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Edward Morgan Forster was born in London in 1879, attended Tonbridge School as a day boy, and went on to King's College, Cambridge, in 1897. With King's he had a lifelong connection and was elected to an Honorary Fellowship in 1946. He declared that his life as a whole had not been dramatic, and he was unfailingly modest about his achievements. Interviewed by the BBC on his eightieth birthday, he said: 'I have not written as much as I'd like to... I write for two reasons: partly to make money and partly to win the respect of people whom I respect... I had better add that I am quite sure I am not a great novelist.' Eminent critics and the general public have judged otherwise and in his obituary The Times called him 'one of the most esteemed English novelists of his time'.
He wrote six novels, four of which appeared before the First World War, Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908), and Howard's End (1910). An interval of fourteen years elapsed before he published A Passage to India. It won both the Prix Femina Vie Heureuse and the James Tait Black Memorial Prize. Maurice, his novel on a homosexual theme, finished in 1914, was published posthumously in 1971. He also published two volumes of short stories; two collections of essays; a critical work, Aspects of the Novel; The Hill of Devi, a fascinating record of two visits Forster made to the Indian State of Dewas Senior; two biographies; two books about Alexandria (where he worked for the Red Cross in the First World War); and, with Eric Crozier, the libretto for Britten's opera Billy Budd. He died in June 1970.
When Adela Quested and her elderly companion Mrs Moore arrive in the Indian town of Chandrapore, they quickly feel trapped by its insular and prejudiced 'Anglo-Indian' community. Determined to escape the parochial English enclave and explore the 'real India', they seek the guidance of the charming and mercurial Dr Aziz, a cultivated Indian Muslim. But a mysterious incident occurs while they are exploring the Marabar caves with Aziz, and the well-respected doctor soon finds himself at the centre of a scandal that rouses violent passions among both the British and their Indian subjects.
First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. Soon to be a limited series on Starz.At its heart lie two familiesthe wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparkedsome very funny, some very tragicthat results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home. As much about the clash between individual wills as the clash between the sexes and the classes, Howards End is a novel whose central tenet, "e;Only connect,"e; remains a powerful prescription for modern life.Introduction by Alfred Kazan(Book Jacket Status: Not Jacketed)
This collection includes: The Celestial Omnibus and Other Stories, Howards End, The Longest Journey, A Room with a View, and Where Angels Fear to Dread. According to Wikpedia: "e;Edward Morgan Forster OM, CH (1 January 1879 - 7 June 1970), was an English novelist, short story writer, essayist and librettist. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. Forster's humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "e;Only connect"e;.
Collection of classic short stories, first published in 1912. According to Wikpedia: "e;Edward Morgan Forster(1 January 1879 - 7 June 1970), was an English novelist, short story writer, essayist and librettist. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. Forster's humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "e;Only connect"e;.
First published in 1910, "e;Howards End"e; is E. M. Forster's classic story regarding social conventions of different strata of English society at the end of the 19th century. The story centers around three families; the Wilcoxes, a wealthy family who made their fortune in the American colonies; the Schlegels, three siblings, Margaret, Helen, and Tibby, who represent the intellectual bourgeoisie; and the Basts, a young struggling couple from a lower class background. The Schlegels are lively socialites whose spirited and active lifestyles bring them by chance into contact with the Wilcoxes and the Basts. Through the entanglement between these three families, Forster masterfully depicts the struggle between the upper and lower classes that would dominate England at the end of the 19th century. Forster drew upon memories of his childhood home, Rooks Nest in Hertfordshire, for the titular Howards End, a country estate of the Wilcoxes where part of the story takes place, and whose ownership comes into question when the Wilcox matriarch, Ruth, makes a death-bed bequeath of the estate to Margaret Schlegel. The fate of Howards End, and the lives of the family's affiliated with it, is brilliantly represented by Forster as a parallel to the fate of English Society itself at the turn of the century. This edition includes a biographical afterword.
Lucy has her rigid, middle-class life mapped out for her until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fianc Cecil Vyse. Will she ever learn to follow her own heart?
E. M. Forster's 1908 novel 'A Room with A View' narrates the story of a young woman in the restrained culture of Edwardian England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century.
