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Find out moreThere’s something about a debut. The team at LoveReading adore discovering a new favourite author. Can you imagine the blood, sweat, tears and love that has gone into the process of becoming an author? Here you can be in at the start and then recommend your favourites far and wide.
An absolutely delightful story ready and waiting to wrap you up in a delicious blanket of warming feel-good. Ellie thinks she is happy, assumes she is happy, but a present from a harp-making stranger heralds change. Oh I did enjoy this story, told in alternate chapters by Ellie and Dan, I settled myself into a comfy spot and stayed there until I had finished. Dan introduces himself in the most simple and beautiful way, he is able to see through clutter to the heart of things and I have to admit to rather falling in love with him. Hazel Prior doesn’t spell things out for you, instead I felt that I was able to explore and encouraged to contemplate. The descriptions of Exmoor, nature, and colour are particularly special, and I now find myself taking the time to look properly, to really see, to feel, to smile. Ellie and the Harp Maker is truly lovely and rather special, if you feel like a hug, then read this book! Explore our '80+ Books That Deliver a Hug' listicle for more feel-good or uplifting books.
Beautifully and deliciously foreboding, this is an eloquent, thrilling treat of a read. Iris and Silas meet as construction begins for the Great Exhibition in 1850, for one it is an experience soon forgotten, for the other the beginning of a dangerous obsession. Members of the Pre-Raphelite Brotherhood gather, their ideals and connection to the Arts and Crafts movement fascinating to observe, particularly when compared to the logic and occupation of Silas. The Doll Factory won the Caledonia Novel Award 2018, and it is easy to see why it was immediately snapped up, the storyline while disturbing is enthralling and the descriptive detailing exquisite. Elizabeth MacNeal allows us intimate access to the thoughts and feelings of both Iris and Silas, opening a doorway to the potential and possible future of the story which succeeds in increasing the tension to almost unbearable levels. I felt a duty of care to both parties, wanting to warn, to ease, to prevent harm. As the story gathered me in and opened my eyes, I felt a shiver of chills gathering, forcing goosebumps down my arms. There is a darkness of the gothic variety to be found with The Doll Factory, it is also the most incredibly rewarding read and comes with a highly recommended stamp from me.
Crossing cultures, continents and generations, this exquisitely involving exploration of frictions between family and friends, of love, loss and the criss-crossing complexities of life truly had me in its hold. In Ghana, sensible housegirl Belinda performs her domestic duties to perfection, with irrepressible eleven-year-old Mary shadowing her work. Mary brims with childish obstinacy, and with a daringly direct wisdom beyond her years. She’ll stamp her feet and curl her lip for attention or sympathy, but she’s also gloriously curious, a devoted, proud, joyously forceful bundle of humanity. Then Belinda is summoned to Brixton to befriend Amma, a privileged and troubled young woman. Amma initially refuses to play ball. She’s childishly rude, but they learn from each other and even confide their deepest secrets. When tragedy strikes, Amma rages: “The cruelty of the fucking world is proved fucking every day. The unfairness of life is just, like, unbelievable”. Ultimately, though, both young women evolve and broaden their outlook on the world and who they are. Alongside the heartfelt human drama, there’s much humour too, such as when Belinda describes Britain to Mary – it’s a peculiar place where cats “sleep in the bed with the white people” and “they kiss the animal as if it hasn’t roamed around the town eating sewage.” Her assessment of TV host Kilroy-Silk is hilarious too. He may seem “fully white”, but his “face is more orange then usual”. Poignant, finely-observed, funny and eloquent, this is an exceptional debut. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
A sharp and smart debut novel, containing real heart (both ache and joy). 25 year old Queenie is on a break from her boyfriend, can’t concentrate at work, and is having a hard time balancing her life. Feeling trapped as she moves in with her grandparents, she soon finds her life closing down. Within a few pages I was settled in my chair and didn’t budge as I read this in one wonderfully heady sitting. Popping backwards and forwards in time Candice Carty-Williams opens a doorway into Queenie’s soul. She created a connection for me to reach out and touch and I felt as though I had become a part of Queenie’s life. I was there with her as things went wrong, wanted to reassure, vent, be there to support her. There are parts that tiptoed across my awareness, spiking stray thoughts. Elsewhere is raw and unflinching making my senses burn, before a moment later I was tipped into a sunshiny smile and chortle. While Queenie herself breaks down stereotypes about black women, her friend Cassandra doesn’t do the same with regards to Jewish stereotypes. Big bad life in all its pain and glory stamps across the page. Queenie is a bold, fiercely provocative and thought-provoking read.
