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Our Diversity genre celebrates a wide range of inclusive narratives. It's about empowering people by respecting and appreciating what makes them different, in terms of age, gender, ethnicity, religion, disability, sexual orientation, education, and national origin. As a team, we read widely and make sure that we offer intersectional representation in our book recommendations.
Edgy, gutsy, and so so readable, gosh how I love this series. Black River is the third book after Will Dean’s hugely successful debut Dark Pines and follow up Red Snow. Reporter Tuva Moodyson is back, full of spiky attitude and fortitude, which she will need in bucketfuls after her best friend Tammy goes missing. Tuva just has to be on my list of favourite characters, she yells out to me to join her when I see her book waiting! This is Scandi-noir with a twist, the twist comes with essence of wild and remote and heaps of unusual characters. Will Dean’s descriptions plunged me into Gavrik at Midsommar, adding a somewhat fevered dimension to the plot. The occasional little explanations for those of us who don’t live in Sweden were really helpful. Black River is a dream of a read for me, assured and bold it certainly kept me on my toes, and went straight onto my list for Liz Robinson picks of the month. Read our 'Putting Authors in the Picture' Blog for Will Dean here!
The author has revealed just how much of this searing novel is based upon her own experiences at school which lends credibility and authenticity to the situations described, but she has also created utterly believable and relatable characters with truly authentic teen voices and dialogue. Within a few pages we are thrust into the raw pain of grief and utter disbelief in the aftermath of a teen suicide. The narration alternates between 15-year-old Nathan, the younger brother who discovered Al’s body and Megan the school friend who shared Al’s passion for art, but each chapter is cleverly introduced by the voice of Al himself. Both Nathan and Megan are wracked with guilt, blaming themselves for letting Al down. Nathan, by not picking up the call from Al on that fateful afternoon and Megan by sticking with the ‘cool’ kids and not acknowledging Al as a friend. Nathan wants to understand why Al was driven to suicide and Megan wants to prove to the world how special he was. Gradually we develop a deep and nuanced understanding of their growing relationship and of all the characters involved: be they friends, family or even ‘villains’. There are no cardboard cyphers here. The thought provoking, intelligent writing also reveals the overwhelming influence of social media on the lives of young people. Megan can use Instagram and Facebook to positively celebrate Al’s artwork, but together they discover the extremes of cyberbullying he had been exposed to and which ultimately pushed Al over the edge, helped by the casual spite which colours so much daily interaction on social media.
This debut novel was inspired by the author’s work creating Run the World, an organisation that empowers women and girls from marginalised backgrounds through sport and storytelling and the authenticity of this, at times harrowing story, is palpably evident. As is the skill of the accomplished writing which makes great use of typography and layout to really make every word count. This speeds the reader through the narrative, but it also cuts deep to reveal the emotions experienced by our narrator. Amber Rai is only ‘truly alive’ when running and shows great potential. But her alcoholic, abusive, misogynistic father refuses to allow her on the track. She has seen her older sister Ruby denied university and married off against her will and her downtrodden, abused mother is literally powerless to help, trapped as much by illiteracy and lack of English as the violence of her equally illiterate, unemployed husband. Amber has friends and teachers who believe in her, but she cannot explain what really goes on at home. She is a complex and believable character with very real flaws that she painfully recognises: ‘inflicting pain on others/halves your own hurt’. But the story is cleverly structured on The Anatomy of a Revolution and inspired by her reading about revolutions for history, Amber, Ruby and her mother gradually empower each other to take small steps to freedom. This is an important, rewarding, highly empathetic read which, despite the dark subject matter, offers hope but no simplistic solutions.
