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William Shaw was born in Newton Abbot, Devon, grew up in Nigeria and lived for sixteen years in Hackney. For over twenty years he has written on popular culture and sub-culture for various publications including the Observer and the New York Times. A Song from Dead Lips is his first novel, which is followed by the next in the series, A House of Knives. He lives in Brighton.
In what is promising to be an assured series, Deadland sits as a gripping, fabulous read in its own right. Two 17 year old lads end up in a whole heap of trouble when they steal a mobile phone, meanwhile DS Alexandra Cupidi returns to investigate a severed limb, but without the rest of the body is there actually a murder to investigate? The first in this DS Alexandra Cupidi Investigation series by William Shaw is Salt Lane, with the standalone The Birdwatcher taking place before, but also linking to the series. So there are a couple of recommended stops to make before potentially embarking on Deadland. I just slipped straight into the storyline, I immediately felt at home, there was a fresh feeling of reality and I didn’t question, just read. DS Cupidi is a really strong lead, the relationship with her daughter adding a contrasting note of tension. There is a wonderful balance between the investigations taking place, and the story of Benjamin and Joseph, the links starting to tighten as the story progresses. Dungeness thrusts itself into the story, the social aspects substantial and compelling. Deadland is an absolutely fascinating read, one that I highly recommend and I have chosen it as one of my Liz Robinson picks of the month.
Salt Lane is the start to an assured, intelligent, and fascinating series. Kent as a location broods its way through the story while DS Cupidi is a strong lead. The Birdwatcher is a standalone novel but also links to this fabulous series. Books in The DS Alexandra Cupidi Series: 1. Salt Lane 2. Deadland 3. Grave's End Serial Reader? Check out our 'Fall in Love With a Book Series' collection to find amazing book series to dive in to.
London, 1968. The Runaway. A young woman is found naked and strangled in an alley in well-to-do St John's Wood. The African. The neighbours would love to pin it on the enigmatic black stranger who has just moved in. The Pariah. Detective Sergeant Cathal Breen is convinced there's more to the case than anyone wants to admit; no-one's listening. The Outsider. In walks WPC Helen Tozer - awkward chatterbox, farmgirl, and the first woman to enter the murder unit - and gives Breen a breakthrough. A Song from Dead Lips is a crime thriller that shows the glorified sixties close-up, as it really was - comfortably sexist, racially prejudiced, class-bound and crawling with corruption.
This anthology presents classical and contemporary readings on the major issues in social and political philosophy - obligation, democracy, rights, freedom, equality, justice,
These chapters by eight Korea specialists present a new approach to human rights issues in Korea. Instead of using an external and purely contemporary standard, the authors work from within Korean history, treating the successive phases of Korea's modern century to examine the uneasy fate of human rights and some of the ideas of human rights as they have developed in the Korean context. Beginning with the Independence Club of the late nineteenth century and continuing through to the constitutional and judicial structures underlying the Sixth Republic Government of Roh Tae Woo in South Korea, these papers illuminate the sometimes complex interactions between modern Korean human-rights issues and the legacies of Korean culture and colonial occupation. The contributors provide a corrective to two common errors: one, an overemphasis on the tension between residual Confucian culture and human-rights concepts; two, the opposite error, a defensive nationalism that gives rise to ill-founded efforts to identify democratic antecedents in the Korean past. Instead, these authors allow each episode in the emergence of Korean human rights thought and action to stand in the context of its own time and of Korea's modern history. The final sections deal with the usefulness and appropriateness of U.S. policies toward human rights in South Korea and comparatively with the overall issues raised in the volume.