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There’s something about a debut. The team at LoveReading adore discovering a new favourite author. Can you imagine the blood, sweat, tears and love that has gone into the process of becoming an author? Here you can be in at the start and then recommend your favourites far and wide.
Our July 2020 Book Club Recommendation. Click here to see our Reading Group Questions. A completely divine and ultimately uplifting debut, I cried, I smiled, I laughed, I loved it. With the best intentions Andrew has told a fib which has grown to surround and become a part of him, his life is then thrown up in the air when he meets Peggy. Ahh, Andrew, I admit to completely falling for this shy, kind, thoughtful man. The first few pages had me smiling, humour finely balancing and holding hands with poignancy. Richard Roper has developed the most fabulous characters and one heck of an emotional setting, which he handles with beautiful sensitivity. As the story developed, I hoped, oh how I hoped for a happy ending but I really couldn’t tell what the final outcome was going to be. With heartache tempered by gentle good humour Something To Live For casts the warmest of glows. I have no doubt that it will be topping my favourite reads of the year. We adore this quirky must-read and have chosen it to sit as a Debut of the Month, Liz Pick, and LoveReading Star Book!
Set in the early 1900s as the Virgin Islands shift from Danish to American rule, this is a sublime and thought-provoking novel. An epic family saga suffused in the islands’ complex history, and the strange magic of two sisters – Anette, who can see the future, and Eeona who possesses an extraordinary siren-like beauty. “Men will love me. It is the magic I have,” she remarks. Orphaned by the sinking of a ship, this captivating novel follows the sisters through sixty years. As they experience births, deaths, losses, loves, conflicts (and curses), sweeping change swells through their St Thomas homeland, shifting the sands around race and the land ownership. While their half-brother Jacob experiences institutionalised racism in the US Army, and witnesses segregation and the start of the Civil Rights Movement, back on the island Americans are busy buying up land and privatising beaches, giving rise to clashes between locals and incomers. It’s hard to believe this is Yanique’s debut. The writing is spellbinding, assured and invokes a desire to return to its world, and its themes are vitally important, not least the very relevant issue of outsiders making prime - and formally public - land inaccessible to locals.
Oh my word, this hits hard, and with so much power it almost took my breath away. Set in the future it focuses on an antibiotic crisis, no one over the age of 70 is allowed treatment and they are sent to hospitals called ‘The Waiting Rooms’. Although written before the current Covid 19 crisis, there is so much here you can connect to as a reader it feels as though this book was meant for these specific times. The first chapter is provocative, it shocked me and yet introduces the main character and book perfectly. As Kate searches for her birth mother, different time frames and countries sent my thoughts and feelings spinning. This is one of those books that doesn’t sit comfortably in one genre as it crosses from dystopian right through to family drama. It is perhaps best described as a speculative thriller, and boy did it make me reflect. I have been left thirsting for more information, for more knowledge and Eve Smith’s final words when she talks about the inspiration behind the novel are chilling indeed. The Waiting Rooms is a gutsy, thoughtful, fascinating read, and we have chosen it to feature as a LoveReading Debut of the Month.
Telling the affecting story of sixteen-year-old Cal’s battles with homophobic bullies, family upheavals, mental health and heartbreak, this hard-hitting page-turner pulls no punches from the opening coming-out scene that results in Cal’s mum needing medical attention and an almighty clash with his dad. Reeling from strife at home and school, along with a series of ill-advised one-night stands, Cal’s life seems to take an upward turn when he falls for handsome, wealthy Matt. But since the course of passion and romance rarely runs smooth, thank goodness Cal’s best friend Em and her joyous Scotch-drinking, straight-talking nan are there when he needs them. Exploring themes of homophobia, self-harm, complex family dynamics, friendship, and intergenerational bonds with clarity and sensitivity, Fall Out is underpinned by a warm message of hope and the possibilities of starting afresh. As Cal says, “You can’t pave over the faults; you can’t wash away the past but sometimes, when you make mistakes, you get a second chance.”
