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A Trail of Fire by Diana Gabaldon
  

A Trail of Fire

Historical Fiction   Romantic Fiction   Short Story Collections   
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Time travelling and historical fiction blend in these four extraordinary stories featuring characters from Diana Gabaldon’s Outlander series which has sold over 18 million copies worldwide. In two of them soldier come spy Lord John can be found in Jamaica battling Zombies and in Quebec changing the outcome of a crucial battle. The remaining two focus around the time travelling adventures caused by a series of special stones. An interesting fillip for any fan of the series.

If you like Diana Gabaldon you might also like to read books by Reay Tannahill, Will Davenport and Pamela Hartshorne.

Synopsis

A Trail of Fire by Diana Gabaldon

In LORD JOHN AND THE PLAGUE OF ZOMBIES, Lord John Grey is posted to Jamaica to assist the Governor as he faces a most unusual kind of uprising among the colony's slave population. In THE SPACE BETWEEN, Jamie Fraser's step-daughter, Joan, is on her way to an abbey in Paris to become a nun - but when she meets the Comte St Germain, a wealthy French aristocrat rumoured to deal in the occult - she discovers her destiny lies on quite a different path. In THE CUSTOM OF THE ARMY, Lord John Grey is summoned as a witness in a court martial in the wilds of Acadia, only to find himself playing a crucial role in the Battle of Quebec. In A LEAF ON THE WIND OF ALL HALLOWS, a WW2 Spitfire pilot called Jerry MacKenzie crashes near a stone circle and wakes up in the eighteenth century. Can the strange man he meets - who impossibly seems to know him - help him return to his wife and baby son before a terrible fate overtakes them?

About the Author

Diana Gabaldon

Diana Gabaldon is the internationally bestselling author of many historical novels including CROSS STITCH, DRAGONFLY IN AMBER, VOYAGER, DRUMS OF AUTUMN, THE FIERY CROSS and A BREATH OF SNOW AND ASHES. She lives with her family in Scottsdale, Arizona.

Photo © Nancy Castaldo

Diana Gabaldon on her influences...

I know writers of novels who say they don't read fiction at all while working on a book, out of fear of "being influenced" by what they read. I am struck by horror at the thought of going years without being able to read fiction (though perhaps these people write faster than I do, and take long vacations between books?)—but more struck by the sheer silliness of this.

Everything writers see, think, and experience influences their work. How could it not? Now, it's true that people do ask writers, "Where do you get your ideas?" and that writers--out of facetiousness or desperation--give answers like, "From the Sears catalog" (or "From Ideas.com," depending on the writer's vintage). But the truth is that writers get ideas from every damn thing they see, hear, smell, touch, taste, think, feel, or do—including the books they read.

Naturally, one wants to develop a unique voice, but do kids learn to talk without ever being talked to? You have an individual voice, by virtue of being an individual. And your individuality is composed of your essential God-given spark of personality and of the sum total of the things you encounter in life. Now, whether each encounter is a bruising collision or a fruitful act of love…who knows? But all of it is grist to a writer's mill; so much should be obvious, if one reads at all widely.

Personally, I learned to read at the age of three, and have read non-stop ever since. I'll be 58 next week; you can read a lot of books in fifty-five years. I'm sure that every single book I've ever read has had some influence on me as a writer, whether negative (I've read a lot of books with the mounting conviction that I would never in my life do something like that) or positive.

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Book Info

Publication date

8th November 2012

Author

Diana Gabaldon

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Author's Website

www.dianagabaldon.com/

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Publisher

Orion (an Imprint of The Orion Publishing Group Ltd ) an imprint of Orion Publishing Co

Format

Hardback

Categories

Historical Fiction
Romantic Fiction
Short Story Collections


ISBN

9781409144472

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