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The stories in Taking Pictures are snapshots of the body in trouble: in denial, in extremis, in love. Mapping the messy connections between people - and their failures to connect - the characters are captured in the grainy texture of real life: freshly palpable, sensuous and deeply flawed. From Dublin to Venice, from an American college dorm to a holiday caravan in France, these are stories about women stirred, bothered, or fascinated by men they cannot understand, or understand too well. Enright's women are haunted by children, and by the ghosts of the lives they might have led - lit by new flames, old flames, and flames that are guttering out.A woman's one night stand is illuminated by dreams of a young boy on a cliff road, another's is thwarted by an swarm of somnolent bees. A pregnant woman is stuck in a slow lift with a tactile American stranger, a naked mother changes a nappy in a hotel bedroom, and waits for her husband to come back from the bar. These are sharp, vivid stories of loss and yearning, of surrender to responsibilities or to unexpected delight; all share the unsettling, dislocated reality, the subversive wit and awkward tenderness that have marked Anne Enright as one of our most thrillingly gifted writers.
|Publication date:||6th March 2008|
|Publisher:||Jonathan Cape Ltd an imprint of Vintage Publishing|
Anne Enright was born in Dublin, where she now lives and works. She has written two collections of stories, published together as Yesterday's Weather, one book of non-fiction, Making Babies, and six novels, including The Gathering, which won the 2007 Man Booker Prize, The Forgotten Waltz, which was awarded the Andrew Carnegie Medal for Excellence in Fiction, and The Green Road, which was the Bord Gais Energy Novel of the Year and won the Kerry Group Irish Fiction Award. In 2015 she was appointed as the first Laureate for Irish Fiction, and in 2018 she received the Irish PEN Award for Outstanding Contribution ...More About Anne Enright