LoveReading is thrilled to announce the launch of The Very Short Story Award 2019! If you think you have a story we'll love, click here to find out more and how to enter:Find out more
An original, wide-ranging contribution to the study of French writing in the nineteenth and early twentieth centuries, this book examines the ways in which the unconscious was understood in literature in the years before Freud. Exploring the influence of medical and psychological discourse over the existence and/or potential nature of the unconscious, Michael Finn discusses the resistance of feminists opposing medical diagnoses of the female brain as the seat of the unconscious, the hypnotism craze of the 1880s and the fascination, in fiction, with dual personality and posthypnotic crimes. The heart of the study explores how the unconscious inserts itself into the writing practice of Flaubert, Maupassant and Proust. Through the presentation of scientific evidence and quarrels about the psyche Michael Finn is able to show the work of such writers in a completely new light.
|Publication date:||25th July 2017|
|Author:||Michael R. Finn|
|Publisher:||Cambridge University Press|
|Categories:||Literary studies: fiction, novelists & prose writers, Conscious & unconscious,|
Michael Finn is Emeritus Professor of French in the Department of Languages, Literatures and Cultures at Ryerson University in Toronto. He has written widely on the connection between literature and medicine including the books Proust, the Body and Literary Form (Cambridge, 1999) and Hysteria, Hypnotism, the Spirits and Pornography (2009), as well as an extensive range of articles.More About Michael R. Finn