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Maggie Fergusson has written for newspapers and magazines including The Times, the Daily and Sunday Telegraph, Harpers & Queen and the Independent magazine, and is Secretary of the Royal Society of Literature. She is married with two daughters and lives in London.
Shortlisted for the Costa Biography Award 2006. Costa Book Awards 2006 Judges' comment: "Maggie Fergusson's extraordinary biography illuminates the life of a neglected genius and the place that inspired him. Even if you're unfamiliar with George Mackay Brown, it's a captivating read."
Discover the true life story of favourite storyteller Michael Morpurgo, in this biography specially edited for children. Also features seven original Morpurgo stories. We are enchanted by Michael Morpurgo's amazing stories like `Private Peaceful', `Born to Run' and `Kensuke's Kingdom'. And with big screen adaptations of his novels such as `War Horse' being made into film adaptations by Steven Spielberg, it's no surprise that he's our nation's number one favourite storyteller. But what about the real life story of Michael Morpurgo...? How did a boy supremely uninterested in books, who dreamed of becoming an army officer, become a bestselling author and Children's Laureate? What stories in Michael's own life inspired him to write more than a hundred books for children? In a unique collaboration, Maggie Fergusson and Michael himself explore his life through biography and stories. This is a specially abridged edition of the critically acclaimed biography `War Child to War Horse', for children. With additional photos not included in the hardback edition, and with a special activities section, this is the perfect gift for any child who has ever loved a Morpurgo story - and there are millions of them out there...
The life of Michael Morpurgo OBE, as a biography, and autobiographical stories. Michael Morpurgo OBE is a national treasure. With books such as `Private Peaceful', `Kensuke's Kingdom' and `The Wreck of the Zanzibar' he has enchanted a whole generation of children, weaving stories for them in a way that is neither contrived nor condescending. His is a rare gift. In 2007, Michael's novel `War Horse' was adapted for the stage by the National Theatre. Five years on, it continues to play to packed audiences of all ages and has been turned into a blockbuster film by Steven Spielberg, propelling Morpurgo to household-name status. Michael's own story is as strange and surprising as any he has written, and is shot through with the same thread of sadness found in almost all his work. How did this supremely unbookish boy who dreamed of becoming an army officer become a bestselling author and Children's Laureate instead? What personal price has he paid for success? And why, amidst his triumphs, is he now haunted by regret? In a unique collaboration, Maggie Fergusson explores Michael Morpurgo's life through seven biographical chapters, to which he responds with seven stories. The portrait that emerges is one of light and shade: the light very bright, the shade complex and often painful.
George Mackay Brown was one of Scotland's greatest twentieth-century writers, but in person a bundle of paradoxes. He had a wide international reputation, but hardly left his native Orkney. A prolific poet, admired by such fellow poets as Seamus Heaney, Ted Hughes and Charles Causley, and hailed by the composer Peter Maxwell Davies as 'the most positive and benign influence ever on my own efforts at creation', he was also an accomplished novelist (shortlisted for the 1994 Booker Prize for Beside the Ocean of Time) and a master of the short story. When he died in 1996, he left behind an autobiography as deft as it is ultimately uninformative. 'The lives of artists are as boring and also as uniquely fascinating as any or every other life,' he claimed. Never a recluse, he appeared open to his friends, but probably revealed more of himself in his voluminous correspondence with strangers. He never married - indeed he once wrote, 'I have never been in love in my life.' But some of his most poignant letters and poems were written to Stella Cartwright, 'the Muse of Rose Street', the gifted but tragic figure to whom he was once engaged and with whom he kept in touch until the end of her short life. Maggie Fergusson interviewed George Mackay Brown several times and is the only biographer to whom he, a reluctant subject, gave his blessing. Through his letters and through conversations with his wide acquaintance, she discovers that this particular artist's life was not only fascinating but vivid, courageous and surprising.