No catches, no fine print just unadulterated book loving, with your favourite books saved to your own digital bookshelf.
New members get entered into our monthly draw to win £100 to spend in your local bookshop Plus lots lots more…Find out more
Our Diversity genre celebrates a wide range of inclusive narratives. It's about empowering people by respecting and appreciating what makes them different, in terms of age, gender, ethnicity, religion, disability, sexual orientation, education, and national origin. As a team, we read widely and make sure that we offer intersectional representation in our book recommendations.
Crossing cultures, continents and generations, this exquisitely involving exploration of frictions between family and friends, of love, loss and the criss-crossing complexities of life truly had me in its hold. In Ghana, sensible housegirl Belinda performs her domestic duties to perfection, with irrepressible eleven-year-old Mary shadowing her work. Mary brims with childish obstinacy, and with a daringly direct wisdom beyond her years. She’ll stamp her feet and curl her lip for attention or sympathy, but she’s also gloriously curious, a devoted, proud, joyously forceful bundle of humanity. Then Belinda is summoned to Brixton to befriend Amma, a privileged and troubled young woman. Amma initially refuses to play ball. She’s childishly rude, but they learn from each other and even confide their deepest secrets. When tragedy strikes, Amma rages: “The cruelty of the fucking world is proved fucking every day. The unfairness of life is just, like, unbelievable”. Ultimately, though, both young women evolve and broaden their outlook on the world and who they are. Alongside the heartfelt human drama, there’s much humour too, such as when Belinda describes Britain to Mary – it’s a peculiar place where cats “sleep in the bed with the white people” and “they kiss the animal as if it hasn’t roamed around the town eating sewage.” Her assessment of TV host Kilroy-Silk is hilarious too. He may seem “fully white”, but his “face is more orange then usual”. Poignant, finely-observed, funny and eloquent, this is an exceptional debut.
Girl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years. Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.
Stop here to discover a terrific new voice in mystery and suspense, a voice owned by an established and truly eloquent author. Within a period of three weeks in 1993 the body of a young woman is discovered on the beach by teenagers Nell and Jude, then Jude disappears, twenty-five agonising years later Nell begins to uncover the truth. If you already love Dorothy Koomson, then you’re in for a real treat as she has combined her wonderful ability to observe human relationships with mystery and shivery suspense. The change in direction is beautifully subtle as her previous books have been moving this way and existing fans can still feel her unmistakable touch, yet she has opened the door to a whole new audience. Each short chapter remains very much in its moment as the story swings between the past and present. As I read and peeled each layer by exquisite layer I found surprises waiting to snare me, to make me exclaim and sit up. The characters are individual, fascinating (even when displaying hideous character traits), and Nell is an absolute delight to get to know. The Brighton Mermaid is a compelling, fabulously readable story full of energy and tenacity - highly recommended.
Exploring black music and social movements from Motown, soul and the civil rights movement, through the Black Panther Movement, Jimi Hendrix and Black Woodstock, this trilogy is a triumphant mix of meticulous research and an author’s palpable passion for his subject. Set against the tinderbox backdrop of the Vietnam War and widespread civil unrest, the trilogy begins in Detroit, 1967, and tells the twelve-month story of a city on the edge, with one of the world’s most famous record labels – Detroit-based Motown – at a pivotal point in its history, while riots in the city prove pivotal to the wider country. Taken as a whole, this smart sequence provides a multi-angled view of the time, and it’s clear how social deprivation and a spirit of resistance led to both political action and revolutions of a musical kind. In-depth, enlightening, entertaining and affecting, these forensically evocative books will make you want to delve deeper into the work of the seminal musicians who wrote the soundtrack to this seminal period of American history.
