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Wilkie Collins was born on 8 January 1824 and died on 23 September 1889. In those 65 years he wrote 27 novels, more than 50 short stories, at least 15 plays, and more than 100 non-fiction pieces. A close friend of Charles Dickens from their meeting in March 1851 until Dickens' death in June 1870, Collins was one of the best known, best loved, and, for a time, best paid of Victorian fiction writers. But after his death, his reputation declined as Dickens's bloomed. Now, Collins is being given more critical and popular attention than he has for fifty years. Almost all his books are in print, he is studied widely, and new film and television versions of some of his books have been made. Nevertheless, there is still much to be discovered about this superstar of Victorian fiction.
One of Sue Perkins' favourite books. T S Eliot called The Moonstone 'the first and greatest of English detective novels'. A fabulous yellow diamond becomes the dangerous inheritance of Rachel Verinder. Outside her Yorkshire country house watch the Hindu priests who have waited for many years to reclaim their ancient talisman, looted from the holy city of Somnauth. When the Moonstone disappears the case looks simple, but in mid-Victorian England no one is what they seem and nothing can be taken for granted. Witnesses, suspects, and detectives take up the story in turn. The bemused butler, the love-stricken housemaid, the enigmatic detective Sergeant Cuff, the drug-addicted scientist, each speculate on the mystery as Collins weaves their narratives into a masterpiece of construction and suspense.
In this 1874 novella, the celebrated British writer of sensation fiction tells the tale of two brothers sentenced to be executed for having committed a murder that never occurred, and of the efforts of the energetic Naomi Colebrook to ferret out the truth and save the two innocents. As editor Anna Clarke observes, Collins' work is both a compelling legal sensation thriller and an important transatlantic commentary on American life. Along with the text itself and an illuminating introduction, Clarke provides a range of background materials-including documents from the real-life Boorn murder trial that inspired the novella-in order to set the work in its historical context.
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