Audiobooks narrated by Susie Hennessy

Egyptian Romany - The Essence of Hispania

This book reveals the Ancient Egyptian roots of the Romany (Gypsies) and how they brought about the civilization and orientalization of Hispania, over the past 6,000 years. The book also shows the intimate relationship between Egypt and Hispania archaeologically, historically, culturally, ethnologically, linguistically, etc., as a result of the immigration of the Egyptian Romany (Gypsies) to Iberia. This Expanded Version of the book consists of 14 chapters: Chapter one, The Romany (Gypsy) Essence of Hispania, sorts through the subject of the Gypsies and differentiates the Egyptian Romany from non-Egyptian nomadic groups. It highlights their Egyptian characteristics and their different related groups. Chapter two, Our Heavenly Mother, shows how Ancient Egypt and Iberia share the intense love for the Virgin Mother (known in Ancient Egypt as Isis and in Christianity as Mary/Maria). Chapter three, Out of Egypt, gives an overview of the major pitfalls in the common theories about the history of Iberia. It provides the accounts of early Egyptian immigration to other countries, and accounts of some of their early settlements in Asia and Europe. Chapter four, The Egyptian-Hispanic Alloys Chapter five, In the Beginning—Almeria, highlights the archaeological findings at the early settlements in several Iberian regions—beginning at Almeria, and correlates these activities in Iberia with Ancient Egypt—to show unique similarities and affinities between Ancient Egypt (in pre- and early dynastic times) and Iberia, in all aspects of religion, architecture, farming, metalworking, etc. Chapter six, Masters of the Seas, shows the supremacy of the Ancient Egypt ships, their sizes, types, and functions. Chapter seven, Merchants of the Seas, shows that Phoenicians were experienced seafarers and traders and nothing else. The Phoenicians did not have the number of people (or the talent) for the farming, art, industry, and building skills necessary to establish new settlements in Iberia or elsewhere. Chapter eight, Canopus and Cádiz: A Tale of Two Harbors. Chapter nine, The Assyrian Devastation and Aftershocks, correlates the rise of power of the Assyrians (and later the Persians), to the waves of mass migration from Ancient Egypt, which coincided with the increase in population and the number of settlements in Iberia. Chapter ten, Romanticizing the Romans, addresses the lack of merit of Romans’ influence in Iberia—in all aspects of Iberian life, such as culture, government, religion, language, society, buildings, etc. Chapter eleven, The Moors and the Egyptians, addresses the falsehoods of credits given to the Moors/Moslems/Arabs; and how all these aspects and activities were only found in Egypt. It also shows the huge number of Egyptian settlers. Chapter twelve, The Origin of the Hispanic Languages/Dialects, defines the role of the Ancient Egypt language as the mother of all Semitic languages, as well as all other languages/dialects in the Mediterranean Basin and beyond. Chapter thirteen, The Animated Religious Traditions, shows how the people of both Egypt and the Iberian Peninsula share the same concept of Animism, the power of saints, religious pilgrimages, festivals, etc. Chapter fourteen, The Egyptian-Hispanic Musical Heritage, shows the intimacy between the Egyptians and Iberian heritage as it relates to music, poetry, song, and dance.

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

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Egyptian Musical Instruments

This book consists of five chapters: Chapter 1: The Wealth of Instruments will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra Chapter 2: Stringed Instruments will cover various Ancient Egyptian stringed instruments such as lyres, tri-gonon (zither), Harps including playing techniques: Harps—Playing Techniques; The All-Encompassing Capacities of Ancient; string instruments with neck—such as short-neck Lute; the long-neck Egyptian guitars; and Bowed Instruments [Kamanga, Rababa]. Chapter 3: Wind Instruments will cover The end blown flute; transverse flute; pan flute; single reed pipe (clarinet); double Pipe; double clarinet; double oboe; arghool; others (bagpipe and organ); and horns/trumpets. Chapter 4: Percussion Instruments will cover the membrano-phone instruments such as drums and tambourines; and the non-membrano-phone (idiophone) instruments such as percussion sticks, clappers, sistrums/sistra, cymbals, castanets, bells (chimes), xylophone and glockenspiel and human parts (hands, fingers, thighs, feet, etc.). Chapter 5: The Musical Performance will cover the significance and roles of the fingers and their knuckles in producing and directing musical performances; as well as the varied methods for maintaining the rhythmic timing/tempo—including the use of syllables.

