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The Return of the Real Art and Theory at the End of the Century by Hal (Princeton University) Foster
  

The Return of the Real Art and Theory at the End of the Century

Part of the October Books Series

Synopsis

The Return of the Real Art and Theory at the End of the Century by Hal (Princeton University) Foster

In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today.After the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Foster suggests that we are now witness to a return to the real -- to art and theory grounded in the materiality of actual bodies and social sites. If The Return of the Real begins with a new narrative of the historical avant-gard, it concludes with an original reading of this contemporary situation -- and what it portends for future practices of art and theory, culture and politics.

Reviews

The Return of the Real is one of the most cogent and theoreticallyself-aware readings of contemprary art I have seen. Howard Singerman, Department of Art History, University of Virginia


About the Author

Hal Foster is Townsend Martin '17 Professor of Art and Archaeology at Princeton University and the author of Prosthetic Gods (MIT Press) and other books.

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Book Info

Publication date

25th September 1996

Author

Hal (Princeton University) Foster

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Publisher

MIT Press an imprint of MIT Press Ltd

Format

Paperback
328 pages

Categories

Theory of art
History of art & design styles: from c 1900 -

ISBN

9780262561075

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