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Gean Moreno - Author

About the Author

Books by Gean Moreno

In the Mind But Not From There Real Abstraction and Contemporary Art

In the Mind But Not From There Real Abstraction and Contemporary Art

Author: Gean Moreno Format: Paperback / softback Release Date: 16/07/2019

In the Mind, But Not From There: Real Abstraction and Contemporary Art considers how the Marxian concept of Real Abstraction--originally developed by Alfred Sohn Rethel, and recently updated by Alberto Toscano--might help to define the economic, social, political, and cultural complexities of our contemporary moment. In doing so, this volume brings together noted contemporary artists, literary critics, curators, historians, and social theorists who connect the concept of Real Abstraction with contemporary cultural production. Theoretical and artistic contributions from Benjamin Noys, Paul Chan, Joao Enxuto and Erica Love, Marina Vishmidt, Sven Lutticken, and many others help to map out the relationship between political economy and artistic production in the realm of contemporary, globalized cultural exchange. This anthology places economic and social analyses alongside creative projects and visual essays to consider the many angles of contemporary art, and how inquiry into the the production of abstraction through material and social processes can be used to better understand, and hopefully change, the conditions under which art is made, seen, and circulated today. Published in collaboration with [NAME] publications.

In the Mind But Not from There Real Abstraction and Contemporary Art

In the Mind But Not from There Real Abstraction and Contemporary Art

Author: Gean Moreno Format: Hardback Release Date: 16/07/2019

Artists and critics explore the concept of Real Abstraction to help understand contemporary cultural production In the Mind, But Not From There: Real Abstraction and Contemporary Art considers how the Marxian concept of Real Abstraction--originally developed by Alfred Sohn Rethel, and recently updated by Alberto Toscano--might help to define the economic, social, political, and cultural complexities of our contemporary moment. In doing so, this volume brings together noted contemporary artists, literary critics, curators, historians, and social theorists who connect the concept of Real Abstraction with contemporary cultural production. Theoretical and artistic contributions from Benjamin Noys, Paul Chan, Joao Enxuto and Erica Love, Marina Vishmidt, Sven L tticken, and many others help to map out the relationship between political economy and artistic production in the realm of contemporary, globalized cultural exchange. This anthology places economic and social analyses alongside creative projects and visual essays to consider the many angles of contemporary art, and how inquiry into the the production of abstraction through material and social processes can be used to better understand, and hopefully change, the conditions under which art is made, seen, and circulated today. Published in collaboration with [NAME] publications.

Terry Adkins Infinity Is Always Less Than One

Terry Adkins Infinity Is Always Less Than One

Author: Gean Moreno Format: Hardback Release Date: 15/06/2019

One of the great conceptual artists of the twenty-first century, Terry Adkins (1953-2014) was renowned for his pioneering work across mediums, from sculpture, drawing, and site-specific installation to photography, video, and performance. Terry Adkins: Infinity is Always Less Than One accompanies the first institutional posthumous exhibition of Adkins's sculptural production. While Adkins is often recognized for his musical and performative practice, this exhibition focuses on his complex memorials and monuments to historical figures. The exhibition showcases four of his major series, dedicated to four distinct figures: Bessie Smith, John Brown, Zora Neale Hurston, and Jimi Hendrix. These series are presented alongside a group of early sculptures to reveal the development of the Adkins's mature practice. The exhibition highlights Adkins's crucial contributions to sculpture and to cultural protest, featuring major works that have not been viewed in decades. It explores significant periods and influences in Adkins's career, beginning with transitional hand-wrought sculptures and continuing with his major immersive installations. His often elegiac and always resonant objects challenge dominant historical narratives and prompt a rethinking of ways of being and moving in the world that are shaped by the legacies of displacement and the sociability and community that happen despite it. Adkins's work also enlarges the historical legacies of the postwar avant-garde while reminding us of the immaterial legacies that are passed on through ritual and sound. Contributors. Alex Gartenfeld, Kobena Mercer, Gean Moreno, Nizan Shaked, and Greg Tate A Publication of ICA Miami Distributed by Duke University Press