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Jeanette Winterson OBE is the author of ten novels, including Oranges are not the Only Fruit, The Passion and Sexing the Cherry; a book of short stories, The World and Other Places; a collection of essays, Art Objects as well as many other works, including children's books, screenplays and journalism. Her writing has won the Whitbread Award for Best First Novel, the John Llewellyn Rhys Memorial Prize, the E. M. Forster Award and the Prix d'argent at Cannes Film Festival.
In Brexit Britain, a young transgender doctor called Ry is falling in love - against their better judgement - with Victor Stein, a celebrated professor leading the public debate around AI. Meanwhile, Ron Lord, just divorced and living with Mum again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere. Across the Atlantic, in Phoenix, Arizona, a cryonics facility houses dozens of bodies of men and women who are medically and legally dead... but waiting to return to life. But the scene is set in 1816, when nineteen-year-old Mary Shelley writes a story about creating a non-biological life-form. 'Beware, for I am fearless and therefore powerful.' What will happen when homo sapiens is no longer the smartest being on the planet? Jeanette Winterson shows us how much closer we are to that future than we realise. Funny and furious, bold and clear-sighted, Frankissstein is a love story about life itself.
'Behind every great woman is a man who tried to stop her.' A century on from the first votes for women in the UK, award-winning author Jeanette Winterson asks what we still stand to learn from the Suffragettes. Examining recent women's rights movements, the worlds of politics and technology, social media and changes in the law, Winterson celebrates how far we have come but demands that we do more. There is still so far to go, so much courage we still need to find. Witty and wise, incisive and inspiring, Courage Calls to Courage Everywhere is a powerful reminder of the need for true equality and an urgent call to arms.
A Sunday Telegraph Book of the Year `Winterson's winter tales unfailingly succeed in their endeavor to leave you aglow' - Guardian For years Jeanette Winterson has written a new story at Christmas time and here she brings together twelve of her brilliantly imaginative, funny, and bold tales, along with twelve delicious recipes for the twelve days of Christmas.
There are ghosts here and jovial spirits. Chances at love and tricks with time. There is frost and icicles, mistletoe and sledges. There's a cat and a dog and a solid silver frog. There's a Christmas cracker with a surprising gift inside. There's a haunted house and a SnowMama. There are Yuletides and holly wreaths. Three Kings. And a merry little Christmas time. And for the icing on the Christmas cake, there are twelve festive recipes from Yuletides past and present. Red cabbage, gravlax, turkey biryani, sherry trifle, Mrs Winterson's mince pies and more.
A baby girl is abandoned, banished from London to the storm-ravaged American city of New Bohemia. Her father has been driven mad by jealousy, her mother to exile by grief. Seventeen years later, Perdita doesn't know a lot about who she is or where she's come from - but she's about to find out.
'I saw the strangest sight tonight.' New Bohemia. America. A storm. A black man finds a white baby abandoned in the night. He gathers her up - light as a star - and decides to take her home. London. England. After the financial crash. Leo Kaiser knows how to make money but he doesn't know how to manage the jealousy he feels towards his best friend and his wife. Is the newborn baby even his? New Bohemia. 17 years later. A boy and a girl are falling in love but there's a lot they don't know about who they are and where they come from.
A 2013 World Book Night selection. Shortlisted for the Specsavers National Book Awards 'UK Author of the Year' 2012. A companion to Oranges are Not the Only Fruit, allowing Jeanette Winterson to explore the truth (often far worse than the fictionalised version) behind her autobiographical novel. The power of the written word to a child is brilliantly captured, books allowing the author to escape and find her own life – to write her own words.Like for Like ReadingBad Blood, Lorna SageOnce in a House on Fire, Andrea Ashworth
Featured on The Book Show on Sky Arts on 15 December 2011. Jeanette Winterson: In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit , was published. It tells the story of a young girl adopted by Pentecostal parents. The girl is supposed to grow up and be a missionary. Instead she falls in love with a woman. Disaster. Written when Jeanette was only twenty-five, her novel went on to win the Whitbread First Novel award, become an international bestseller and inspire an award-winning BBC television adaptation. Oranges was semi-autobiographical. Mrs Winterson, a thwarted giantess, loomed over that novel and its author's life. When Jeanette finally left her home, at sixteen, because she was in love with a woman, Mrs Winterson asked her: why be happy when you could be normal? This book is the story of a life's work to find happiness. It is a book full of stories: about a girl locked out of her home, sitting on the doorstep all night; about a tyrant in place of a mother, who has two sets of false teeth and a revolver in the duster drawer, waiting for Armageddon; about growing up in an northern industrial town now changed beyond recognition, part of a community now vanished; and, about the Universe as a Cosmic Dustbin. It is the story of how the painful past Jeanette Winterson thought she had written over and repainted returned to haunt her later life, and sent her on a journey into madness and out again, in search of her real mother. It is also a book about other people's stories, showing how fiction and poetry can form a string of guiding lights, a life-raft which supports us when we are sinking.
In this, her first collection of short stories, Winterson reveals all the facets of her extraordinary imagination. In prose that is full of imagery and word-play, she creates physical and psychological worlds that are at once familiar and yet shockingly strange.
These interlocking essays uncover art as an active force in the world - neither elitist or remote, present to those who want it, affecting even those who don't. Winterson's own passionate vision of art is presented here, provocatively and personally, in pieces on Modernism, autobiography, style, painting, the future of fiction, in two essays on Virginia Woolf, and more intimately in pieces where she describes her relationship to her work and the books that she loves.