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Architectural Representation and the Perspective Hinge by Alberto Perez-Gomez, Louise Pelletier


Architectural Representation and the Perspective Hinge by Alberto Perez-Gomez, Louise Pelletier

Writing from inside the discipline of architecture, rather than from the more common extrapolations from the history of painting and philosophy, Alberto Perez-Gomez and Louise Pelletier focus on the implications of the tool of perspective (and the hegemony of vision) for architectural representation. Their primary thesis is that tools of representation have a direct influence on the conceptual development of projects and generation of forms, and that there are alternatives to the reductive working methods of most contemporary practice. The book examines textual evidence across a broad historical period, concentrating on the relationship between drawing and architectural space in the period from the seventh century to the twentieth century. The book discusses such issues as optical correction and the nature of architectural drawing in selected treatises, revealing the complexity and potential contradiction inherent in any linear history of representation. The authors' ultimate aim is to probe the possibilities of the constructed world--that is, architecture--as a poetic translation, rather than prosaic transcription, of its representations.


This is a book of extraordinary historical breadth that astutely explores cultural continuity and transformation within architectural representation. * Parachute *

About the Author

Alberto Perez-Gomez is Saidye Rosner Bronfman Professor of the History of Architecture at McGill University. He is the author of Architecture and the Crisis of Modern Science (MIT Press, 1983) and (with Louise Pelletier) Architecural Representation and the Perspective Hinge (MIT Press, 1997).

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Book Info

Publication date

11th October 2000


Alberto Perez-Gomez, Louise Pelletier

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MIT Press an imprint of MIT Press Ltd


526 pages


Theory of architecture



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