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Find out moreOur Diversity genre celebrates a wide range of inclusive narratives. It's about empowering people by respecting and appreciating what makes them different, in terms of age, gender, ethnicity, religion, disability, sexual orientation, education, and national origin. As a team, we read widely and make sure that we offer intersectional representation in our book recommendations.
A debut novel to read slowly, to savour, to adore. Yes, this is a rather special and beautiful read, and I want to climb a few rooftops to shout about it. Missy Carmichael is lonely, she lives by herself in a huge house, when opportunities arise for friendship and more, can she reach out and take them? I admit to having fallen in love with Missy, she isn’t perfect and she makes mistakes (who doesn’t!), yet there is something about her that tiptoed into my heart and soul and has taken up residence. So often we just see a snapshot of someone, a moment or period in their life, however not here. Beth Morrey has not only brought her to life, but by also dipping into the past, we discover the gems that make Missy, well, Missy! The surrounding characters are a wonderfully quirky bunch, and Bob is an absolute delight. I laughed and I cried (oh how I cried). Saving Missy meanders gently, poignantly, beautifully, to what was for me, a perfect ending. I adored meeting Missy and so have chosen this lovely debut novel as one of our star books.
Burning with an intense, provocative fire, this is a debut that doesn’t flinch from the troubled world it creates. 25 years ago, a 16 year old school girl and her teacher disappeared, now a journalist investigates the mystery at the heart of the boarding school. The prologue intrigues, answering a question while bursting open many more. I felt a seductive unsettling call and settled in. Three women sit centre stage in this story, the missing Louisa, her friend Victoria, and the journalist. I gained access to the school and sank into the heady highs and lows of teenage years. A veil of mystery covers Temple House, the school sits in both time periods, a chilling constant between the two. It is as much about the unsaid, the unseen, as it is what is revealed, and Rachel Donohue handles the balance with surety. The ending really spoke to me, it opened my thoughts and encouraged them to travel. I have no doubt that The Temple House Vanishing will stay with me for some time to come, it is an assured and compelling debut.
Imparting an infectious passion for politics, speaking-out and trying to make a difference, Yes No Maybe So, co-authored by Becky Albertalli and Aisha Saeed, is a resonant, readable page-turner with an adorable cross-cultural romance at its heart. Jamie Goldberg is a self-professed klutz with confidence issues and a commitment to campaigning for his local Democrat candidate. While he hates being the centre of attention and has no interest in “power for its own sake”, Jamie is certain that “I want to be a history changer. I want to help draw the line.” It’s on the campaign trail that he meets Maya. With her parents recently separated, their vacation plans cancelled, and her best friend distracted with college plans, Maya figures she’d just as well do something during the summer. The Islamophobia Maya experiences while canvassing elicits a mix of shock, anger and defiance. “We don’t want the racist asshole guy to win, right?” she says of the bigot who slurs her during one doorstep encounter. “He already did win. In 2016,” Jamie quips of the US President. As the heat of the campaign intensifies, not least when they stand against a Republican bill seeking to ban head and face coverings in public spaces, and Jamie’s car is defaced with an anti-Semitic sticker, so too does their friendship, with their cross-cultural relationship portrayed with authentic empathy. Maya and Jamie’s dual narrative plays out with page-turning urgency and their awakenings – political, personal and romantic – are a genuine joy to experience. While Jamie has to learn from his Ramadan-related gaffes, and there are conflicts to navigate, their friendship – and more – transcends boundaries.
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An incredibly engaging, fascinating, and rather beautiful read, this book will stay with me for some time. A couple seek refuge after the Spanish Civil War and end up in Chile, where years later they again face exile. Covering the period from 1938 through to 1994, this is a story that crosses continents, examines topics such as fascism, war, and migration, yet is as intimate as intimate can be. I entered and thought no more about the fact that this was translated from Spanish by Nick Caister and Amanda Hopkinson, it is so clearly, simply, and fabulously done. Within the first few pages there were tears in my eyes. I couldn’t stop reading, thoughtful and sensitive, yet not afraid to focus on unbearable sorrow, this feels as though it could be a biography. As Isabelle Allende explains in the acknowledgments, while this is a novel, with fictional characters (though based on people she has known), the historical events and people are real. She says: “This book wrote itself, as if it had been dictated to me” and I truly felt that. A Long Petal of the Sea opened my eyes and my heart, and has left me wanting to know more. Coming as highly recommended by me, it has also been chosen as a LoveReading Star Book.