The Old Bailey, 1826 and Frannie Langton stands in court accused of the brutal murder of her former master and mistress. But “there was love between me and her”, she tells the court as she relates her story from 1812, when she worked at Paradise plantation, Jamaica. With the skills of reading and writing “packed inside” her, “dangerous as gunpowder”, Frannie is taken to London and sent to work for a man named George Benham. His wife, the beautiful, eccentric Madame Marguerite Benham “stirred a feeling of wanting” in Frannie, and she becomes Madame’s lady’s maid and secretary - and more. But theirs is a complex, volatile relationship. “The truth is there was love as well as hate,” Frannie acknowledges. “The truth is, the love hurt worse”. Speaking at her trial, during which she recounts the inhumane racial experimentation undertaken by the master of Paradise, Frannie asks, “Sirs, I wonder...in the whole sum of human history, by what order have you white men been wrong more than you’ve been right?” She also questions the privileges and entitlements of gender: “how confident a man must be to write down his musings, expecting anybody else to be interested in reading them”. Ablaze with drama, detail, tension and wit, and wise on the nature of agency and freedom, this comes highly recommended for fans of Andrea Levy’s The Long Song, Marlon James’s The Book of Night Women and Sarah Waters. According to Frannie, “A novel is like a long, warm drink but a poem is a spike through the head”. By her definition, this novel is both these things - as potent as a poem, as addictive as a long, warm drink. Have a look at our Ambassador Book Buzz for The Confessions of Frannie Langton.
Forthright, funny Ayesha harbours dreams of being a poet and occasionally performs at a literary lounge, but her ambitions are somewhat hampered by her new teaching job and familial pressure to get married, a pressure that’s intensified by her stunning younger cousin’s countless marriage proposals. But Ayesha is adamant that she doesn’t want an arranged marriage, even if it means she might be doomed to spinsterhood. Then, courtesy of her best friend and a conference at her mosque, a few twists of fate throw Ayesha into contact with hyper-critical, conservative Khalid, who dresses like a time-traveller from several centuries ago and is utterly under his wealthy mother’s control. Cue much friction, farcical funniness and genuine soul-searching as Ayesha and Khalid embark on complex, intersecting journeys of discovery. Alongside serving up a sparkling love story, this debut also tackles meaty issues, from the rampant islamophobia of Khaled’s abhorrent boss, to the sexism Ayesha stands up to. Indeed, the criss-crossing sub-plots - both gritty and comic - keep the pages turning, and make this a treat for fans of romance with extra bite.
April 2018 Debut of the Month Ahh, this is just so, so lovely… a debut that made me smile, weep, and smile some more. Rosemary is 86, she has lived in Brixton all her life, watching as Brixton has changed a building at a time, from fruit and veg shops to trendy bars. 26 year old journalist Kate is surrounded by people, yet feels completely and utterly alone, when the local lido is threatened by closure, an alliance and unexpected friendship is formed. Libby Page has a lovely quick-witted, gently quirky writing style, surprising me with observations and unexpected detail (adored the fox!). I loved travelling through memories, getting to know Rosemary and Kate, and seeing the small snapshots of the lives they touch. While it is a truly beautiful read, part of the beauty is in the emotion I felt, pain and heartache is embraced, hugged, soothed. ‘The Lido’ is a deliciously warm and entertaining slice of wonderful, and I absolutely adored it.