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

Audiobook

The Enduring Ancient Egyptian Musical System -- Theory and Practice

Discover the cosmic roots of Egyptian musical, vocal, and dancing rhythmic forms. Learn the fundamentals (theory and practice) of music in the typical Egyptian way: simple, coherent, and comprehensive. Review a detailed description of the major Egyptian musical instruments, playing techniques, functions, etc. Discover the Egyptian rhythmic practices in all aspects of their lives. This book will make your heart sing. This Expanded Version of the book: The Enduring Ancient Egyptian Musical System is divided into seven parts containing a total of 22 chapters. Part I: Prelude consists of one chapter: Chapter 1: The Egyptian Musical System will cover a quick background overview of the Egyptian musical system as evident in its archaeological findings. Part II: The Harmony of The Spheres consists of four chapters—2 through 5: Chapter 2: The Archetypal Cosmic Musical System will cover the basis and role of the harmony of the spheres in adopting the diatonic musical scale as the archetypal musical system. Chapter 3: Music All the Time (24 hours, 7 days) will cover and explain the correlations between the hours of the days of the week and their corresponding musical notes. Chapter 4: Energizing the Diatonic Week will cover the natural musical scale, its two energy Centers,and the Egyptian Dorian D-scale. Chapter 5: The Harmonic Three Components will cover the primary basics of the Egyptian harmonic canon. Part III: The Musical Notes consists of two chapters—6 and 7: Chapter 6: The Derivatives of The Perfect Fifth will cover how the Perfect Fifth progression creates all harmonic musical notes; etc Chapter 7: The Musical Measuring Unit Part IV: The Egyptian Musical Composition Code consists of six chapters—8 through 13: Chapter 8: The Musical Framework Varieties Chapter 9: Modes and Musical Structural Forms Chapter 10: The Musical Lyrics will cover the Egyptian vocal musical themes; tc Chapter 11: The Seamless Language of/and Music will cover the intimate relationship between the Egyptian alphabetical language and the musical system; etc Chapter 12: The Musical Performance will cover the varied methods for maintaining the rhythmic timing/tempo. Chapter 13: The Egyptian Tonal Writing System Part V: The Egyptian Musical Instruments consists of four chapters—14 through 17: Chapter 14: The Wealth of Instruments will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra Chapter 15: Stringed Instruments Chapter 16: Wind Instruments Chapter 17: Percussion Instruments Part VI: Maintaining The Heavenly Rhythms consists of four chapters—18 through 21: Chapter 18: The Universal Harmony will cover the role of music in maintaining the universal balance; etc Chapter 19: Rhythmic Dancing will cover the significance of dancing as well as dancing types and formations. Chapter 20: The Harmonic Practices will cover the profession of musicians in Ancient (and present-day) Egypt; the temple musical activities; the applications of music in the various public activities. Chapter 21: The Harmonic Sound Man will cover the application of music in the various stages of human lives—from cradle to grave. Part VII: Postlude consists of one chapter—22: Chapter 22: And the Beat Goes On will cover the endurance of the Ancient Egyptian musical traditions into present times. Appendices A through E provide expansions on some topics that were discussed in the various chapters.

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

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The Ancient Egyptian Metaphysical Architecture

This book reveals the Ancient Egyptian knowledge of harmonic proportion, sacred geometry, and number mysticism, as manifested in their texts, temples, tombs, art, hieroglyphs, ...etc., throughout their known history. It shows how the Egyptians designed their buildings to generate cosmic energy, and the mystical application of numbers in Egyptian works. The book explains in detail the harmonic proportion of about 20 Ancient Egyptian buildings throughout their recorded history. This Expanded Edition of the book is divided into three parts containing a total of 13 chapters, as well as 10 appendices being A through I. Part I: Architectural Concepts—Function and From consists of five chapters—1 through 5: Chapter 1: The Architectural Canon Chapter 2: The Metaphysical Structure of The Universe Chapter 3: Visitation Sites of The Lower Heavenly Court Chapter 4: The Sealed Pharaohs' Tombs Chapter 5: Egyptian Temples of The Divine Forces Part II: The Physical Manifestation of Metaphysical Concepts consists of five chapters—6 through 11: Chapter 6: Architectural Constituent Forms of Metaphysical Functions will cover the various architectural forms as manifestation of their corresponding functions [both physically and metaphysically] for 'false doors', recessed wall panels, columns and pillars, capitals of columns, porticoes, peristyles, colonnade formations at four different locations, obelisks, statuary images of various roof forms (flat, gable, corbelled, arch & vaulted), stylistic architectural details (architrave, cornice, and torus) and stylistic ornamentation and decoration such as starry ceilings, floral, geometric, figurative, a combination of two or all three, guilloche (misnamed as the Tuscan border), chevron, and scroll pattern. Chapter 7: The Primary Geometrical Shapes/Forms Chapter 8: The Generative Square Root Rectangles—'Irrational numbers' ......

