Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn’s etching of The Presentation in the Temple (c. 1640), Joseph Beuys’s social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world.
ISBN: | 9781138241954 |
Publication date: | 19th April 2017 |
Author: | Elizabeth Sutton |
Publisher: | Routledge an imprint of Taylor & Francis Ltd |
Format: | Hardback |
Pagination: | 138 pages |
Series: | Routledge Advances in Art and Visual Studies |
Genres: |
Agribusiness and primary industries The arts: general issues Environmental science, engineering and technology Ethics and moral philosophy History of art Botany and plant sciences |