This is an astounding novel telling the stories of twelve characters living across the country and through the years. Each character is vivid as they take centre stage to share their story with us. Whether it's the sassy, argumentative Yazz, or the devastating narratives of Carole and Dominique. This book is filled with humour, culture and passion and I think it is a must-read for everyone. Composed as poetic prose, Bernadine Evaristo's lyricism throughout makes the sections flow, hammers home key points and gives each character their own unique tone. This is a book that will stop you in your tracks as you find out more about the characters but will also stop you reading as you contemplate the beauty in Evaristo's style of writing. "It's a novel about who we are now". Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
This is such a beautifully handled startling wow of a read, it has gone straight in to sit as a LoveReading Star Book. Spend a week with Majella as the routine of her life changes, she just wants to go to work, watch Dallas, and eat the same dinner each night. However… her mother is an alcoholic, her dad disappeared in the Troubles, and her gran has just died. The synopsis tells you that Majella is autistic, but this is her story, and she doesn’t know she is, so I met, I saw, I got to know Majella, as Majella. The extensive list of things she isn’t keen on are announced as the story progresses. The humour Michelle Gallen delivers is punchy, the swearing is particularly sweary, while the heartachy emotion wormed its way into my heart and squeezed. In fact Majella marched her way into my thoughts, she is one of the most wonderful characters I’ve had the pleasure of meeting, and I’d go so far as to say that she is unforgettable. The repetition of her life, echoed through the book, adding emphasis to each new experience. The surrounding town and its folk slipped and exploded into play while the chip shop sits centre stage. Simple and raw yet richly complex, Big Girl, Small Town comes with huge applause and recommendations from me.
Shortlisted for the Booker Prize 2020 It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest. Shuggie is different. Fastidious and fussy, he shares his mother's sense of snobbish propriety. The miners' children pick on him and adults condemn him as no' right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place. Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst's The Line of Beauty, it also recalls the work of Edouard Louis, Frank McCourt, and Hanya Yanagihara, a blistering debut by a brilliant writer with a powerful and important story to tell.
Burning with an intense, provocative fire, this is a debut that doesn’t flinch from the troubled world it creates. 25 years ago, a 16 year old school girl and her teacher disappeared, now a journalist investigates the mystery at the heart of the boarding school. The prologue intrigues, answering a question while bursting open many more. I felt a seductive unsettling call and settled in. Three women sit centre stage in this story, the missing Louisa, her friend Victoria, and the journalist. I gained access to the school and sank into the heady highs and lows of teenage years. A veil of mystery covers Temple House, the school sits in both time periods, a chilling constant between the two. It is as much about the unsaid, the unseen, as it is what is revealed, and Rachel Donohue handles the balance with surety. The ending really spoke to me, it opened my thoughts and encouraged them to travel. I have no doubt that The Temple House Vanishing will stay with me for some time to come, it is an assured and compelling debut. Have a Look at our Ambassador Book Buzz for The Temple House Vanishing.
Beginning in rural Jamaica in the late 1950s with the island on the verge of independence from Britain, A Tall History of Sugar is an all-consuming story of love, history and self-determination whose author, Curdella Forbes, possesses a majestic ability to evoke the big from the small. Rich details of dialogue, of time and place, of inner states and the outer world, intermesh with a sweeping sense of history, with its pertinent opening line referencing the state of contemporary Britain: “Long ago, when teachers were sent from Britain to teach in the grammar schools of the West Indian colonies (it was Great Britain then, not Little England, as it is now, after Brexit and the fall of empire)…” At the heart of this mythic tale is Moshe, whose appearance and biblical discovery as a baby in a twist of sea grape trees shrouds him in mystery, and elicits much mockery and fear. “With his pale skin, one sky-blue eye and one dark-brown eye…people said the boy just looked like sin. Big sin at work when he was made.” After spending his first years in the company of the childless woman who found him, Moshe forms an unbreakable bond with fellow outsider Arrienne. At school, “with the large girl sitting silently beside him, he felt that he would die of happiness.” While both Arrienne and Moshe excel in their studies, artistically gifted Moshe leaves his politically-engaged soul mate and arrives in England during the hot, fractious summer of 1976, where he hopes to find his birth father. His search takes him from Brixton, borough with a “thousand faces”, to Bristol, where he encounters the incongruity of former slave-owners being celebrated as hero philanthropists, with the urge to be close to Arrienne remaining a constant draw through all his experiences. Complex, compelling and luminously lyrical, this tells a powerful tale I know I’ll return to over and over. Read our 'Book-aneers of the Caribbean' listicle to find more unforgettable books by Caribbean writers. