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Empress Maria Theresa and the Politics of Habsburg Imperial Art

by Assoc. Prof. Michael E. Yonan

Empress Maria Theresa and the Politics of Habsburg Imperial Art Synopsis

Between 1740 and 1780, Empress Maria Theresa governed the Habsburg Empire, a multilingual conglomeration of states centered on Austria. Although recent historical scholarship has addressed Maria Theresa's legacy, she remains entirely absent from art history despite her notable role in shaping eighteenth-century European diplomatic, artistic, and cultural developments. In Empress Maria Theresa and the Politics of Habsburg Imperial Art, Michael Yonan explores the role that material culture--paintings, architecture, porcelain, garden sculpture, and decorative objects--played in forming the monarchical identity of this historically prominent woman ruler. Maria Theresa never obtained her power from men, but rather inherited it directly through birthright. In the art and architecture she commissioned, as well as the objects she incorporated into court life, she redefined visually the idea of a sovereign monarch to make strong claims for her divine right to rule and for hereditary continuity, but also allowed for flexibility among multiple and conflicting social roles. Through an examination of Maria Theresa's patronage, Michael Yonan demonstrates how women, art, and power interrelated in an unusual historical situation in which power was legitimated in women's terms.

Empress Maria Theresa and the Politics of Habsburg Imperial Art Press Reviews

Michael Yonan's Empress Maria Theresa and the Politics of Habsburg Imperial Art is a groundbreaking study of the political semantics surrounding Maria Theresa's patronage of the visual and applied arts. Yonan effectively harnesses the empress's image in paintings and the decorative arts, its spatialization in interior architecture, and its naturalization in gardens to reveal the complex, often overlapping roles of sovereign, empress, mother, and widow in Theresian imagery. Yonan writes with a keen eye for visual description throughout the book's lavishly illustrated chapters. Empress Maria Theresa remains a highly original, important work cutting across art history, cultural history, and gender studies. Yonan's analytical framework of 'monarchical image' will stimulate further discussion not only within the field of Habsburg and Austrian studies but also among those interested in the semantics of power more broadly. --Megan Brandow-Faller, Austrian History Yearbook This brilliantly researched study marshals an impressive body of primary visual evidence, from the Belgian lace on the empress's gown in one of her many portraits to allusive mythological garden statues at Sch nbrunn Palace that function as her surrogates in a carefully designed imperial space. This book is an exceptionally significant contribution to scholarly investigations of the relationship between visual culture and monarchical government. Engagingly written and cogently argued, Michael Yonan's book will become a model for those scholars seeking to go beyond traditional patronage studies to achieve a more sophisticated understanding of the role of art and visual culture in defining European monarchy during the Old Regime. --Christopher M. S. Johns, Vanderbilt University Maria Theresa's accession to the Habsburg crown lands in 1740, an event enabled by the celebrated Pragmatic Sanction, which foresaw a woman's ascent to the Austrian throne as an almost doomsday scenario, marked the first and only time a woman was ever to reign over the dynasty's territories. The new monarch was immediately attacked by Frederick the Great and forced to cede the prosperous province of Silesia, as fear of female rule and notions of the physical inability of women to rule in their own right swirled around her. Even the crown of the Holy Roman Empire, long believed to be the rightful property of the Habsburgs, passed temporarily to the Bavarian Wittelsbachs. Despite the problematic notion of a female sovereign and the profoundly inauspicious beginnings of Maria Theresa's reign, her forty-year tenure as ruler was one of the most successful in European history. Michael Yonan's Empress Maria Theresa and the Politics of Habsburg Imperial Art successfully repositions the sovereign at the center of a number of scholarly debates about the nature of queenship, the intersection of royal power and visual culture, and the historical importance of Austria in the era of European enlightenment. This brilliantly researched study marshals an impressive body of primary visual evidence, from the Belgian lace on the empress's gown in one of her many portraits to allusive mythological garden statues at Sch nbrunn Palace, which function as her surrogates in a carefully designed imperial space. This book is an exceptionally significant contribution to scholarly investigations of the relationship between visual culture and monarchical government. Engagingly written and cogently argued, Yonan's book will become a model