A sharp and smart debut novel, containing real heart (both ache and joy). 25 year old Queenie is on a break from her boyfriend, can’t concentrate at work, and is having a hard time balancing her life. Feeling trapped as she moves in with her grandparents, she soon finds her life closing down. Within a few pages I was settled in my chair and didn’t budge as I read this in one wonderfully heady sitting. Popping backwards and forwards in time Candice Carty-Williams opens a doorway into Queenie’s soul. She created a connection for me to reach out and touch and I felt as though I had become a part of Queenie’s life. I was there with her as things went wrong, wanted to reassure, vent, be there to support her. There are parts that tiptoed across my awareness, spiking stray thoughts. Elsewhere is raw and unflinching making my senses burn, before a moment later I was tipped into a sunshiny smile and chortle. Big bad life in all its pain and glory stamps across the page and Candice Carty-Williams writes about relationships, race, and mental health with one heck of an accomplished pen. I just have so much love for Queenie the novel, and Queenie the character, she has to be one of our LoveReading Star Books. Highly recommended.
The Old Bailey, 1826 and Frannie Langton stands in court accused of the brutal murder of her former master and mistress. But “there was love between me and her”, she tells the court as she relates her story from 1812, when she worked at Paradise plantation, Jamaica. With the skills of reading and writing “packed inside” her, “dangerous as gunpowder”, Frannie is taken to London and sent to work for a man named George Benham. His wife, the beautiful, eccentric Madame Marguerite Benham “stirred a feeling of wanting” in Frannie, and she becomes Madame’s lady’s maid and secretary - and more. But theirs is a complex, volatile relationship. “The truth is there was love as well as hate,” Frannie acknowledges. “The truth is, the love hurt worse”. Speaking at her trial, during which she recounts the inhumane racial experimentation undertaken by the master of Paradise, Frannie asks, “Sirs, I wonder...in the whole sum of human history, by what order have you white men been wrong more than you’ve been right?” She also questions the privileges and entitlements of gender: “how confident a man must be to write down his musings, expecting anybody else to be interested in reading them”. Ablaze with drama, detail, tension and wit, and wise on the nature of agency and freedom, this comes highly recommended for fans of Andrea Levy’s The Long Song, Marlon James’s The Book of Night Women and Sarah Waters. According to Frannie, “A novel is like a long, warm drink but a poem is a spike through the head”. By her definition, this novel is both these things - as potent as a poem, as addictive as a long, warm drink. Have a look at our Ambassador Book Buzz for The Confessions of Frannie Langton.
Forthright, funny Ayesha harbours dreams of being a poet and occasionally performs at a literary lounge, but her ambitions are somewhat hampered by her new teaching job and familial pressure to get married, a pressure that’s intensified by her stunning younger cousin’s countless marriage proposals. But Ayesha is adamant that she doesn’t want an arranged marriage, even if it means she might be doomed to spinsterhood. Then, courtesy of her best friend and a conference at her mosque, a few twists of fate throw Ayesha into contact with hyper-critical, conservative Khalid, who dresses like a time-traveller from several centuries ago and is utterly under his wealthy mother’s control. Cue much friction, farcical funniness and genuine soul-searching as Ayesha and Khalid embark on complex, intersecting journeys of discovery. Alongside serving up a sparkling love story, this debut also tackles meaty issues, from the rampant islamophobia of Khaled’s abhorrent boss, to the sexism Ayesha stands up to. Indeed, the criss-crossing sub-plots - both gritty and comic - keep the pages turning, and make this a treat for fans of romance with extra bite.
Jack King - one of the most authentic and charming characters to have stepped off a YA page - and his best-friends-since-childhood Franny and Jillian are on the brink of a new chapter in their lives, picking out colleges, planning their careers, while having fun hanging out. And then Jack meets Kate at a party and falls for her big-time. They’re soul-mates who bond over their love of cereal until, all too soon, Kate dies. But this tragic event turns out to be the beginning of their story, for Kate’s death flips Jack back in time and he meets her again, as if for the first time, with Kate sensing that she knows him from somewhere: “The way you look at me. Like we’ve been doing it our whole lives.” Jack sets about trying to change the course of history, firstly so Kate doesn’t die, and then also to swerve bad stuff away from his friends. But, in classic time travel tradition, this has dangerous effects. Cue Jack wryly referencing Back to the Future and Groundhog Day while up to his neck in serious complications. Take away the pulse-quickening time travel element and you’d still have a novel heated by much heart and humour. With it, this is a firework of urgent, impactful YA fiction, a book that’s ablaze with tough choices and all kinds of love. Throughout there’s a whole lot of heart-melting cuteness - the trio’s friendship, the sweet relationship between Franny and Jillian, Jack’s parents’ perfect marriage. The plot progression and developments revealed through the various play-outs of the past are brain-flippingly smart, with twists wending through to Jack’s desperate need for “one more re-set to undo this tragedy”. Reader, I cried on the bus.