ETHIOPIA. 1935. With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid. Her new employer, Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilise his strongest men before the Italians invade. Hirut and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms. But how could she have predicted her own personal war, still to come, as a prisoner of one of Italy's most vicious officers? The Shadow King is a gorgeously crafted and unputdownable exploration of female power, and what it means to be a woman at war.
Thirty-year-old Shalini has lived a privileged life, but one beset by uncertainty. She was her erratic mother’s “little beast” and is struggling to come to terms with her tragic death. Adrift from work and the wider world, Shalini journeys to find Bashir, a travelling salesman she and her mother befriended through her childhood, tentatively hoping this will provide some understanding of her mother’s death. As Shalini’s journey unfolds in the present, a second narrative reveals her past with raw poignancy. On the road, Shalini’s faltering need to belong somewhere is revealed through her romantic imaginings of being part of a stranger’s family. And then, in Bashir’s remote Himalayan village, she becomes caught in a complex political situation, with the tangled conflict between her heart and conscience made powerfully palpable. While she feels “I had chosen this place, these people, this life, with its secrets and its violence, it’s hardness and its beauty”, Shalini recognises that she’s thrown Bashir’s family “into disarray with my invasion and my probing questions”. The writing is so exquisitely magnetic that I struggled to draw myself away from it, especially as Shalini’s story rose to an unexpected, pulse-quickening climax. This is the rare kind of novel that lingers long in the heart and mind, like a dream one feels compelled to return to.
Everything changes for rural lad Emmett Farmer when a gloriously grouchy wise woman compels him to be her bookbinding apprentice. While this line of work is generally shrouded in superstitious fear, Emmett is shocked when his mentor explains that they “don’t make books to sell, boy. Selling books is wrong”. Rather, their gothically intriguing trade involves binding unwanted memories into books: ”Whatever people can’t bear to remember. Whatever they can’t live with. We take those memories and put them where they can’t do any more harm”. Most clients are wealthy; well-to-do gentlemen who have their servants and wives bound so they forget what wrongs their masters and husbands have done to them. No wonder then, that Emmett is horrified to discover a book bearing his own name, and so a tempestuous tangle of secrets unfurls. The novel is also fragrantly spiced with witty references to literary history and the novel as an art form: “It makes one wonder who would write them [novels]. People who enjoy imagining misery, I suppose. People who have no scruples about dishonesty”. Yet through the duplicity of her exquisitely crafted characters, and luminous storytelling, this novel’s author reveals truths of the human spirit in a most entertaining and absorbing fashion.
From childhood in Germany and England to young womanhood in Ghana, this enthralling novel follows a steadfastly thoughtful Ghanaian forging her own identity in the face of fractured family ties, tragedy and colonial imperialism. Though of illustrious heritage, Maya’s childhood as an émigré is complex, uncomfortable and evoked with lyrical precision. Her beautiful mother is self-absorbed, always scented with “powdery luxury” and critical of Maya. ”It’s a pity my child did not take my beauty”, she tells her reflection before counselling Maya to “always look more than perfect. Not just good enough, but perfect”. And Maya receives conflicting messages from her father too. “Boys will not like you if you are too clever”, he tells her, while also criticising an eight out of ten mark: “Why not ten out of ten? You must always do your best.” The arrival of cousin Kojo changes everything. His impassioned talk of Ghana fuels Maya’s understanding of her mother country, her parents, and her own identity. She observes that Kojo’s knowledge “gave him the power to upset the order of things,” leading her to wonder, “Could I learn these secrets and codes, even though I did not grow up in our country?” When she and Kojo are sent to schools in England, Maya experiences the racism of peers who “touched my hair and stroked my skin and passed me round on their laps like a doll”, and Kojo is bullied. No wonder then that he decides that, “this is nothing but a small shitty island that doesn’t work properly. It’s a cold wet Third World country, but they made us think they were all powerful.” Later back in Germany, Maya is maddened by the cultural imperialism of her education: “I could not think of much that was more frightening than fitting into this pinched-in sterile world.” Maya’s story is at once arresting and nuanced, and suffused in an elegant sense of triumph when she returns to Ghana, where Kojo has been struggling to set-up a museum, and in time finds her voice and purpose through navigating a tangle of personal misfortune and cultural complexities.
