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See below for a selection of the latest books from Small-scale, secular & domestic scenes in art category. Presented with a red border are the Small-scale, secular & domestic scenes in art books that have been lovingly read and reviewed by the experts at Lovereading. With expert reading recommendations made by people with a passion for books and some unique features Lovereading will help you find great Small-scale, secular & domestic scenes in art books and those from many more genres to read that will keep you inspired and entertained. And it's all free!
The appealing genre paintings of great seventeenth-century Dutch artists-Vermeer, Steen, de Hooch, Dou, and others-have long enjoyed tremendous popularity. this comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600's and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections, and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in political, cultural, and economic context. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs, and a surprisingly restricted number of themes over the course of several generations. With hundreds of illustrations and a full representation of major artists and cities where genre painting flourished, this book will delight students, scholars, and general readers alike.
Early in the Second World War, Henry Moore had to give up working on sculpture when his Hampstead studio was bombed. Instead he concentrated on drawing, creating a monumental series of works showing the plight of people sheltering in the London Underground. This is the first book to consider Moore's visual documentation of the shelters within the context of the events of the London Blitz of 1940-41. Julian Andrews looks at Moore's personal and political feelings about the war and his doubts about working as an Official War Artist, comparing Moore's wartime drawings to works by other artists and to documentary photographs. In addition, the author considers the influence of the Shelter Drawings on people's feelings about the Blitz and their effect on public attitudes towards Moore's work.