Everyone has a purpose. And, according to Oprah Winfrey, 'Your real job in life is to figure out as soon as possible what that is, who you are meant to be, and begin to honour your calling in the best way possible.' That journey starts right here. In her book, The Path Made Clear, Oprah shares what she sees as a guide for activating your deepest vision of yourself, offering the framework for creating not just a life of success, but one of significance. The book's ten chapters are organised to help you recognize the important milestones along the road to self-discovery, laying out what you really need in order to achieve personal contentment, and what life's detours are there to teach us. Oprah opens each chapter by sharing her own key lessons and the personal stories that helped set the course for her best life. She then brings together wisdom and insights from luminaries in a wide array of fields, inspiring readers to consider what they're meant to do in the world and how to pursue it with passion and focus. Renowned figures such as Ellen DeGeneres, Lin-Manuel Miranda, Brené Brown, Elizabeth Gilbert, Eckhart Tolle and Jay-Z share the greatest lessons from their own journeys toward a life filled with purpose. The Path Made Clear provides a brilliant resource for achieving a life lived in service of your calling - whatever it may be...
Compiler Nisi Shawl, an acclaimed writer of science fiction, has done a marvellous job of bringing together a dazzling kaleidoscope of genres, styles and settings in this absorbing collection: near-future dystopian societies; epic high fantasy worlds; smart sci-fi. Here readers will encounter a variety of radiantly conjured characters - aliens, deities, Djinn, mythological monsters, and more besides - whose diversity is underpinned by the writers’ respective sharpness of vision and humanity. Personal favourites among this seventeen-story collection include Silvia Moreno-Garcia’s powerfully poetic Give Me Your Black Wings Oh Sister, and Tobias Buckell’s wry opener, The Galactic Tourist Industrial Complex, but there’s not one story here that disappoints. It’s a treasure trove of thought-provoking treats for fans of speculative fiction.
Set in the United States ‘fifteen minutes in the future’ this cuttingly timely cautionary tale exposes Islamophobia and bigotry through the injustices inflicted on seventeen-year-old Layla and her resulting fight for freedom. Layla has her sights set on her future when, on one terrifying night, she and her parents are visited by the Exclusion Authority. “Under order of the Exclusion Authority and by the powers vested in the secretary of war under Presidential Order 1455, we are here to serve notice and carry out your relocation,” declares one of the suited men. What “relocation” means in this hostile, intolerant society is that Layla and her family are snatched from their home and interned in a camp with fellow Muslim-Americans, their wrists stamped with permanent ID numbers on arrival. The backdrop of book-burnings, curfews, Exclusion Laws and a president who declares, “Muslims are a threat to America” is all too powerfully prescient and evoked in an entirely believable fashion. But while confined in the camp, strong, caustic-tongued Layla orchestrates an uprising against the guards and camp Director. Urgent and intense – much like Layla’s acts of resistance – this novel of social justice will chill, grip, start conversations and mobilise readers to speak out against racism and intolerance. In the words of Layla’s poet dad, “we have a moral and ethical obligation to tell the truth.
LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION, 2019 Newlyweds Celestial and Roy are the embodiment of the American Dream. He is a young executive, and she is an artist on the brink of an exciting career. Until one day they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn't commit. Devastated and unmoored, Celestial finds herself struggling to hold on to the love that has been her centre, taking comfort in Andre, their closest friend. When Roy's conviction is suddenly overturned, he returns home ready to resume their life together. A masterpiece of storytelling, An American Marriage offers a profoundly insightful look into the hearts and minds of three unforgettable characters who are at once bound together and separated by forces beyond their control.
Our mission is to share book love and encourage reading for pleasure by offering the tools, advice and information needed to help our members and browsers find their next favourite book. Part of that mission includes promoting diversity through the authors, characters and books that we feature on the website.
Much like our Debut category has a variety of books from first-time authors, our Diverse Voices genre will highlight a wide range of Inclusive narratives.