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

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Egyptian Pyramids Revisited

A complete handbook about the pyramids of Ancient Egypt during the Pyramid Age. It contains: the locations and dimensions of interiors and exteriors of the pyramids; the history and builders of the pyramids; theories of construction; theories on their purpose and function; the sacred geometry that was incorporated into the design of the pyramids; and much, much more. This Expanded Edition of the book consists of fully illustrated seven Parts with a total of 18 Chapters, as well as one Appendix. Part I: Overview consists of two chapters 1 and 2, as follows: Chapter 1: The Background provides a short opening statement about the common 'theories' and the counterpoints based on actual facts. Chapter 2: The Genuine Masonry Pyramids provides a list of the Egyptian pyramids that were built during the Fourth dynasty about 4500 years ago. Part II: Pyramids versus Tombs consists of two chapters 3 and 4, as follows: Chapter 3: Stepped 'Pyramid' of Zoser covers details of its super-structure and its underground chambers. Chapter 4: The Fictional Tombs covers the details of a typical Ancient Egyptian tomb and how totally different from the interiors of the Egyptian masonry pyramids of the Fourth Dynasty. Part III: Pyramids -- Functions & Forms consists of two chapters 5 and 6, as follows: Chapter 5: The Pyramid Complex shows how the Egyptian pyramid was a component of a complex that was connected to other temples; and the differences in functions and forms between a pyramid and a temple; as well as the energetic proportioning of such structures. Chapter 6: Pyramid Power covers the form variations of the Egyptian masonry pyramids; and how such forms attract, maintain and channel cosmic energies. Part IV: Pyramid Construction Techniques consists of two chapters 7 and 8, as follows: Chapter 7: The Flawed 'Common Theory'covers the details of the Common 'Theory'; the unidentified 'source' of quarried blocks ; the impossibilities of cutting and shaping the pyramid blocks; the impossible logistics of fabricated ramps' theory; the convenietly ignored three immense Pyramids of Snefru; and a summation refuting the western-made 'Common Theory' Chapter 8: The Material Facts covers Herodotus accounts of pyramid construction; Egyptian molding techniques ; the differences between synthetic and natural blocks; the various types of synthetic concrete blocks; the unique qualities of the pyramids'casing stones; additional evidential facts of synthetic pyramid blocks; as well as bringing to light the even more outstanding details of the earlier incredible masonry works of Saqqara Part V:The Three Snefru Pyramids consists of three chapters 9 through 11, as follows: Chapter 9: Snefru's Meidum Pyramid covers its detailed exteriors and interiors. Chapter 10: Snefru's Bent Pyramid covers its detailed exteriors and interiors. Chapter 11: Snefru's Red Pyramid covers its detailed exteriors and interiors. Part VI: The Three Pyramids of Giza consists of four chapters 12 through 15, as follows: Chapter 12: The Giza Plateau provides an overall diagram of the main points of interest in the Giza Plateau Chapter 13: Khufu's Great Pyramid covers its detailed exteriors and interiors. Chapter 14: Khafra's Pyramid covers its detailed exteriors and interiors. Chapter 15: Menkaura's Pyramid covers its detailed exteriors and interiors. Part VII: After The Pyramids consists three chapters 16 through 18, as follows; Chapter 16: Mission Accomplished concludes the Egyptians' objectives of building the pyramids Chapter 17: 'Pyramid' Texts covers the origin of such incorrectly western characterization of such texts. Chapter 18: The Greatest Pharaohs That Followed provides accounts of subsequent more powerful and great builders who never built a pyramid because the real objectives of building pyramids were achieved during the era of the Fourth dynasty. Appendix A: Roof Forms and Their Metaphysical Designations.

