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Too much love can be a bad thing. 'Highsmith was every bit as deviant and quirky as her mischievous heroes, and didn't seem to mind if everyone knew it' J. G. Ballard, Daily Telegraph David Kelsey has an invincible conviction that life is going to work out just as he has planned it - if he can just fix 'the situation'. His one true love, the brilliant, beautiful Annabelle, has married another man. But that doesn't mean they can't still be friends. And even though she is pregnant with her husband Gerald's baby, that surely doesn't mean she won't one day get back together with David. She still loves him, of that he is certain. David is sure she'll take him back, and, under an alias, is setting up a wonderful home for the two of them in a town close by. And everything is just about going to plan until things take a murderous turn, leaving David a desperate man on the run.
Now a major motion picture starring Viggo Mortenson and Kirsten Dunst. 'Highsmith is a giant of the genre. The original, the best, the gloriously twisted Queen of Suspense' Mark Billingham Two men meet in the picturesque backstreets of Athens. Chester MacFarlane is a conman with multiple false identities, near the end of his rope and on the run with his young wife Colette. Rydal Keener is a young drifter looking for adventure: he finds it in one evening as the law catches up to Chester and Colette, and their fates become fatally entwined. Patricia Highsmith draws us deep into a cross-European game of cat and mouse in this masterpiece of suspense from the author of The Talented Mr Ripley.
People Who Knock on the Door, is a tale about blind faith and the slippery notion of justice that lies beneath the peculiarly American veneer of righteousness. 'A border zone of the macabre, the disturbing, the not quite accidental . . . Highsmith achieves the effect of the occult without any resources to supernatural machinery' New York Times Book Review In a pitiless story of prying suburban self-righteousness, Patricia Highsmith introduces the Alderman family as they descend into moral crisis. When small-town insurance salesman Richard Alderman becomes a born-again Christian, his once tight-knit family quickly begins to rip apart at the seams. He and his youngest son, Robbie, embrace their newfound faith, while his elder son Arthur rejects it. Caught in the middle of the ensuing web of lies, his wife, Lois, tries to keep the family together, but when the church elders start to interfere in Arthur's love life, events spiral toward violence. In this masterful late work, Highsmith weaves a powerful tale about blind faith and the peculiar ideas of justice that lie underneath the veneer of respectability.