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Find out moreThere’s something about a debut. The team at LoveReading adore discovering a new favourite author. Can you imagine the blood, sweat, tears and love that has gone into the process of becoming an author? Here you can be in at the start and then recommend your favourites far and wide.
Slip into this beautifully simple yet profound novel and explore love, relationships, regret and second chances while travelling through time to the 1970’s. Faye’s mother died when she was a child, 30 years later and she is able to return to her mother’s side, will she take the chance? The time-travel aspect feels utterly plausible so I suggest that you suspend thoughts of reality and just let yourself go. It’s just so easy to fall into this novel, debut author Helen Fisher encourages a connection to form as Faye tells her own story. I wanted to reach out, be a voice of reason, yet I remained by Faye’s side as I read her tale, soaking it up until I felt as though it was a part of me. I explored loss and grief, love and hope, and oh how I hoped. Emotional, yet heartwarming, sharply realistic yet joyously magical, Space Hopper really is a gorgeous tale that I can highly recommendand have chosen as a Liz Pick of the Month and LoveReading Star Book..
An intelligent, brooding yet vibrant crime thriller debut that just thrums with atmosphere. Investigative psychologist Philip Taiwo walks straight into trouble when he is hired to investigate the brutal crowd murder of three students known as the Okiri Three in Nigeria. It is an absolute thrill to be in at the start of a new series that promises so much. Femi Kayode has created a relatable and likeable main character who is quickly out of his depth, and Philip tells his own tale. The setting was brought so vividly to life I found myself wide-eyed as I looked around and soaked up the sense of place. I could reach out and touch, could feel Nigeria and it’s history. Another story sits alongside Philip’s, it’s intense and provocative, it felt as though it was hunting down the main tale, ready to attack. While Philip investigates, the link to his home life allows a further connection and understanding of his background. There are a number of other characters that I sincerely hope will make a return and I am already excitedly waiting for the next book in this series. Lightseekers is a smart, action-packed and intriguing read. I want to shout about this one, so it’s not only a Liz Pick of the Month, it’s also a LoveReading Star Book too.
February 2021 Book Club Recommendation Click here to see our Reading Group Questions. Excuse me while I rave about this book, it’s so different, so powerful, so fabulous that I’m experiencing reading elation after finishing it. When Wolf Willeford meets Mrs Death, he becomes her scribe and travels with her to view humanity as it circulates from life to death. A renowned performance poet, this is Salena Godden’s debut novel. In 2018 a BBC Radio 4 documentary was broadcast as it followed the novel as it was written over twelve months. Containing poetry, chants, commentary, recollections, moments in time, and all within the most wonderful story, this is a recognisable yet totally unique take on death. Her words entered my thoughts and made me see, search, examine, they entered my heart and made me feel. Small intimate and intricate moments sit alongside huge stories that are all linked by death. My feelings span from humour to heartbreak, from darkness to light, and all the while the story flows with strength and beauty. There may well be some emotionally difficult paths to explore along the way, and while uncomfortable reading in places this is as much about life, love, and hope as it is death. This is a reading experience I won’t forget and I just had to choose it as one of my Liz Picks of the Month and of course a LoveReading Star Book. Celebrating life and opening up questions on how we view death, Mrs Death Misses Death is a wake-up call of a book that I will be recommending far and wide.
The book world has been excited about this debut for some time, and for good reason as it is such an intensely powerful and emotional read. Lex Gracie is Girl A, the girl who escaped the House of Horrors, as an adult she now has to confront the past all over again. This is a book that deserves your time, don’t rush, even though it is so good it calls for you to race through. Lex narrates, her clear concise words transferred to my thoughts with piercing clarity. Abigail Dean writes with a devastatingly eloquent pen, she examines the cause and effect of power, abuse, and trauma. When a book alters the patterns of your thoughts, if only for a short time, it deserves to be read, to be felt, even if those feelings are harrowing at times. When I reached the end, I slowed, stopped, and after a few moments returned to the last few chapters to read and again allow the words to enter and become fully absorbed in my heart. I’m not sure if everyone will follow the same fork in the path that I took as I read, and that is what makes this book so special, the reader will make their own decision as to where they step with Lex. A LoveReading Star Book, Girl A is challenging, thought-provoking and above all a beautifully compelling read.