International in scope and sweeping in history, Yvette Cooper’s She Speaks compendium gives voice to a dazzlingly diversity of powerful speeches selected on the basis of them being delivered by “women who believe in using words to build a better world, and persuading others to join them as they do so.” The introduction is both inspirational and edifying, with Cooper surveying the hostile landscape women have traversed - and still traverse - while making their voices heard, integrated with personal insights from her career as a Labour MP, Cabinet Minister and Secretary of State.Throughout it’s a joy to the savour the words and wisdom of dozens of seminal female figures, from Boudica’s stirring two thousand year-old polemic against violations of women, to Diane Abbott’s powerful 2019 House of Commons speech on the brutally unjust Windrush scandal. Other British women with political pedigree include the fabulously fierce Barbara Castle (her speech here is an exquisite example of sharp, scathing, socialist-minded oratory), Jo Cox, with her poignant maiden speech as an MP, Yvette Cooper herself, and former Conservative Prime Minister Margaret Thatcher. While it might seem out of place for Cooper to re-amplify the Iron Lady’s inflammatory “ideological assault on the public sector” by including her “the lady’s not for turning” speech, she frames the decision by referring to Thatcher’s mould-breaking persona and indestructible self-belief. Thatcher’s inclusion is also testament to the gracious spirit that runs through the anthology. Indeed, Theresa May’s speech on modernising the Conservative party is also included.Beyond Britain we hear from Audre Lorde, Benazir Bhutto and Michelle Obama; from razor-witted US Congresswoman Alexandria Ocasio-Cortez, Nigerian novelist and feminist Chimamanda Ngozi Adichie, and young education campaigner Malala Yousafzai. I was especially stirred by the 1851 speech of Sojourner Truth, a former slave turned activist whose work saw her campaign against slavery and champion women’s rights, and whose words sang for the oppressed. The last words are given to Greta Thunberg because “no one speaks about the future with more clarity or urgency than Greta Thunberg”.“She Speaks, I must listen”, Cooper writes in her introduction and this finely-curated anthology will certainly inspire readers of all ages to pay close attention to the women’s words it shares.
In their riveting and timely young adult debut, acclaimed novelist Akwaeke Emezi asks difficult questions about what choices a young person can make when the adults around them are in denial.
A simply fabulous conclusion to the unique and penetrating Reykjavik Noir Trilogy. You must start with Snare and Trap, and if you’ve already read them you will be drumming your fingers in eagerness, waiting for the arrival of Cage. Agla is in prison for financial misconduct, with no idea as to why Sonya abandoned her. Surrounded by drugs, smuggling, fraud, and violence, can they survive the maelstrom heading their way? Lilja Sigurdardottir pursues individual stories, setting up a chain of events that begin to slither together. The translation by Quentin Bates continues to shine. Crisp, punchy, tight writing ensured I devoured this read, from the first word through to an ending that completely and beautifully hit the spot. The cover of Cage, when sitting alongside the previous two novels is just divine and ensures the books stand out as much as they deserve to. With shocks and surprises in store, and that oh so satisfying end, Cage provoked, chilled, and thrilled me.
This endearing character-driven treasure from the award-winning author of Dear Martin is a race-against-time romance replete with real-life hardship, class conflict and hope. Rico is a high school senior who works at Gas ‘n’ Go after class to keep her family afloat and then races home to look after her little brother so her mom can pick up extra shifts. In the intensity and exhaustion of this hamster-stuck-in-a-ball situation Rico’s lost sight of what she wants for her future, but selling a jackpot-winning lottery ticket gives her new focus: to find the little old lady she believes won the ticket. Then maybe – just maybe – she’ll be rewarded with a life-changing cut of the multi-million-dollar winnings. To this end, Rico reluctantly enlists the help of handsome, rich “Zan-the-Man”, a tech whizz who “has no idea what it’s like to constantly be on the brink of not having what you need to survive.” But, as Rico discovers, while Zan’s set to take over the throne of his family’s toilet paper empire, his dad has made sure he knows the value of money. Their opposite-side-of-the-tracks narrative plays out with heated banter and feverish frisson, with class conflict rearing its head at every turn as Rico struggles to accept Zan’s generosity just like her mom refuses to apply for government support. Quirkiness comes courtesy of interludes told from the points of views of inanimate objects - the winning ticket, a taxi, a stash of $100 dollar bills, Zan’s fancy bed sheets, a salt shaker – and the novel’s conclusion is as thrilling and life-affirming as it is unexpected. Readers will be left rooting for Rico and Zan to forge the futures they deserve.
Our mission is to share book love and encourage reading for pleasure by offering the tools, advice and information needed to help our members and browsers find their next favourite book. Part of that mission includes promoting diversity through the authors, characters and books that we feature on the website.
Much like our Debut category has a variety of books from first-time authors, our Diverse Voices genre will highlight a wide range of Inclusive narratives.