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

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Egyptian Divinities: The All Who Are the One

Details more than 80 Egyptian divinities(gods, goddesses) and their specific roles.This Expanded Version of the book consists of two Parts with a total of 12 Chapters. Part I : The All Who Are THE ONE consists of seven chapters 1 through 7, as follows: Chapter 1: The One is ALL explains that far from being a primitive, polytheistic form, the Egyptians' ideology is the highest expression of monotheistic mysticism. Chapter 2: The Divine Energies of The Creation Cycle covers the role of the divine energies in the creation cycle which accords with scientific principles; and how such divine energies were recognized in later creeds as 'Angels of God'. Chapter 3: Manifestation of Neteru in The Orderly Creation Process covers such manifestation into three primary phases, in the Egyptian creation process accounts. Chapter 4: Understanding Names, Epithets & Titles covers the real secret names and how Egyptians used epithets and titles when referring to the divine energies. Chapter 5: Narration of Their Manifestations explains how the cosmological knowledge of Ancient Egypt was expressed in a story form, which is a superior means for expressing both physical and metaphysical concepts. Chapter 6: Common Misrepresentations of the Divinities in Egypt covers examples of such misrepresnations and provides the real intended representations Chapter 7: Man and The Divine Forces covers man's place in the universal order . Part II : The Roles of Most Recognized Neteru consists of five chapters 8 through 12, as follows: Chapter 8: Mystical Pictorial Depictions covers pictorial symbolism of the Neteru. Chapter 9: Most Common Animals and Birds Forms Neteru covers the metaphysical significance of several animal images such as that of the ass, baboon, beetle, Bennu/Benben, bulls, cat, cows ;, crocodile, dog, egg, falcon, feather, fish, frog, goose, hare, heron, hippopotamus, horse, ibis, lions [lion, lioness & twin-lions(Aker)], Phoenix, rams, serpents, stork, vulture, and winged sun. Chapter 10: Most Common Male & Androgynous Human Forms Divinities covers the metaphysical significance of several male and androgynous human form images such as:Amon, Anubis (Anbu,Ubuat ,Web-wawet), Apis(Epaphus,Hapis), Aton (Adon), Atum (Atem,Atom, Atam),Bes, Geb(Seb, Keb), Hapi (Hepr),Herishef , Horus Khepri (Khepera), Khnum, Khonsu(Khons), Min(Menu, Amsi, Kamutef), Nefertum --[also, The Triad Ptah-Sokaris-Nefertum],Nun/Nu/Ny, Osiris (Ausar, Usire, Asar), Ptah (Phtas, Vulcan), Re (Ra), Re Hor akhti (Rahorakhty), Reshpu(Reshef, Reseph), Sebek , (Sobek, Suchos), Seth(Set, Sutekh, Typhon), Sokaris, Shu, and Thoth Chapter 11: Most Common Female Human Forms Divinities covers the metaphysical significance of several female human form images such as: Isis (Auset,Ast)-- The divine female Principle/Principal, Anat, Bast (Bastet, Oubastis), Heket(Heqet), Hathor (Het-Hor, Het-Heru,Venus, Aphrodite) --[also- Mehet-Uret (Mehurt, Methyer)- Heru-sekha- Hesat - Merit- Tree Netrt(goddess) - Astrate/ Asera / Serah / Sarah- Notre Dame], Kadesh (Qadesh), Maat(Mayet), Merit, Mut, Nephthys (Nebt-het), Neith (Net), Nut, Satis (Satet), Sekhmet(Sekh-Mut, Sakhmet,Petesachmis), Selkis(Serket,Selkit,Serqet), Seshat(Safkhet, Sesat, Seshet, Sesheta, Seshata), Taurt(Taweret, Thoeris, Toeris), and Tefnut, Chapter 12: The Archetypal Synergies covers the complex and shifting array of relationships between the divine energies; and how such synergies are being manifested in various associations such as dualities, trinities, octads and Enneads.

