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See below for a selection of the latest books from Care & restoration of antiques category. Presented with a red border are the Care & restoration of antiques books that have been lovingly read and reviewed by the experts at Lovereading. With expert reading recommendations made by people with a passion for books and some unique features Lovereading will help you find great Care & restoration of antiques books and those from many more genres to read that will keep you inspired and entertained. And it's all free!
Hank Johnson is a bitter man. After losing his wife, Anne, to a long illness, he loses his faith. He becomes a creature of routine, spending his days visiting his wife's gravesite and hanging out with the ';baker's dozen,' a group of guys who gather at the local diner for breakfast and car talk. When Hank receives news from his estranged daughter that he is about to become ';Grandpa Hank', his best friend, Joe, talks him into selling his house in Bakersfield and heading back east. ';Babies have a way of making things right again,' advises Joe.After Hank sets out on a cross-country odyssey in the old Dodge ';hippie van' parked in his garage for years, he discovers that there's more to traveling than following a double yellow line. Restored Heart & Soul is a heartwarming adventure of a broken old man in a broken old van, restored with God's help and some unexpected kind hearts along the way. ';There's more to a car than metal and parts,' Hank realizes as he faces setbacks that would try any man's patience. ';It's more about the people who drive them and the stories that happen in them that make them classics.'
The Conservation and Restoration of Ceramics brings together the wide range of current information relevant to the practising conservator. The book opens with a discussion of the fundamental nature of the ceramic medium, information which is of primary importance when selecting treatments or considering preventive conservation measures. Details on techniques are given in a series of chapters covering the restoration and conservation processes, but the emphasis is on the basic principles involved in the choice of materials and methods. The nature and properties of materials commonly in use are fully discussed and guidance is given on the facilities and equipment needed. Also covered in the book are old restoration materials and methods, the ethics of ceramics conservation, examination and recording, display treatments and emergency procedures. Now in paperback, this book will be invaluable to practising conservators and readers of conservation as well as of interest to museum curators and collectors.
During the past decade a number of individual museums have found imaginative ways of using their collections and of making them accessible. However, museum collections as a whole are enormous in size and quantity and the question of how can they can be put to best use is ever present. When conventional exhibitions can only ever utilise a tiny proportion of them, what other uses of the collections are possible? Will their exploitation and use now destroy their value for future generations? Should they simply be kept safely and as economically as possible as a resource for the future? Fragments of the World examines these questions, first reviewing the history of collecting and of collections, then discussing the ways in which the collections themselves are being used today. Case studies of leading examples from around the world illustrate the discussion. Bringing together the thinking about museum collections with case studies of the ways in which different types of collection are used, the book provides a roadmap for museums to make better use of this wonderful resource.
This book covers many kinds of contents of Hetian jade, such as its origin, factor, type and identification. Collectors can have a deep knowledge of Hetian jade from this book, which shows Hetian jade and its culture from many different aspects.
'The Organic Chemistry of Museum Objects' makes available in a single volume, a survey of the chemical composition, properties and analysis of the whole range of organic materials incorporated into objects and artworks found in museum collections. The authors cover the fundamental chemistry of the bulk materials such as wood, paper, natural fibres and skin products, as well as that of the relatively minor components incorporated as paint, media, varnishes, adhesives and dyes. This expanded second edition, now in paperback, follows the structure of the first, though it has been extensively updated. In addition to chapters on basic organic chemistry, analytical methods, analytical findings and fundamental aspects of deterioration, the subject matter is grouped as far as possible by broad chemical class - oils and fats, waxes, bitumens, carbohydrates, proteins, natural resins, dyestuffs and synthetic polymers. This is an essential purchase for all practising and student conservators, restorers, museum scientists, curators and organic chemists.
During 1792-1815, the period of the Coalition Wars and the Napoleonic Wars between France and Europe, prisoners were taken on both sides. The majority of them were confined, sometimes for many years, in England and Scotland. Some of the prisoners built ship models from scraps of wood or mutton and beef bones. Rigging was made of silk or whatever other fine material could be obtained. The prisoners developed an art form and the models were sold to the public through the guards. This trade enabled the prisoner to acquire ivory and special tools to make the models all the more decorative. The remain highly sought after and valuable collectors' items to this day. This book shows the beauty of the models selected as the finest in the Peter Tamm Collection in the International Maritime Museum of Hamburg.
The effective preparation of garments for display is essential for exhibitions of contemporary and historical dress. Costumes not only need to be visually appealing but also fully supported and historically accurate. This book provides a comprehensive guide to mounting costumes from the eighteenth century to the present day. It includes methods for adapting and shaping figures to create historical silhouettes, constructing underpinnings and making replicas and toiles using inexpensive and simple techniques. A Practical Guide to Costume Mounting is an invaluable resource for conservators, historians and all those working with clothing in museums, private collections and throughout the fashion and theatre industries. Trained as a historical costume maker, author Lara Flecker is the textile display specialist at London's Victoria and Albert Museum. She has worked extensively with the museum's world-class costume collection, preparing garments for display. Her simple mounting methods are clearly explained and can be used by people with a wide range of experience, including those with few sewing skills.