All The Hidden Truths is Claire Askew’s debut novel and the start of the DI Birch series set in Edinburgh, It was the winner of the McIlvanney Debut Prize and shortlisted for the 2019 Crime Writers’ Association Gold Dagger. This is a series that is worth putting on your must-read list, smart, sharp, and so very readable, it comes with a highly recommended tag from me. Books in The DI Birch Series: 1. All The Hidden Truths 2. What You Pay For 3. Cover Your Tracks Serial Reader? Check out our 'Fall in Love With a Book Series' collection to find amazing book series to dive in to.
I was completely and utterly consumed by this debut, it slowly took hold, crept into my thoughts, drew me in, and then refused to let me go. I really didn’t want to stop reading, and even now Cora Burns enters my mind and stops for a while. Cora Burns born in gaol and raised in a workhouse, finds herself in gaol once again before a scientist takes her on as a servant, just what exactly is his current experiment? The story starts in savage darkness, then spins forward in time before rolling between 1865, 1874 and 1885, slowly answering questions yet creating more. Carolyn Kirby has created the most deeply felt and amazing character in Cora (to me she isn’t a character but as real as real can be). There were times when I almost didn’t want to read her story, I wanted to shut my eyes, hum, and put my hands to my ears, and yet I simply couldn’t stop, the words haunted me, called to me, devoured me. The Conviction of Cora Burns enthralling, fascinating and so incredibly worthwhile, developed into the most unexpectedly fierce and beautiful read (I think you will understand if you step between the pages), and so just has to be one of my picks of the month.
Longlisted for the Desmond Elliott Prize 2019 Exploring themes of ownership and abandonment, Eleanor Anstruther's bestselling debut is a fictionalised account of the true story of Enid Campbell (1892-1964), granddaughter of the 8th Duke of Argyll. Interweaving one significant day in 1964 with a decade during the interwar period, A Perfect Explanation gets to the heart of what it is to be bound by gender, heritage and tradition, to fight, to lose, to fight again. In a world of privilege, truth remains the same; there are no heroes and villains, only people misunderstood. Here, in the pages of this extraordinary book where the unspoken is conveyed with vivid simplicity, lies a story that will leave you reeling.
A hard-hitting punch of a crime thriller is waiting to be discovered, but also within the pages lies a provocative and emotionally stunning read too. This debut was the winner of the 2018 Swedish Academy of Crime Writers’ Award, and believe me, I can completely understand why. Lelle has been driving the silver road looking for his missing daughter for three years, his endless search consumes his very being. Within the first page I knew I had fallen in love with the writing, which is exquisitely translated. The words connected with my very being, I could feel the words, look around me and see my surroundings. Stina Jackson balances the dark and light quite beautifully, while tense and foreboding, there is also a silvery thread of hope to be found that thrums gently in the background. The cover of The Silver Road beckons, it leads to a read that emotionally connects, opens feelings and allows access to thoughts. Oh, and that ending… the ending sent goosebumps shivering down my arms. A highly recommended read indeed and one of my picks of the month.
A hard-hitting punch of a crime thriller is waiting to be discovered, but also within the pages lies a provocative and emotionally stunning read too. This debut was the winner of the 2018 Swedish Academy of Crime Writers’ Award, and believe me, I can completely understand why. Lelle has been driving the silver road looking for his missing daughter for three years, his endless search consumes his very being. Within the first page I knew I had fallen in love with the writing, which is exquisitely translated. The words connected with my very being, I could feel the words, look around me and see my surroundings. Stina Jackson balances the dark and light quite beautifully, while tense and foreboding, there is also a silvery thread of hope to be found that thrums gently in the background. The cover of The Silver Road beckons, it leads to a read that emotionally connects, opens feelings and allows access to thoughts. Oh, and that ending… the ending sent goosebumps shivering down my arms. A highly recommended read indeed and one of my picks of the month.