Is there such a word as bookstruck? Because that is what I'm feeling right now, The Court of Miracles is a debut, the start of a trilogy, and a stonkingly good read. I believe both (older) young adults and adults will fall for this and I suggest just throwing yourself in and letting go. Find yourself in a reimagined Paris years after the French Revolution has failed with some of the cast of Les Miserables… this is what might have been. As well as cast members (with notable exceptions), there are little references to Les Mis to discover along the way which made me smile but please don’t think of this as being a historical tale as you are opening up a whole new world. I think The Court of Miracles would work without already knowing Eponine, Cosette, Gavroche and friends, as some develop in a completely unexpected way and there are a whole host of new characters to meet. Eponine (Nina) the Black Cat narrates, and after her father sells her beloved sister, she becomes a thief in the criminal underworld of the Court of Miracles. She soon finds herself another sister Cosette (Ettie), but in order to protect, she must betray. Opening up the trilogy in the best possible way The Court of Miracles is an adventurous story stuffed full of revenge, courage, and love. While it felt like a wondrous tale in its own right, there is obviously still much to come. I adored it and this oh so readable novel sits as a Debut of the Month, LoveReading Star Book, and Liz Pick of the Month.
Raw, honest and powerfully emotional this debut novel is an important contribution to understanding mental health and well being. Three beautifully drawn, distinctive and compelling voices narrate this heartbreakingly honest story. All three are young women dealing with depression and mental health issues. The story starts with Mehren and the depression and anxiety which she personifies as “Chaos” are overwhelming her life causing her to sign up to a terrifyingly authentic suicide website called MementoMori, a website that matches people with partners and allocates them a date and method of death. This is where she met Cara and Olivia. We learn that Cara is blaming herself for her father’s death and her own injuries while Olivia is suffering from the abuse that started when she was fifteen. The girls share their problems and find strength and friendship while completing the bizarre tasks set them by the website. The different points of view enable the reader to understand how mental health affects us all differently. The book pulls no punches and librarians and teachers must be wary of triggering descriptions of suicide attempts and abusive situations. But the authentic representations are extremely valuable for increasing understanding and showing that each culture and situation has its own unique problems. Family relationships and secondary characters are equally well depicted and although dark and intense the resolution is realistically hopeful. An impressive and important debut.
Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself. Epic in its canvas and intimate in its portraits, Homegoing is a searing and profound debut from a masterly new writer.
February 2018 Debut of the MonthA raw, convincing, achingly intimate and individual tale about actions and consequences. 16 years after the death of his brother, Conway wants revenge. When Ray Boy is released from prison, Conway hunts him down in order to kill him, but pulling the trigger isn’t as easy as he thought it would be. There is a sharp edge to the writing, yet the chapters flow from one story to another, initially separate, then linking, writhing and twisting together. William Boyle has created intensely tangible characters, their voices, thoughts and feelings almost become physical, touchable, and are so very, very believable. I highly recommend Gravesend, it is fresh, original, and somehow feels both modern and ancient, as though this story has been lived again and again, and yet is being told for the first time. ~ Liz Robinson
February 2018 Debut of the Month In a nutshell: sci-fi and fantasy blend in high-action, thought-provoking adventure Musician and entertainer will.i.am has collaborated with science of the future specialist Brian David Johnson to create an epic adventure. WaR seamlessly combines fantasy favourites wizards with robots, long beloved in sci-fi but now accepted as a crucial part of all our futures. Flipping back and forth in time, it stars feisty teenager Sara, whose mother is creating the first fully intelligent robot. This puts Sara at the centre of a power struggle, spanning centuries, between wizards and robots. As the story unfolds however, Sara must reconcile the two factions to defeat a common enemy. In this she’s helped by a young wizard called Geller and a robot, Kaku. Intriguing, refreshing and packed full of ideas, the momentum of the story sweeps readers along to its dramatic conclusion (at the CERN institute!). Real science is scattered throughout, and sci-fi has never seemed so now. ~ Andrea Reece
A fun and gripping first in a new series of Scandi-noir - unusually written by a British writer who grew up here but now lives in Sweden. Our heroine - Tuva Moodyson - has also recently moved there, she grew up in rural Sweden but left for the bright lights of London and has returned to near home because her mother hasn't got long to live. Not wanting to give up her career as a journalist she's moved a few hours away from 'home' to work at a local paper. It's pretty sleepy till the entire community is sent reeling when a body is found in the forest during hunting season, shot but with it's eyes removed, no accident and a chilling copy of a spate of murders from twenty years before. Tuva goes on the hunt for the story of her career almost risking everything to find the killer. Adding to the drama is the fact that Tuva is deaf and her ability to both operate without her hearing aids in complete silence when she wants to, and the danger she faces from her hearing aids failing, both up the ante significantly. Read our 'Putting Authors in the Picture' Blog for Will Dean here!