When a brief romance between Helen Schlegel and Paul Wilcox ends badly, their two very different families are brought into collision. The liberal, intellectual Schlegels, who had hoped never to see the capitalist, pragmatic Wilcoxes again, learn that Paul's family are moving from their country estate - Howards End - to a flat just across the road. As the lives of the Schlegels and the Wilcoxes become increasingly entangled, Helen befriends Leonard Bast, a man of lower social status. His presence further inflames the families' political and cultural differences, which are brought to a head in a fatal confrontation at Howards End. Considered by some to be E. M. Forster's finest work Howard's End blends humour and lyricism in this classic exploration of British class and character.
In this searching tragicomedy of manners, personalities, and world views, E. M. Forster explores the "e;idea of England"e; he would later develop in Howard's End. Bookish, sensitive, and given to wild enthusiasms, Rickie Elliot is virtually made for a life at Cambridge, where he can subsist on a regimen of biscuits and philosophical debate. But the love-smitten Rickie leaves his natural habitat to marry the devastatingly practical Agnes Pembroke, who brings with her - as a sort of dowry - a teaching position at the abominable Sawston School.
"e;The Machine Stops"e; is a science fiction short story by E. M. Forster. After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster's 'The Eternal Moment and Other Stories' in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology 'Modern Short Stories'. In 1973 it was also included in 'The Science Fiction Hall of Fame, Volume Two'. The book is particularly notable for predicting new technologies such as instant messaging and the internet.
Hot-headed Lilia is seen as nothing but a vulgar source of embarrassment to her late husband's family, so her decision to embark on a year abroad in Tuscany is welcomed by her uptight and snobbish mother-in-law. Yet Lilia doesn't stay away from scandal long; her announcement that she is to marry the charismatic but ill-bred Gino is met with horror by the rest of the family. Their union ends in tragedy and violence as her English relatives confront their Italian counterparts, as well as their own cultural values, amidst the beauty of the Tuscan countryside.
First published in 1908, E. M. Forster's "e;A Room with a View"e; is the story of a young English middle-class girl named Lucy Honeychurch. As the novel opens we find Lucy touring Italy with her overbearing older cousin and chaperone, Charlotte Bartlett. The two are upset over the views from their rooms. Having been promised views that overlook the river Arno, the two instead receive views of the courtyard. Their complaints are overheard by Mr. Emerson, who offers to swap rooms with them, citing the fact that he and his son George both have rooms that overlook the Arno. After a brief romantic encounter between George Emerson and Lucy while they are in Florence, the two travel on to Rome where Lucy is wooed by her friend from England Cecil Vyse. When Lucy learns from the vicar that a local cottage has been rented she discovers that the Emersons have arrived in Rome. Again the prospect of romance with George entices Lucy but she is torn between the more acceptable prospect of a union with Cecil. "e;A Room with a View"e; is the classic human struggle of choosing a partner who is the most socially acceptable versus the desire for true love. This edition includes a biographical afterword.
A Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the restrained culture of Edwardian era England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century. Merchant-Ivory produced an award-winning film adaptation in 1985.
This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson-who is entirely unsuitable and whose father just may be a Socialist-Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.
The Machine Stops is a science fiction short story by E. M. Forster. After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster's The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology Modern Short Stories. In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two. The story, set in a world where humanity lives underground and relies on a giant machine to provide their needs, predicted technologies such as instant messaging and the Internet. The story describes a world in which most of the human population has lost the ability to live on the surface of the Earth. Each individual now lives in isolation below ground in a standard room, with all bodily and spiritual needs met by the omnipotent, global Machine. Travel is permitted, but is unpopular and rarely necessary. Communication is made via a kind of instant messaging/video conferencing machine with which people conduct their only activity: the sharing of ideas and what passes for knowledge. The two main characters, Vashti and her son Kuno, live on opposite sides of the world. Vashti is content with her life, which, like most inhabitants of the world, she spends producing and endlessly discussing secondhand 'ideas'. Kuno, however, is a sensualist and a rebel. He persuades a reluctant Vashti to endure the journey (and the resultant unwelcome personal interaction) to his room. There, he tells her of his disenchantment with the sanitised, mechanical world. He confides to her that he has visited the surface of the Earth without permission, and that he saw other humans living outside the world of the Machine. However, the Machine recaptured him, and he has been threatened with 'Homelessness', that is, expulsion from the underground environment and presumed death.