win prizes book price comparison
Search our site
The Sapphire Widow by Dinah Jefferies Read the opening extract of the brand new Dinah Jefferies book before its publication on 05/04/2018

The Musicology of Record Production by Simon (London College of Music, Thames Valley University) Zagorski-Thomas
  

Synopsis

The Musicology of Record Production by Simon (London College of Music, Thames Valley University) Zagorski-Thomas

Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.

About the Author

Simon Zagorski-Thomas is a Reader at the London College of Music, University of West London. He is a director of the annual Art of Record Production Conference, a co-founder of the Journal on the Art of Record Production and co-chairman of the Association for the Study of the Art of Record Production (www.artofrecordproduction.com). His publications include The Art of Record Production (co-edited with Simon Frith, 2012). Before becoming an academic he worked for twenty-five years as a composer, sound engineer and producer with artists as varied as Phil Collins, Mica Paris, the London Community Gospel Choir, Bill Bruford, The Mock Turtles, Courtney Pine and the Balanescu Quartet. He continues to compose and record music and is currently conducting research into the musicology of record production, popular music analysis and performance practice in the recording process.

More books by this author
Author 'Like for Like' recommendations

Loading other formats...

Book Info

Publication date

2nd February 2017

Author

Simon (London College of Music, Thames Valley University) Zagorski-Thomas

More books by Simon (London College of Music, Thames Valley University) Zagorski-Thomas
Author 'Like for Like'
    recommendations

Publisher

Cambridge University Press

Format

Paperback
278 pages

Categories

Music recording & reproduction
Theory of music & musicology

ISBN

9781107428348

Lovereading recommends, honestly reviews and promotes books-what more can I say?!

Rachel Bridgeman

As for why I'd recommend Lovereading, it's simple - it's a great place to get information and reviews about new books!

Margaret Freeman

I read new, exciting writers and established authors before publication and there is a great website full of brilliant books and opinions.

Lynda

I 'Lovereading' because it lets me see what new books are around with a detailed synopsis and readers' reviews.

Judith Sharp

Lovereading are lovely people who send me lovely books. What's not to love?

Gavin Dimmock

If you love reading, then you'll love Lovereading! Full of tips & info for every discerning reader.

Lynne Rapson

It's a lively, independent website with reviews, recommendations and more - with a huge range of books available to buy in all formats.

Alison Layland

Why I love @lovereadinguk? It's in the name - as dedicated lovers of reading, they are perfect matchmakers for helping me find my next read!

Catherine Jenkins

Lovereading4kids

Lovereading4schools