In this critique of aesthetics and the politics of representation, Taylor demonstrates astonishing breadth and depth in arguing for 'breaking the aesthetic contract' that excludes anything that does not conform to Eurocentric notions of beauty.... it brings to black studies and cultural critique an internationalism that emphasizes the richness of forms of creative expression outside the norms set by European aesthetics. Highly recommended... -Choice Cultural critic Clyde Taylor exposes the concept of art as a tool of ethnocentricity and racial ideology. By examining various texts including The Birth of a Nation and The Cotton Club, Taylor demonstrates how rationales of art are used to mask personal, class, and cultural biases. Other works such as those by Toni Morrison, Chinua Achebe, and Spike Lee are scrutinized in terms of resistance to the dominant system of aesthetics.
|Publication date:||1st June 1998|
|Author:||Clyde Romer Hughes Taylor|
|Publisher:||Indiana University Press|
|Categories:||Theory of art, Film theory & criticism,|
Clyde R. Taylor, film scholar and literary/cultural essayist, is Professor at the Gallatin School and in Africana Studies, New York University. His publications include Vietnam and Black America and the script for Midnight Ramble, a documentary about early Black independent cinema.More About Clyde Romer Hughes Taylor