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Totally, completely, and utterly gorgeous, this is a beautifully written historical relationship tale with real bite. And can I just qualify the word relationship - this is about the relationships with family, community, fear, nature, as well as the more obvious love. A work of fiction inspired by history, the story begins on Christmas Eve in 1617 when a sudden and violent storm takes the lives of forty fisherman, leaving the stunned women folk learning to survive on their remote northerly Norwegian island. Still reeling from the tragedy, their lives turn in the most frightening direction when the King brings in sorcery laws and a commissioner is installed to root out evil. This is Kiran Millwood Hargrave’s debut adult novel, and I feel as though I have been waiting my reading life for it. The prologue hits with a huge sad inevitability. Kiran Millwood Hargrave writes with a sensitive and considerate pen, the descriptions are truly breathtaking. While there are some savage shocks in store, The Mercies is still a warm, thoughtful and touching read. Chosen as a Liz Robinson pick of the month, we also just had to include The Mercies as a LoveReading Star Book too. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
Renée Watson’s remarkable What Momma Left Me is a wise and nourishing story rooted in themes of resilience, healing and love. With high school on the horizon, African American Serenity is struggling to piece her life back together following the brutal death of her beloved momma and the loss of her dad. Amidst this sensitively evoked maelstrom, Serenity finds hope in the form of her wholesome grandparents, church (where Grandpa is a pastor), brother Danny and new friend and confidante Maria, a bright beam of light who harbours her own bleak secrets. Serenity handles her grief, set-backs and challenging dilemmas with dignity, her grandparents a constant, calming presence as they impart wisdom, such as this nod to Maya Angelou’s ‘Still I Rise’ poem: “That’s why we say ‘we rise’, children. There have been lots of things that have tried to keep us down. But we’ve got resilience running through these veins.”Empathetically charting Serenity’s grief, first romance and growing up (what Serenity does to save Maria from an unsafe situation shows strength and wisdom way beyond her years), this huge-hearted novel comes highly recommended for its honesty, depth and engaging readability, along with Watson’s Piecing Me Together and Watch Us Rise (the latter co-authored with Ellen Hagan). Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Encompassing works from ancient sages, classic poets, well-known thinkers and emerging contemporary innovators from all walks of life, this involving, inclusive collection inspires, entertains, enthrals and emboldens. Alongside enjoying the work of widely-esteemed names (including Sappho, George Eliot, Sylvia Plath, Carol Ann Duffy, Jackie Kay, Christina Rosetti, Maya Angelou, Emily Dickinson and Margaret Atwood), it was a pleasure to discover contemporary poets whose work I shall seek out, among them Ruth Awola and Remi Graves, and lesser-known names from the past, for example Edith Södergran and Astrid Hjertenaes Andersen. If the diversity of voices is rich, so too are the themes, with growing up, friendship, love, nature, body image and protest covered in staggering depth and diversity. This varied chorus of bold, incisive voices makes for a collection to be savoured and shared.
A debut novel to enjoy slowly, to savour, to adore. Yes, this is a rather special and beautiful book, and I want to climb a few rooftops to shout about it. Missy Carmichael is lonely, she lives by herself in a huge house, when opportunities arise for friendship and more, can she reach out and take them? I admit to having fallen in love with Missy, she isn’t perfect and she makes mistakes (who doesn’t!), yet there is something about her that tiptoed into my heart and soul and has taken up residence. So often we just see a snapshot of someone, a moment or period in their life, however not here. Beth Morrey has not only brought her to life, but by also dipping into the past, we discover the gems that make Missy, well, Missy! The surrounding characters are a wonderfully quirky bunch, and Bob is an absolute delight. I laughed and I cried (oh how I cried). Saving Missy meanders gently, poignantly, beautifully, to what was for me, a perfect ending. I adored meeting Missy and so have chosen this lovely debut novel as one of our star books.
Our mission is to share book love and encourage reading for pleasure by offering the tools, advice and information needed to help our members and browsers find their next favourite book. Part of that mission includes promoting diversity through the authors, characters and books that we feature on the website.
Much like our Debut category has a variety of books from first-time authors, our Diverse Voices genre will highlight a wide range of Inclusive narratives.