Often eye-opening and heart-wrenching, always elegant and absorbing, Hafsa Zayyan’s We Are All Birds of Uganda is an outstanding debut that crosses continents, cultures and generations. Remarkable in its exploration of identity, family bonds, racism, colourism and the phenomenon of twice migration through characters who’ve moved from South Asia, to East Africa, to Europe, I read Sameer’s story in one sitting, utterly engrossed by his awakening from a state of unrest to finding new purpose as he redefines the nature of success. At 26, Leicester-born Cambridge graduate Sameer is flying high as a lawyer in London, and on track to fast track it to partner when he’s offered a post in Singapore. Life seems sweet, except for fearing what his parents will think of the move, the “filling a quota” remark made by a colleague, and a bullying new boss who excludes him from a social event because “you lot don’t drink”. Then comes news that one of his best friends since childhood has been left in a coma after a vicious attack, and Sameer begins to question everything - who he is, what he’s doing with his life, where he wants to be. Skipping back to 1945, we follow another Asian Ugandan voice via Hasan’s heartfelt letters to his deceased first wife. Through these we see colonialism through Hasan’s eyes. We read how the British “have crept up on us, unwittingly seeped through our skin and into our bones, and settled comfortably inside each of us like veins”, how they excluded Hasan from their Sports Club, and then comes the rise of anti-colonialism, a push for Ugandan independence, hostility towards and legislation against Asian Ugandans: “We are not natives and we are not Europeans.” Back in Sameer’s narrative, wealthy Mr Shah, a family friend, speaks of the betrayal of “being turfed out of the country in which you were born, the only country you’ve ever known, like you’re no one, like you’re nothing.” With his move to Singapore looming, Sameer decides to visit Mr Shah in Uganda to find out more about his family history, with monumental effects. Emotionally rich and deeply resonant, it’s no wonder this gem co-won the inaugural Merky Books New Writers' Prize. The LoveReading LitFest invited Hafsa Zayyan to the festival to talk about We Are All Birds of Uganda. You can view the event by subscribing to the LitFest programme for as little as £6 per month - or you can pay per view. For just £2, go, see Hafsa in conversation with Paul Blezard and find out why everyone is blown away by this stunning debut. Check out a preview of the event here
Set in Barbados in 1984, Cherie Jones’s How the One-Armed Sister Sweeps Her House undulates with ocean-pure, ocean-powerful writing. Telling the poignant stories of Bajan women struggling to survive the actions of abusive men who’ve veered violently off track, it’s an exceptional debut that deftly exposes the inequalities of race and gender that simmer beneath the island’s paradisal veneer. As a child, Lala’s grandmother guardian told her the cautionary tale of the one-armed sister who disobeyed her elders and ventured into the tunnels near their home at Baxter’s Beach. As a young woman, Lala braids the hair of white tourists who rent luxury beachfront villas while she cares for her baby and lives with her abusive, petty criminal husband Adan. When Adan bungles a burglary, he unleashes a succession of devastating events that results in two women losing the thing most dear to them. As a result, Adan is compelled to flee to his secret hideaway, and so the tunnels of the cautionary tale take on real-world significance. Demonstrating the deep-rooted extent of patriarchal control and abuse, the narrative slips back in time to tell the stories of Lala’s mother and grandmother. “Of course she did not leave him. What woman leaves a man for something she is likely to suffer at the hands of any other?” - tellingly this excerpt is applicable to all three generations. The author also explores the tangled relationships between these women, and the complexity of mother-daughter bonds, such as when Lala comments, of herself, “despite your best efforts, you are exactly like your mother”. And yet, at the same time, she misses her mother “more than ever”. Another powerful theme is that of the destructive underbelly of tourism - the fishing villages that “died in the birthing of the big houses, because rich tourists who visit for a few months each year do not wish to suffer the stink of market”, and the men who sell themselves to older white women, such as Tone the gigolo, Lala’s childhood love, who’s much more than he seems. What a novel. What execution. What a writer to watch.
Katie Hale is our January 2020 Debut Author of the Month. Click to find out more about Katie on our blog. Oh… my… word, this is one fabulous debut! I found a deceptively simple, and stark dystopian foray into a world blighted by bombs and sickness. Monster is completely alone until one day she finds a child. She becomes mother and passes on her knowledge, but are her mothering skills being received in the way she is expecting them to be? Told in the first person, Katie Hale has created short chapters where thoughts scatter, bounce, zigzag. I filed away feelings and emotions as I read, each within touching distance, lying in wait to prod and provoke. This feels honest, as though looking at a future just within grasp, or back to a history that has already happened. The feelings are raw, sometimes painful, yet relatable and believable. I found the premise of this novel absolutely fascinating, I explored interpretation of meaning, motherhood, and thoughts on the basic cycle of life. ‘My Name is Monster’ is poignant, moving and wonderfully different, it is also incredibly intimate, readable and surprisingly beautiful, I adored it. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
Our January 2021 Book Club Recommendation Click here to see our Reading Group Questions. A complete joy of a debut, bright, observational and incredibly intimate, this book has lodged itself in my heart. Take twelve independent yet linked stories over twelve months about people who are connected to a London park community. The focus changes with each month, allowing individual stories to shine, yet they add up to a vibrantly wonderful whole. Gemma Reeves is beautifully eloquent, she has the ability with a few words, to give you admittance to someone’s soul. While she creates penetrating access to each person, there isn’t always a conclusion, instead life carries on, suggesting potential pathways. I fell in love with this powerfully blended infusion of life. The variety of characters, in age, personality, and beliefs crackle with energy. A new character might wander in for a few moments and then star in the next tale. Some connections may be obvious and linger, others lightly touch before moving on. The stories themselves tug at heartstrings and encourage thoughts to roam, the ending is simply divine and brought tears to my eyes. Thought-provoking and emotionally intelligent, Victoria Park slips with glorious ease onto our LoveReading Star Books list and is a Liz Pick of the Month, it really is very special indeed.