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

Audiobook

Ancient Egyptian Universal Writing Modes

This book will show how the Egyptians had various modes of writings for various purposes , and how the Egyptian modes were falsely designated as 'separate languages' belonging to others and how this one original language came to be called Greek, Hebrew, Arabic and other 'languages' throughout the world-through deterioration of sound values via 'sound shifts', as well as foreign degradation of the original Egyptian writing forms. The book is divided into seven parts with a total of 24 chapters, as follows: Part I. Denial, Distortion and Diversion has 3 chapters-Chapters 1 to 3: Chapter 1: The Archetypal Primacy of The Egyptian Alphabet shows the role and remote history of alphabetical letter-forms writing in Ancient Egypt prior to any other place on earth. Chapter 2: The Concealment of The Supreme Egyptian Alphabets will show the incredible western academia scheme to conceal the Ancient Egyptian alphabetical letter-forms from its prominent position in the history of writing. Chapter 3: The Diversion of A Proto-Sinaitic 'Phoenician Connection' will uncover all the facts about having 'Phoenicians' as the inventor of alphabets on an Egyptian soil! Part II. Formation and Forms of Egyptian Alphabetic Writings has 6 chapters-Chapters 4 to 9: Chapter 4: Genesis of Egyptian Alphabetic Letters/Writing Chapter 5: The Egyptian Sound Organization of Letters will cover the primary three vowels as the originators of all vowel sounds and associated consonants. Chapter 6: The Egyptian Alphabetic Writing Styles will sort out present common confusion of Ancient Egyptian styles of writing and set the two primary styles as uncials and cursive. Chapter 7: The Profession of Egyptian Scribes will cover the range of Egyptian writings; the profession of scribes; writing surfaces & instruments; etc Chapter 8: Multiple Writing Forms of a Single Document Chapter 9: Multiple Writing Forms of The Rosetta Stone Part III. How The One World Language Became The Many has five chapters-Chapters 10 to 14: Chapter 10: The Beacon of the Ancient World Chapter 11: Common Characteristics of Ancient Egyptian Alphabetic Writing System Chapter 12: Letter-forms Divergence of World Alphabets From Its Egyptian Origin Chapter 13: Sound Divergence of World Alphabets From Its Egyptian Origin Chapter 14: Cavalier Designations of New Languages will cover how a new language is awarded as a symbol of identity for winners of wars and new religions; etc Part IV. The Primary Linguistic Characteristics of The Egyptian Language has one chapter-Chapter 15: Chapter 15: The Primary Linguistic Characteristics of The Egyptian Language Part V. Out of Egypt-Diffusion Patterns To Asia and Africa has 5 chapters-Chapters 16 to 20: Chapter 16: Hebrew and Moses of Egypt Chapter 17: The Ancient Egyptian Hegemony of Asiatic Neighbors will discuss the found scripts in North and South Arabia; and clear up all apparent differences between them and the Ancient Egyptian writing system. Chapter 18: The African Connections Chapter 19: From Egypt To India and Beyond Chapter 20: From Egypt to The Black Sea Basin [Georgia & Armenia] will cover affinities of languages from Central Asia To the Black Sea Basin; etc Part VI. Out of Egypt-Diffusion Patterns To Europe has two chapters-Chapters 21 & 22: Chapter 21: Greek: A Shameless Linguistic Heist will cover the pre-existence of the proclaimed 'Greek' alphabetical letter-forms in the Ancient Egyptian system; the absence of any linguistic distinction between Greek and the Ancient Egyptian language;etc Chapter 22: The European Languages will cover Etruscan, Latin and Hispanic languages; and the absence of any linguistic distinction between them and the Ancient Egyptian language. Part VII. The Ancient Future of The Universal Language has two chapters-Chapters 23 & 24: Chapter 23: Egyptian Alphabetical Vocalic Language [Past, Present & Future] Chapter 24: Renaissance & Seeking the Universal Language.

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

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Egyptian Alphabetical Letters of Creation Cycle