Oh my, I have quite fallen in love with this absolutely glorious and spellbinding tale. A wonderful infusion of themes means ‘Attend’ quite rightly, refuses to be labelled. Set in Deptford, London the streets, houses, and locations are as eloquently described and important as the characters. Skirting the violent criminal underbelly of the town and exploring the struggle of addiction, the story hovers within touching distance of an unseen mysterious power that planted itself in my mind and continued to lurk and explore my thoughts and feelings. The enigmatic and almost otherworldly Deborah sits centre stage, acting as a magnet, weaving Sam and Anne into her story. ‘Attend’ has a deliciously dark fairytale quality that sits alongside the heartfelt realism of life quite beautifully. This is West Camel’s debut, his writing is alluring and sang out to me, I simply can't wait to see what comes next. I recommend Attend with every fibre of my being, it has must-read stamped all over it.
Forthright, funny Ayesha harbours dreams of being a poet and occasionally performs at a literary lounge, but her ambitions are somewhat hampered by her new teaching job and familial pressure to get married, a pressure that’s intensified by her stunning younger cousin’s countless marriage proposals. But Ayesha is adamant that she doesn’t want an arranged marriage, even if it means she might be doomed to spinsterhood. Then, courtesy of her best friend and a conference at her mosque, a few twists of fate throw Ayesha into contact with hyper-critical, conservative Khalid, who dresses like a time-traveller from several centuries ago and is utterly under his wealthy mother’s control. Cue much friction, farcical funniness and genuine soul-searching as Ayesha and Khalid embark on complex, intersecting journeys of discovery. Alongside serving up a sparkling love story, this debut also tackles meaty issues, from the rampant islamophobia of Khaled’s abhorrent boss, to the sexism Ayesha stands up to. Indeed, the criss-crossing sub-plots - both gritty and comic - keep the pages turning, and make this a treat for fans of romance with extra bite.
In a Nutshell: Mystery, memory, manipulation | A feisty thriller that fizzes with intrigue, paranoia and a cast of fascinatingly flawed characters. For Jess “every waking moment is a flashbulb moment. I recall everything from the age of eleven like a never-ending motion picture,” which is why she became part of Professor Coleman’s intensive memory study Programme. Following a family tragedy and sick of Coleman’s invasive methods, Jess fled the study and assumed a new identity. She’s an engaging, refreshingly straight-talking narrator, not always likeable, but consistently clever and ten steps ahead of everyone around her. But further tragedy follows at her new school when Hanna, her roommate, falls to her death. While Jess tries to figure out who’s behind the mysterious postcards she finds in the wake of Hanna’s death, she falls for new boy Dan and confides in him as it emerges that Professor Coleman wants her back. A tangle of questions arise as Jess tries to keep herself safe, and the answers are revealed with terrific tension as a series of damning discoveries set the stage for an explosive showdown. Recommended for YA readers who like their fiction fast-paced and full of psychological thrills and chills. Do you have a memory for faces? Could you be a Super Recogniser? Head over to the University of Greenwich website to take the test… greenwichuniversity.eu.qualtrics.com
A beautiful yet powerful debut that shares the story of twelve characters and empathises with the struggle of the urban native American. It’s a masterclass, an incredible book that has conflict, poverty, despair, humour, hope and so much sadness it’s heart-breaking. The stories are intertwined and involve the dozen individuals travelling to the Oakland Powwow about to embark upon a chain of events that build to a real crescendo. Get your tissues at the ready and prepare to be wow’ed.