Set aside plenty of quality time, as once I started, this was a read in one beautiful, heartrending, fully immersive sitting for me. When Elissa is abducted, her hopes of escape flame into being after Elijah finds her hidden in the heart of Memory Wood. A truly fabulous opening sets the scene, I felt as though I knew Elijah, his very being is stamped on the pages, and yet there is so much that remains unknown. Knowing the abduction was coming set my heart pounding and added to the tension rather than dispersing it. While the seven days of the story slide backwards and forwards in part one, I was completely confident and very much in every moment. In part one chapters are headed by the day, and one of the characters, while in part two you know exactly when you are. Sam Lloyd’s words were so in tune and belonging to each child that I almost didn’t need to know who was heading the chapter. I was on edge and uncertain as to the outcome throughout, as the ending hurtled towards me I gasped and felt utterly consumed. The Memory Wood is one of those novels that I almost wanted to read from behind a cushion, and yet I couldn’t put it down. Chosen as a LoveReading star book, this is a must-read for me.
A heart-breaking, unforgettable and incredible story that will stay with you long after you've finished it. It is difficult to believe it's a debut as you read the travails of young Shuggie, his alcoholic mother Agnes and see inside their dysfunctional family life in 1980s working-class Glasgow. It's a powerful story with unflinching honesty that will no doubt make you cry. It shows the power of love and despite the bleak subject matter, it's incredibly tender, hopeful and oh so readable. It's a triumph.
Written by counsellor, psychotherapist and clinical tutor Gill Frost, The Girls Within relates the moving case study of Vivian, a woman struggling with the impact of extreme childhood trauma. The tough subject is handled with extraordinary compassion, and written in a compellingly clear, warm style that will engage laypeople and psychotherapy professionals alike. While Vivian’s childhood experiences and resulting adulthood disorders are affectingly harrowing, the restorative twelve-year relationship between patient and therapist brings waves of joy. After a horrific childhood, Vivian went on to a nursing career with no signs of trauma until she and her husband began couple therapy. It was then Vivian first spoke of the emotional, physical and sexual abuse she suffered as a child, and began to experience flashbacks, seizures and dissociative identity disorder (DID). As the author explains, “Dissociating is something we all do at times when we are feeling uncomfortable or in pain, either physically or emotionally… in order to relieve the discomfort we would otherwise experience”, but in extreme cases like Vivian’s, “dissociation can evolve into dissociative identity disorder (DID).” This tells the story of two girls living within Vivian: six-year-old Little Vivvi (whose drawings are featured in the book) and teenage Izzy, and of the innovative therapies that spoke to Vivian during therapy, most notably Advanced Integrative Therapy, a form of “energy psychology” that holistically links body and mind, and draws on traditional knowledge like chakras. The twelve-year connection between patient and therapist recounted here is a complex, looping, juddering rollercoaster ride; a journey readers will feel deeply invested in, and much compassion for.
A fabulously entertaining absolute romp of a murder mystery set in 1940’s New York. Famous private detective Lillian Pentecost, and her assistant Willowjean Parker are hired to track down the murderer of a wealthy young widow who was bludgeoned to death with a crystal ball at a seance. This is the debut novel and first in the Pentecost and Parker series from Stephen Spotswood, who is an award-winning playwright, journalist, and theatre educator. He quite obviously knows how to tell one heck of a captivating story, and this sits somewhere between hard-boiled and cosy! The first sentence is a corker, and sets up Willowjean (Will) as the most engaging and one-of-a-kind narrator. This is very much a character-led story, the feeling of the time is created with dialogue, which snaps and crackles with energy. Both Lillian and Will are fascinating characters, with more than a few tricks hidden up their sleeves. With a locked-room mystery, wonderfully diverse central characters, and a cracking storyline, Fortune Favours the Dead is a dream of a read and has been chosen as a LoveReading Star Book.
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