This book focus on the relationship between the sequence of the creation cycle and the Egyptian ABGD alphabets; the principles and principals of Creation; the cosmic manifestation of The Egyptian Alphabets ; the three Primary Phases of the Creation Cycle and their numerical values; the creation theme of each of the three primary phases, as well as an individual analysis of each of the 28 ABGD alphabetical letters that covers each' s role in the Creation Cycle, its sequence significance ,its sound and writing form significance, its numerical significance, its names & meanings thereof, as well as its peculiar properties and nature/impact/influence. This book is divided into five parts containing a total of 35 chapters. Part I. Egyptian Alphabetical Letters of Creation Cycle has four chapters: Chapter 1: Historical Deception of the (Ancient) Egyptian Linguistics will clear the intended confusion to hide the alphabetical form of writing in Ancient Egypt-as being the archetype of all languages throughout the world. Chapter 2: The Principles and Principals of Creation covers the basic components of the creation cycle in the Ancient Egyptian accounts. Chapter 3: The Cosmic Manifestation of the Egyptian Alphabets covers the natural orderly progression of the emanated divine energy, and the its manifestation in the monthly lunar mansion changes; the correlations between the sequence of the ABGD letters and their numerical values. Chapter 4: The Three Primary Phases of the Creation Cycle covers the nature of the creation cycle consisting of three phases, as found in the Ancient Egyptian accounts and later on duplicated in Sufi (and other) writings. Part II. The Conceiving Phase/Ennead has ten chapters-5 through 14: Chapter 5: The Theme of the First Phase/Ennead covers the theme of the First Phase/Ennead (1-9 'A' -'T.' ) as the objectification of a circumscribed area of undifferentiated energy/matter, wherein the world will be manifested. It consists of the establishment of order and the co-factors of life-forms as the foundation for the world. Phase One consists basically of three consecutive groups. Each of which consists of 3 stages/letters/numbers. Chapters 6 through 14 cover the first nine letters-each covering its role in the Creation Cycle, its sequence significance, its sound and writing form significance, its numerical significance, its names and meanings thereof, as well as its peculiar properties and nature/impact/influence. Part III. The Orderly Manifestation Phase/Ennead has ten chapters-15 through 24: Chapter 15: The Theme of the Second Phase/Ennead covers the theme of the Second Phase/Ennead, the orderly manifestation of creation. This Second Phase deals with the creation of the noumenal and phenomenal planes-the two grand subdivisions of the manifested world. The letters of this Phase are therefore arranged in two groups of four letters and the middle letter 'N' overlaps the two planes: 'Y', 'K', 'L', 'M' 'N' 'S', 'A.' , 'F', 'S.' Chapters 16 through 24 cover the second nine letters-each covering same topics as in the prior group of nine letters. Part IV. The Reunification Phase/Ennead has ten chapters-25 through 34: Chapter 25 covers the theme of the Third Phase/Ennead which is the Ascending and Reunification Phase that leads to a NEW Alpha-Heru-Akhti of The Two Horizons. Chapters 26 through 34 cover the third nine letters-each covering same topics as in the other two groups of nine letters. Part V being chapter 35 covers the 28th Mansion/Letter 'Gh'-representing The New Alpha. To learn about the linguistic features [words and sentences formations, etc.] of the Egyptian Alphabetical language, refer to other books by same author, namely: 1. The Ancient Egyptian Universal Writing Modes 2. The Musical Aspects of The Ancient Egyptian Vocalic Language

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

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The Egyptian Hieroglyph Metaphysical Language

Scientific/metaphysical realities of pictorial images (Hieroglyphs) as the ultimate medium for the human consciousness that interpret, process and maintain the meanings of such images. This book covers the Egyptian Hieroglyph metaphysical language of images/pictures- the language of the mind/intellect/divine; the scientific/metaphysical realities of pictorial images (Hieroglyphs) as the ultimate medium for the human consciousness that interpret, process and maintain the meanings of such images; how each hieroglyphic image has imitative and symbolic (figurative and allegorical) meanings; the concurrence of modern science of such multiple meanings of each image; how Egyptian hieroglyphic images represent metaphysical concepts; the metaphysical significance of a variety of about 80 Egyptian Hieroglyphic images. This book is divided into 8 chapters. Chapter 1: Historical Deception of the (Ancient) Egyptian Linguistics will clear the intended confusion to misrepresent the Egyptian hieroglyphics as a primitive form of writing with individual sound values. The Egyptian Hieroglyphics are ideograms which are different and has nothing to do with the Egyptian alphabetical system. Chapter 2: The Scientific/Metaphysical Realities of Pictorial Images (Hieroglyphs) explains how human beings process information received from the five senses to the brain through visualized images; how each hieroglyphic image has imitative and symbolic (figurative and allegorical) meanings; the concurrence of modern science of such multiple meanings of each image; and how a series of images are processed in the consciousness the same way like a dream processing. Chapter 3: Egyptian Hieroglyphic Imagery Depictions of Thoughts explains how Egyptian hieroglyphic images represent metaphysical concepts; relationship between their functions and geometrical forms; and an overview of the Egyptian formation of such ideograms. Chapter 4: Animal Hieroglyphic Images explains the metaphysical significance of such images; and highlight the significance of over 30 related Egyptian Hieroglyphic images. Chapter 5: Human and Animal headed Human Hieroglyphic Images explains the metaphysical significance of such images; and highlight the significance of about 10 related Egyptian Hieroglyphic images. Chapter 6: Human Body Parts Hieroglyphic Images explains the metaphysical significance of such images; and highlight the significance of over 10 related Egyptian Hieroglyphic images. Chapter 7: Nature & Geometrical Figures Hieroglyphic Images explains the metaphysical significance of such images; and highlight the significance of over 10 related Egyptian Hieroglyphic images. Chapter 8: Man Made Objects Hieroglyphic Images explains the metaphysical significance of such images; and highlight the significance of about 20 related Egyptian Hieroglyphic images.