March 2018 Debut of the Month | In a Nutshell: Thrilling fantasy and West African folklore An exceptional fantastical debut that weaves dark magic, powerful female protagonists and West African folklore into a richly rewarding novel, the first in what promises to be a truly epic trilogy if this opening installment is anything to go by. There was a time when Orisha was alive with magic but, under the command of a new king, those with magical gifts are now targets, and the fabulously rebellious, outspoken Zélie has been orphaned. Her heritage is of the Reaper Clan. Her mother was able to summon souls, and now Zélie, who has retained her magic, seeks justice for her mother’s death. Fuelled by thoughts of “the way her corpse hung from that tree” and “the king who took her away”, she’s determined to rise, and nothing will stop her. And so Zélie must seize control of her powers and venture forth to fight the crown prince. Throughout, the world-building and evocation of clan magic is astoundingly detailed, conjured with a vibrant visual sensibility, and Zélie is a one-of-a-kind young woman whose journey exhilarates, astounds and inspires. A message from the author: Dear Reader, There are so many things I want to say to you, but the most important is simple: Thank you. Thank you. Thank you. Children of Blood and Bone is the book of my heart in every way, shape, and form. It holds the magic and adventure that have made me an avid lover of fantasy and storytelling my whole life. It has thediverse cast I have always wanted to see in my favorite stories, but never got to. But above everything else, this story has my heart because it’s given me something to hold onto during very dark chapters in my life. This book was written during a time where I kept turning on the news and seeing stories of unarmed black men and children being shot by the police. I felt afraid and angry and paralyzed and helpless, but this book was the one thing that helped me feel like I could do something about it. I told myself that if just one person could read it and have their hearts or minds changed, then I would’ve done something meaningful against a problem that often feels so much bigger than myself. And now this book exists and you are reading it. Thank you. Thank you. Thank you. There are so many things I hope for this story, but I there want to end this letter with all the things I hope it gives you. I hope Children of Blood and Bone brings you an epic fantasy adventure like nothing you’ve ever experienced. I hope you see a glimpse into my Nigerian heritage and the beautiful cultures and people Africa holds. I hope this story makes you want to pick up a staff and ride on the back of a giant lionnaire. I hope if you’ve never seen yourself as the hero of a story, this book hanges that. I hope this novel makes you think and feel. I hope it propels you to help those who suffer the fate of the maji in the world around us.But most of all, I hope this book is only the beginning of our adventures together. Sending my love and appreciation, Tomi.
Tomi Adeyemi conjures a stunning world of dark magic and danger in her West African-inspired fantasy debut Children of Blood and Bone. They killed my mother. They took our magic. They tried to bury us. Now we rise. Zélie remembers when the soil of Orïsha hummed with magic. When different clans ruled - Burners igniting flames, Tiders beckoning waves, and Zélie's Reaper mother summoning forth souls. But everything changed the night magic disappeared. Under the orders of a ruthless king, anyone with powers was targeted and killed, leaving Zélie without a mother and her people without hope. Only a few people remain with the power to use magic, and they must remain hidden. Zélie is one such person. Now she has a chance to bring back magic to her people and strike against the monarchy. With the help of a rogue princess, Zélie must learn to harness her powers and outrun the crown prince, who is hell-bent on eradicating magic for good. Danger lurks in Orïsha, where strange creatures prowl, and vengeful spirits wait in the waters. Yet the greatest danger may be Zélie herself as she struggles to come to terms with the strength of her magic - and her growing feelings for an enemy. The movie of Children of Blood and Bone is in development at Fox 2000/Temple Hill Productions with the incredible Karen Rosenfelt and Wyck Godfrey (Twilight, Maze Runner, The Fault In Our Stars) producing it.
March 2008 Debut of the Month. Winner of the CWA Ian Fleming Steel Dagger 2008. Shortlisted for the Costa First Novel Award 2008.Costa Book Awards 2008 Judges' comment: "This gripping, unputdownable thriller is an exciting new addition to the genre." This is a brilliant first novel from an exceptional writer. Set in Stalinist Russia, it is a tight and gripping tale of an MGB officer who starts to question his superiors and sees through the doctrine of Communist propaganda. Not only is it a compelling murder mystery it is also the story of a man’s journey from childhood to manhood, with surprising twists and turns. The narrative evokes the grimness of a Russian winter in all its bleakness - Doctor Zhivago it is not. The final 100 pages kept me up until the small hours.