discover a terrific new voice in mystery and suspense, a voice owned by an established and truly eloquent author. Within a period of three weeks in 1993 the body of a young woman is discovered on the beach by teenagers Nell and Jude, then Jude disappears, twenty-five agonising years later Nell begins to uncover the truth. If you already love Dorothy Koomson, then you’re in for a real treat as she has combined her wonderful ability to observe human relationships with mystery and shivery suspense. The change in direction is beautifully subtle as her previous books have been moving this way and existing fans can still feel her unmistakable touch, yet she has opened the door to a whole new audience. Each short chapter remains very much in its moment as the story swings between the past and present. As I read and peeled each layer by exquisite layer I found surprises waiting to snare me, to make me exclaim and sit up. The characters are individual, fascinating (even when displaying hideous character traits), and Nell is an absolute delight to get to know. The Brighton Mermaid is a compelling, fabulously readable story full of energy and tenacity - highly recommended.
Exploring black music and social movements from Motown, soul and the civil rights movement, through the Black Panther Movement, Jimi Hendrix and Black Woodstock, this trilogy is a triumphant mix of meticulous research and an author’s palpable passion for his subject. Set against the tinderbox backdrop of the Vietnam War and widespread civil unrest, the trilogy begins in Detroit, 1967, and tells the twelve-month story of a city on the edge, with one of the world’s most famous record labels – Detroit-based Motown – at a pivotal point in its history, while riots in the city prove pivotal to the wider country. Taken as a whole, this smart sequence provides a multi-angled view of the time, and it’s clear how social deprivation and a spirit of resistance led to both political action and revolutions of a musical kind. In-depth, enlightening, entertaining and affecting, these forensically evocative books will make you want to delve deeper into the work of the seminal musicians who wrote the soundtrack to this seminal period of American history.
Jack King - one of the most authentic and charming characters to have stepped off a YA page - and his best-friends-since-childhood Franny and Jillian are on the brink of a new chapter in their lives, picking out colleges, planning their careers, while having fun hanging out. And then Jack meets Kate at a party and falls for her big-time. They’re soul-mates who bond over their love of cereal until, all too soon, Kate dies. But this tragic event turns out to be the beginning of their story, for Kate’s death flips Jack back in time and he meets her again, as if for the first time, with Kate sensing that she knows him from somewhere: “The way you look at me. Like we’ve been doing it our whole lives.” Jack sets about trying to change the course of history, firstly so Kate doesn’t die, and then also to swerve bad stuff away from his friends. But, in classic time travel tradition, this has dangerous effects. Cue Jack wryly referencing Back to the Future and Groundhog Day while up to his neck in serious complications. Take away the pulse-quickening time travel element and you’d still have a novel heated by much heart and humour. With it, this is a firework of urgent, impactful YA fiction, a book that’s ablaze with tough choices and all kinds of love. Throughout there’s a whole lot of heart-melting cuteness - the trio’s friendship, the sweet relationship between Franny and Jillian, Jack’s parents’ perfect marriage. The plot progression and developments revealed through the various play-outs of the past are brain-flippingly smart, with twists wending through to Jack’s desperate need for “one more re-set to undo this tragedy”. Reader, I cried on the bus. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
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Our mission is to share book love and encourage reading for pleasure by offering the tools, advice and information needed to help our members and browsers find their next favourite book. Part of that mission includes promoting diversity through the authors, characters and books that we feature on the website.
Much like our Debut category has a variety of books from first-time authors, our Diverse Voices genre will highlight a wide range of Inclusive narratives.