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

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The Musical Aspects of the Ancient Egyptian Vocalic Language

This book will show that the fundamentals, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. The book will show the musical/tonal/tonic Egyptian alphabets-being derived from the three primary tonal sounds/vowels ; the fundamentals of generative phonology and the nature of the four sound variation of each letter and its exact equivalence in musical notes; the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs ;utilization of alphabets and the vocalic notations for both texts and musical instruments performance; and much more. This book is divided into 10 chapters. Chapter 1: Historical Deception of the (Ancient) Egyptian Linguistics will clear the intended confusion to hide the alphabetical form of writing in Ancient Egypt-as being the SOURCE of all languages throughout the world. Chapter 2: The Seamless Language and/of Music covers the unity of musical tones and Egyptian alphabet as well as the intimacy between language/speech/vocals and music in the Egyptian system. Chapter 3: The Human Vocal Instrument covers the details of the human vocal generating system and its equivalence in musical instruments. Chapter 4: The Three Primary Tonal Sounds covers the three primary rhythmic tones and their equivalence in the Egyptian three quantal vowels/sounds. Chapter 5: The Musical/Tonal/Tonic Alphabet covers the letters of the Egyptian alphabet being derived from the three primary tonal sounds/vowels as well as the utilization of alphabet for musical instruments tonal notations. Chapter 6: Duality of Letters/Musical Tones shows the dual nature of alphabetical letters and musical tones. Chapter 7: The "Atom" of Musical/Vocal Sounds covers the fundamentals of generative phonology and the nature of the four sound variation of each letter; and its exact equivalence in musical notes. Chapter 8: The Musical Rhythmic Sound Segmentation covers the orderly sound segmentation in musical flow and its equivalence in syllables stream-in all variations of length, duration, stress, junctures, boundaries, etc. Chapter 9: Harmonic/Rhythmic Word Formation/Morphology [Musical Triad] covers the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs. Chapter 10: Tonal/Musical Sentences & Their Types/Various Forms [Themes and their variations] covers the exact similarity between musical structural forms and sentence structures in grammar, syntax, semantics, functions and forms, etc.

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

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Ancient Egyptian Culture Revealed: 2nd edition

This book reveals several aspects of the Ancient Egyptian culture, such as the very remote antiquities of Egypt; the Egyptian characteristics and religious beliefs and practices; their social/political system; their cosmic temples; the richness of their language; musical heritage and comprehensive sciences; their advanced medicine; their vibrant economy; excellent agricultural and manufactured products; their transportation system; and much more. This Expanded Version of the book consists of four Parts with a total of 16 Chapters Part I : The Peoples of Egypt consists of four chapters 1 through 4, as follows: Chapter 1: The Beginning covers the age of the Egyptian antiquities being at least 39000 years, in accordance with archaeological, historical and physical evidence. Chapter 2: The Egyptian Populous covers the roots and characteristics of the [Ancient]Egyptian peopleir housingsir settlements throughout the world,etc Chapter 3: The Most Religious covers Egyptian cosmology; monotheism and polytheism; animal symbolism ; and the spread of the Ancient Egyptian religion throughout the world under new "names". Chapter 4: The Social/Political Order covers the basis and applications of the matrilineal/matriarchal principles; the Egyptian grassroots republic system; etc Part II : The Cosmic Correlations consists of three chapters 5 through 7, as follows: Chapter 5: As Above, So Below covers the principles and applications of cosmic consciousness in the life of the Egyptians. Chapter 6: The Pharaoh Cosmic Link covers the true rule of the Egyptian pharaoh as a Master Servant; how did the people rule; and much more. Chapter 7: Egyptian Temples provides a quick overview of the real function/objective of the Egyptian temple; the harmonic design parameters; and much more. Part III : The Learned Egyptian consists of five chapters 8 through 12, as follows: Chapter 8: The Divine Language provides a quick overview of the modes of writing in Ancient Egypt -- the alphabetical form of writing and the imagery pictorial metaphysical symbols/script ; etc Chapter 9: The Egyptian Musical Heritage provides a quick overview of its musical heritage; the musical orchestras; the wide range of musical instruments; as well as dancing and ballet in Ancient Egypt. Chapter 10; Health and Medicine provides a quick overview about its medical profession; contents of the some Egyptian medical papyri regarding diagnosis, cures and treatments of various ailments, surgeries; and the wide range of prescriptions Chapter 11: Astronomy covers the astonishing accurate astronomical knowledge and practices such as astronomical observations and recordings zodiac cycle,etc Chapter 12: Geometry and Mathematics covers a quick overview of the subjects of sacred geometry and natural science, geodesy, mathematics & numerology; as well as their knowledge and applications of the sacred "ratios" of Pi and Phi. Part IV : The Vibrant Economy consists of four chapters 13 through 16, as follows: Chapter 13: The Cultivating Culture covers the outstanding application of dry-weather farming techniques; societal division of labor; and the farming community Chapter 14; The Manufacturing Industries covers The Egyptian knowledge of metallurgy & metalworking; their products; their mining activities; etc Chapter 15: Transportation Infrastructure covers a quick overview of the various high quality types of the Egyptian ships; major Egyptian coastal harbors; and land transportation Chapter 16: The Market Economy covers the workings of the Egyptian market economy; business transactions; Egyptian exports (goods and services); Egyptian imports; as well as the rise and fall of international commerce, that was tied to Ancient Egypt as the economical engine of the ancient world.

