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Jess Kidd completed her first degree in Literature with The Open University, and has since taught creative writing and gained a PhD in Creative Writing Studies. She has also worked as a support worker specialising in acquired brain injury. Jess was brought up in London as part of a large family from Mayo, and plans to settle somewhere along the west coast of Ireland in the next few years. Until then, she lives in London with her daughter.
author photo © Travis McBride
June 2017 Debut of the Month. Longlisted for the CWA John Creasey (New Blood) Dagger 2017. Dublin-wise, orphaned young man goes in search of his birth mother. He has a photograph with a note on the back and the name of a village. This is very Irish and completely charming. The village characters are beautifully drawn. Our young protagonist has a gift; he can see (and converse with) the dead. This is neither ghost story nor detective novel although both elements are present, more it is a human story of an odd community of slightly over-the-top country people who might all have something to hide. Certainly finding out what happened to his young, teenage mother proves to be tricky with most folk seeming to conceal a secret. The dead are not sinister, they are just there, being themselves. I loved the pictures the author paints, the dog lying by its master’s feet, the man trying to hang up his hat. Lovely images in a lovely debut. Highly recommended. ~ Sarah Broadhurst Shortlisted for The Authors' Club Best First Novel Award 2017.
Shortlisted for The Authors' Club Best First Novel Award 2017. One of our Books of the Year 2016. December 2016 Debut of the Month. Dublin-wise, orphaned young man goes in search of his birth mother. He has a photograph with a note on the back and the name of a village. This is very Irish and completely charming. The village characters are beautifully drawn. Our young protagonist has a gift; he can see (and converse with) the dead. This is neither ghost story nor detective novel although both elements are present, more it is a human story of an odd community of slightly over-the-top country people who might all have something to hide. Certainly finding out what happened to his young, teenage mother proves to be tricky with most folk seeming to conceal a secret. The dead are not sinister, they are just there, being themselves. I loved the pictures the author paints, the dog lying by its master’s feet, the man trying to hang up his hat. Lovely images in a lovely debut. Highly recommended. ~ Sarah Broadhurst
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist. As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may well prove the most remarkable spectacle London has ever seen. Things in Jars is an enchanting Victorian detective novel that explores what it is to be human in inhumane times.
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist. As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may well prove the most remarkable spectacle London has ever seen. Things in Jars is an enchanting Victorian detective novel that explores what it is to be human in inhumane times.
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist. As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may well prove the most remarkable spectacle London has ever seen.
FEATURED ON SIMON MAYO'S BBC RADIO 2 BOOK CLUB Unintentional psychic Maud Drennan arrives to look after Cathal Flood, a belligerent man hiding in his filthy, cat-filled home. Her job is simple: clear the rubbish, take care of the patient. But the once-grand house has more to reveal than simply its rooms. There is a secret here, and whether she likes it or not, Maud may be the one to finally uncover what has previously been kept hidden . . . Note to readers: In the US, this book is published under the title Mr Flood's Last Resort
Maud Drennan - underpaid carer and unintentional psychic - is the latest in a long line of dogsbodies for the ancient, belligerent Cathal Flood. Yet despite her best efforts, Maud is drawn into the mysteries concealed in his filthy, once-grand home. She realises that something is changing: Cathal, and the junk-filled rooms, are opening up to her. With only her agoraphobic landlady and a troop of sarcastic ghostly saints to help, Maud must uncover what lies beneath Cathal's decades-old hostility, and the strange activities of the house itself. And if someone has hidden a secret there, how far will they go to ensure it remains buried? Note to readers: In the US, this book is published under the title Mr Flood's Last Resort
AS HEARD ON SIMON MAYO'S BBC RADIO 2 BOOK CLUB Maud Drennan - underpaid carer and unintentional psychic - is the latest in a long line of dogsbodies for the ancient, belligerent Cathal Flood. Yet despite her best efforts, Maud is drawn into the mysteries concealed in his filthy, once-grand home. She realises that something is changing: Cathal, and the junk-filled rooms, are opening up to her. With only her agoraphobic landlady and a troop of sarcastic ghostly saints to help, Maud must uncover what lies beneath Cathal's decades-old hostility, and the strange activities of the house itself. And if someone has hidden a secret there, how far will they go to ensure it remains buried? Note to readers: In the US, this book is published under the title Mr Flood's Last Resort
June 2017 Debut of the Month. Longlisted for the CWA John Creasey (New Blood) Dagger 2017. Dublin-wise, orphaned young man goes in search of his birth mother. He has a photograph with a note on the back and the name of a village. This is very Irish and completely charming. The village characters are beautifully drawn. Our young protagonist has a gift; he can see (and converse with) the dead. This is neither ghost story nor detective novel although both elements are present, more it is a human story of an odd community of slightly over-the-top country people who might all have something to hide. Certainly finding out what happened to his young, teenage mother proves to be tricky with most folk seeming to conceal a secret. The dead are not sinister, they are just there, being themselves. I loved the pictures the author paints, the dog lying by its master’s feet, the man trying to hang up his hat. Lovely images in a lovely debut. Highly recommended. ~ Sarah Broadhurst Shortlisted for The Authors' Club Best First Novel Award 2017.
A highly unusual tale set in a highly unusual Irish village full of dark secretsLushly imagined, delightfully original, and very, very funny, it hurtles along from the very first page (M.L. Stedman, author of The Light Between Oceans).Having been abandoned on the steps of an orphanage as an infant, lovable car thief and Dublin charmer Mahony assumed all his life that his mother had simply given him up. But when he receives an anonymous note suggesting that foul play may have led to his mothers disappearance, he sees only one option: to return to the rural Irish village where he was born and find out what really happened twenty-six years ago. From the moment he sets foot in Mulderrig, Mahonys presence turns the village upside down. His uncannily familiar face and outsider ways cause a stir among the locals, who receive him with a mixture of excitement (the women), curiosity (the men), and suspicion (the pious). Determined to uncover the truth about what happened to his mother, Mahony solicits the help of brash anarchist and retired theater actress Mrs. Cauley. This improbable duo concocts an ingenious plan to get the town talking about the day Mahony's mother disappeared and are aided and abetted by a cast of eccentric characters, both living and dead. Himself is a simmering mixturea blend of the natural everyday and the supernatural, folklore and mystery, and a healthy dose of quintessentially Irish humor. The result is a darkly comic crime story in the tradition of a classic Irish trickster tale, complete with a twisting and turning plot, a small-town rife with secrets, and an infectious love of language and storytelling that is a hallmark of the finest Irish writers.
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