for those scholars seeking to go beyond traditional patronage studies to achieve a more sophisticated understanding of the role of art and visual culture in defining European monarchy during the Old Regime. --Christopher M. S. Johns, Vanderbilt University This is a most welcome study of Viennese imperial cultural politics under the exceptional reign of Empress Maria Theresa (1717-80), who for the longest time has been underestimated in almost every respect: as ruler, as art patron, and as an individual who used her intellectual and intuitive acuity to analyze and shape the gendered cultural politics of her day. Yonan addresses each of these areas, interweaving them with his account of Sch nbrunn Palace, its art and architecture, interior decoration, and park. His central focus on this palace and the empress as its author offers a refreshing and convincing alternative model to the traditional one-sided, if indisputable, image of Maria Theresa as a supreme strategist in the art of marriage politics who placed her numerous offspring in the royal and electoral courts of Europe. Yonan's superbly illustrated book is the first to examine the full and astounding range of Maria Theresa's patronage of all the courtly arts of her day as a complex, subtle, and effective means of representing her rulership. The palace's interior structure and decorations, while maintaining the link to ancient Rome, are cognizant of the Austro-Hungarian crown lands' multiethnicity, mythologize the Habsburg Empire's historically contentious relationship with the Ottoman Empire, and orientalize the empires of the Far East. In all of these undertakings--the decoupaged Mughal paintings of the Millionen-Zimmer, the Vieux-Laque Zimmer's chinoiserie framing Pompeo Batoni's Roman portraits of Emperor Franz Stephan and their sons, the park's allusions to sybilline wisdom and mourning, and the preservation of Franz Stephan's palatial spaces--Maria Theresa, ostensibly the devoted sovereign widow and mother, never challenging masculine dynastic succession, forged a calculated amalgamation of intimacy and authority, private withdrawal and public display, Orient and Rome, into a powerful imperial identity entirely her own. This identity, subtly diffused throughout Sch nbrunn's imperial art, is also carefully charted and controlled in the state portraits of Maria Theresa as queen of Hungary, imperial spouse, mother, widow, art lover, and in oriental costume, yet never primarily as empress. --Christiane Hertel, Bryn Mawr College Thanks to Yonan's interpretive approach, Empress Maria Theresa and the Politics of Habsburg Imperial Art is a ground-breaking study in the history of Austrian art and architecture. His book is a substantial contribution to the study of women as powerful agents in the production and reception of visual culture in European court circles during the eighteenth century. --Jennifer Milam, Eighteenth-Century Studies Yonan . . . [provides] important examinations of [a] hitherto overlooked [monarch], especially in English language scholarship. [His] indexed and beautifully illustrated [volume includes] detailed annotations of [his] archival resources, which allows future scholars to bring the visual culture of Empress Maria Theresa . . . into greater conversation with parallel artistic activity. Yonan's . . . success in linking the patronage of [this empress] to the political and artistic currents of [her age] demonstrates the folly in divorcing such figures from our study of avant-garde artwork in early modern and modern eras. For though absolutism was increasingly retrograde by the lifetime of Maria Theresa . . ., our understanding of social art history and particularly female portraiture is incomplete without a consideration of [such] monarchs and their peers among the European aristocratic elite. --Olivia Gruber Florek, Woman's Art Journal This is the most fascinating book published about Maria Theresa in a long, long time. It should certainly be read by anyone interested in Vienna, the Habsburgs, or, more generally, the relation of art and politics in the eighteenth century. Michael Yonan is an immensely stimulating historian and art historian of Central Europe. --Larry Wolff, New York University Engagingly written and cogently argued, Michael Yonan's book will become a model for those scholars seeking to go beyond traditional patronage studies to achieve a more sophisticated understanding of the role of art and visual culture in defining European monarchy during the Old Regime. --Christopher M. S. Johns, Vanderbilt University

Book Information

ISBN: 9780271037226
Publication date: 3rd February 2011
Author: Assoc. Prof. Michael E. Yonan
Publisher: Pennsylvania State University Press
Format: Hardback
Pagination: 240 pages
Categories: History of art & design styles: c 1600 to c 1800, European history,

About Assoc. Prof. Michael E. Yonan

Michael Yonan is Associate Professor of Art History at the University of Missouri-Columbia.

More About Assoc. Prof. Michael E. Yonan

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