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

Audiobook

The Ancient Egyptian Roots of Christianity

This book reveals the Ancient Egyptian roots of Christianity, both historically and spiritually. This Expanded Version of the book consists of three parts to coincide with the terms of trinity. The first part demonstrates that the major biblical ancestors of the biblical Jesus are all Ancient Egyptian prominent characters. The second part demonstrates that the accounts of the "historical Jesus" are based entirely on the life and death of the Egyptian Pharaoh, Twt/Tut-Ankh-Amen. The third part demonstrates that the "Jesus of Faith" and the Christian tenets are all Egyptian in origin-such as the essence of the teachings/message, the creation of the universe and man (according to the Book of Genesis), as well as the religious holidays. The very thing that is now called the Christian religion was already in existence in Ancient Egypt, long before the adoption of the New Testament. The British Egyptologist, Sir E. A. Wallis Budge, wrote in his book, The Gods of the Egyptians [1969], The new religion (Christianity) which was preached there by St. Mark and his immediate followers, in all essentials so closely resembled that which was the outcome of the worship of Osiris, Isis, and Horus. The similarities, noted by Budge and everyone who has compared the Egyptian Osiris/Isis/ Horus allegory to the Gospel story, are striking. Both accounts are practically the same, e.g. the supernatural conception, the divine birth, the struggles against the enemy in the wilderness, and the resurrection from the dead to eternal life. The main difference between the "two versions", is that the Gospel tale is considered historical and the Osiris/Isis/Horus cycle is an allegory. The spiritual message of the Ancient Egyptian Osiris/Isis/Horus allegory and the Christian revelation is exactly the same. The British scholar A.N. Wilson pointed out in his book, Jesus: The Jesus of History and the Christ of Faith are two separate beings, with very different stories. It is difficult enough to reconstruct the first, and in the attempt we are likely to do irreparable harm to the second. This book will demonstrate that the "Jesus of History", the "Jesus of Faith", and the tenets of Christianity are all Ancient Egyptian. This will be done without causing any "irreparable harm" as per A.N. Wilson's concern, for two main reasons: Firstly, the truth must be told. Secondly, explaining Christian tenets via their original Ancient Egyptian contexts will enhance the idealism of Christianity. This Expanded Version of the book consists of three parts to coincide with the terms of trinity-the Three that are Two that are One. The first part demonstrates that the major biblical ancestors of the biblical Jesus are all Ancient Egyptian prominent individuals. The second part demonstrates that the accounts of the "historical Jesus" are based entirely on the life and death of the Egyptian Pharaoh, Twt/Tut- Ankh-Amen. The third part demonstrates that the "Jesus of Faith" and the Christian tenets are all Egyptian in origin-such as the essence of the teachings/message, the creation of the universe and man (according to the Book of Genesis), as well as the religious holidays. There is an undeniable irony and a profound, deep, undeniable truth in Hosea's prophetic saying, Out of Egypt have I called my Son. A deep irony indeed. Let us open our minds and review the available evidence. For the truth is a composite of different and complementary pieces of a puzzle. Let us put the pieces in the right location, time and order.

Moustafa Gadalla (Author), Susie Hennessy (Narrator)

Audiobook

Audiobooks Narrated by Susie Hennessy