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Queen & Country A Hew Cullan Mystery by Shirley McKay
  

Queen & Country A Hew Cullan Mystery

Part of the The Hew Cullan Mysteries Series
Historical Fiction   Crime / Mystery   
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Another wonderfully readable mystery plunging you into the final years of Mary Stewart, Queen of Scots. This is the fifth in the ‘Hew Cullan Mystery’ series, beginning in 1586, it backtracks to the end of Friend and Foe before settling again into the story. Hew Cullan is caught in the tangled web of Walsingham, can Hew’s integrity remain intact? You bear witness to a conflict between religion and crown, a conflict that has the ability to tear asunder previous relationships, as Hew learns to his peril as he begins a new liaison and investigates the origins of a painting. It not only feels as though Shirley McKay understands this period, it also seems as though she could have been there, as with vibrant descriptions she has the ability to paint the most dynamic picture of living in that time. Historical figures appear in the tale, a brief summary of their life appears at the end, along with a glossary of some of the astonishingly colourful words that are used to increase the potency of this enjoyable and captivating novel. ~ Liz Robinson

The Hew Cullan series:
1. Hue & Cry
2. Fate & Fortune
3. Time & Tide
4. Friend & Foe
5. Queen & Country

If you like Shirley McKay you might also like to read books by Cassandra Clark, Shona MacLean and Stuart Clark.

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Synopsis

Queen & Country A Hew Cullan Mystery by Shirley McKay

1587. Three years after his enforced departure to London, Hew is reconciled with King James VI and recalled to Scotland. He elopes to St Andrews with a young Englishwoman. The death of Mary, Queen of Scots has unleashed a wave of anti-English sentiment among the Scottish people, and fear and confusion in the king himself. James will grant his blessing to their controversial marriage on the condition that Hew discovers what lies behind a painting cunningly contrived to prick the young king's conscience - an anamorphic death's-head with his mother's face.Meanwhile in St Andrews, the death of a painter is troubling to Giles Locke, and the English Frances, struggling to adapt to a foreign town and culture, helps Hew find the link among the artists and intriguers of opposing courts, a quest for love - and life - requiring all his skills.

Reviews

'Charms the reader' Scotland on Sunday

'Wonderful stuff' Good Book Guide

About the Author

Shirley McKay

Shirley McKay was born in Tynemouth but now lives with her family in Fife. At the age of fifteen she won the Young Observer playwriting competition, her play being performed at the Royal Court Theatre Upstairs. She went on to study English and Linguistics at the University of St Andrews before attending Durham University for postgraduate study in Romantic and seventeenth century prose. She was shortlisted for the CWA Debut Dagger. Shirley works as a freelance proofreader.

Below is a Q&A with with the author.

1. Do you have a favourite character in the book? It has to be Hew, the hero of the series, though he can be exasperating at times. Meg and Giles too are perennial favourites. My books are quite heavily populated, and I enjoy the challenge of creating a panoply of new characters while developing old ones.

2. What was your inspiration to write this story? / Was there a particular moment of inspiration that pushed you to write this? Queen & Country is the fifth in the Hew Cullan series, and naturally evolves from the fourth book, Friend and Foe, which ends on a bit of a cliff-hanger. The inspiration for the series is the life and progress of the young King James VI, as he struggles to maturity, and this provides the context for the struggles in the books. Each book is framed, however obliquely, by a definitive historical event – in the case of Queen & Country, the death of Mary, queen of Scots.

3. What is your favourite scene or moment in the book? The final one. To say more would give the game away.

4. What inspired you to become a writer? Reading as a child. The lady in the children’s department of James Thin’s in the early 70s, who knew precisely the right book. Who could have forgotten her?

5. What keeps you motivated as a writer? Self-indulgence, really. The allure of imaginary friends.

6. What’s your favourite book, and why? I don’t have one. But I think Great Expectations has the most perfect plot.

7. Do you have a routine when you’re writing (i.e. silence, a particular genre of music, only working in the morning, only working in your underpants?) I like to write at night, when I’m not disturbed.

8. What advice would you give to anyone who wants to be a writer? Write. There is no other way round it. And read, read, read.

9. How easy was it for you to find a publisher? I think there is a huge amount of luck in this. And I was very lucky, as it turned out. Polygon rejected Hue & Cry (the first book in the series) twice before accepting it, once it was revised. It would never have occurred to me that no need not mean no. But I have a persistent agent, to whom I am extremely grateful.

10. What’s the best experience you’ve had while writing a book? Finding words that say exactly what I want to say, in exactly the way I want to say it, where sound and sense pitch perfectly. This is comparatively rare.

11. Who are you generally writing for? One of three. [‘It is an ancient mariner, And he stoppeth one of three’]. On a good day, two of the three may be willing to stop.

12. If you weren’t a writer, what would you be? A proofreader, as I am still. Not that you would believe it, if you saw my manuscripts.

13. What one thing would improve your life? Worrying less

14. Where would you like to be right now, anywhere in the world? At home, with my family.

15. Are any of your characters based on yourself or people you know? Not consciously. Some of my characters are based on historical figures, such as James VI. But as soon as they enter the world of the books, they are fictions.

16. If you could swap lives with one of your characters, who would you choose and why? I would not choose to live in the sixteenth century.

17. Have you ever regretted how you ended a story and wish you could change it? I find there is a point in each book – fairly late on – where the ending is fixed, and no other version will do. And once a book is published I feel quite detached from it. But because this is a series, when I fail to look ahead I sometimes write into a corner (or a cul-de-sac) which requires some ingenuity to extricate myself – or, more properly, Hew. I know that some readers were dismayed by the end of Friend & Foe, but it was setting up the stage for events in Queen & Country, where I hope at last all will be satisfied.

18. If you weren't a writer, what would your 'dream' occupation be? Something of worth to the world.

19. If your book was a film, who would you cast for the lead character? David Tennant, for Hew. For his emotional, human energy, and because he is a Scot.

20. Why are books important in your opinion? Because they hold inside them all that is human.

21. What are you reading right now? Sweet Caress, by William Boyd

22. Which authors do you particularly admire? Those who write human stories, which are also lyrical: Susan Hill, Kent Haruf. Character over plot.

23. If you had a superpower what would it be? Time travel. Is that a superpower? Because ‘what is now proved was once only imagined’.

Author photo © Peter Adamson

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Book Info

Publication date

14th April 2016

Author

Shirley McKay

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Author's Website

shirleymckay.co.uk/
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Publisher

Polygon An Imprint of Birlinn Limited an imprint of Birlinn General

Format

Paperback
288 pages

Categories

Historical Fiction
Crime / Mystery

Historical fiction

ISBN

9781846973437

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