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Audiobooks Narrated by Rupert Bush
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The legend of the foundation of Rome by Romulus in 753BC accords very well with the earliest defensive walls on the Palatine Hill, made of clay and timber and showing evidence of animal sacrifices. To trace the continual efforts to fortify Rome is to trace the rise and fall of the Roman Empire - through the taking of the city by the Gauls in 390/387, the wars with the Italian states, the threat of Hannibal, the establishment of the Republic, attacks by the northern tribes and eventual division and collapse. By the 6th century AD, General Belisarius was desperately shoring up the walls with marble slabs from altars and gravestones.
Before the final dissolution, Emperor Aurelius had reunited the Eastern and Western Empires and earned the title of 'Restitutor orbis', restorer of the world. While doing so he initiated the building of the Aurelian Wall, much of which stands today. Its millions of bricks were placed by thousands of workers and 30 years after it was built it would withstand sieges by two Roman armies under Severus II and Galerius. During the civil wars a rampart walk was added over the interior galleries, fronted by a parapet with merlons, so in effect Rome was converted into an extremely large castle. Patton said that 'fixed fortifications are a monument to man's stupidity.' Perhaps the walls of Rome are the greatest example.
The end of Roman Britain and the arrival of the invading Saxons forms part of the most disruptive period in Britain's history. Centuries of relative stability as a Roman province gave way to an age of conquest and destruction. It is a period which is difficult to comprehend, coming at the end of the Roman era and in the pre-dawn of the Medieval. It is a Dark Age, both in terms of our apparent lack of source material and in our understanding of events. As a result, several legendary figures appear – it is the age of Arthur, Merlin and others; figures steeped in mystery, mysticism and magic, allowed to thrive in the paucity of the source material.
In this new analysis, Murray Dahm explores the military history of Roman Britain's slow decline, going back to the roots of the province's final rupture from Rome in the fifth century and the subsequent invasions. Using a wide array of sources, the author illuminates this dark world and examines what we know (or what we think we know) of the Angle, Jute, Saxon and other invasions that took advantage of Rome's absence and which, in their own way, shaped the Britain of today.
A history of Russia in the twentieth century unlike any other - from the Russian revolution to the oligarchs of the '90s, via the Holodomor, the siege of Leningrad and Chernobyl.
What's Cooking in the Kremlin is a tale of feast and famine told from the kitchen, the narrative of one of the most complex, troubling and fascinating nations on earth.
We will travel through Putin's Russia with acclaimed author Witold Szablowski as he learns the story of the chef who was shot alongside the Romonovs, and the Ukrainian woman who survived the Great Famine created by Stalin and still weeps with guilt; the soldiers on the Eastern front who roasted snails and made nettle soup as they fought back Hitler's army; the woman who cooked for Yuri Gagarin and the cosmonauts, and the man who ran the Kremlin kitchen during the years of plenty under Brezhnev. We will hear from the women who fed the firefighters at Chernobyl, and the story of the Crimean Tatars, who returned to their homeland after decades of exile, only to flee once Russia invaded Crimea again, in 2014.
In tracking down these remarkable stories and voices, Witold Szablowski has produced an account of modern Russia unlike any other - an audiobook that reminds us of the human stories behind the history.
Kamil Idris, a man proud of his nomad ancestry, survived child labouring in darkened factories, boyhood journeys to Cairo balanced on the top of trains, hazardous treks to Europe in his teens, capture and death threats from piratical Nile fishermen who thought he was an evil spirit or djinn, and even being stranded in the ferocious heat of the Nubian desert. In later life, he was arrested and placed under house surveillance with his immediate family, because of his views on human rights and political reform.
Inspired by a promise to Nelson Mandela to write his memoir, the book is a cameo of a loving family devastated by a series of tragedies, of ancient souks, camel markets, eccentric characters, philosopher kings, and his father's tales of the earliest days of Africa, Nubia and the first wanderings of mankind. As a child, Kamil was taken to Meroe to gaze at the remains of the fabulous Kingdom of Kush which boasts twice as many pyramids as Egypt. Moreover, recent excavations are lifting a veil on the rediscovery of Sudan's astonishing Black Pharaohs, who once ruled over the whole of north east Africa and beyond over two and a half thousand years ago.
Above all the memoir is a magnificent celebration of and a tribute to Kamil's beloved and enduring River Nile, which he sees as a metaphor for all our destinies. It is an incredible story.
Why is it that our highly-interconnected and globalized world seems more chaotic and dangerous than ever? Have you ever wondered why the world seems to lurch from seemingly unconnected crisis to crisis? From the pandemic to climate change and net-zero policies? From food shortages to high inflation and collapsing markets? But are they really unconnected? This book explores the reality suggesting that, in fact, none of what is happening across the globe is happening by chance.
Right under humanity’s nose, supranational organizations such as the United Nations, the Club of Rome and Klaus Schwab’s World Economic Forum strive to usurp national sovereignties in the quest for a dystopian future, with the threat of transhumanism, the Fourth Industrial Revolution, central bank digital currencies, universal basic income and digital IDs looming ever closer.
This book compiles hundreds of pieces of evidence to expose the dystopian goals of a global control matrix lying in the shadows. By reading this book, you become part of humanity’s fight back against the new world order being forced on the globe. We must fight for our freedoms and for those of generations to come.
Humanity can, and will, win.
The earliest history of Babylon is little known. Among the many cities flourishing in southern Iraq, the town first appears in texts in the third millennium BC. Until the last century of the third millennium, few references existed to Babylon; however, offerings made to the temple of Enlil in Nippur during this period (when Babylon was part of an empire ruled by Ur) suggest a city already of some size and wealth. From relative obscurity in the middle of the 18th century BC, Babylon emerged as the political center of southern Mesopotamia. It held this position almost continuously for the next 1,400 years.
Near Baghdad, around 85 kilometers south of the Euphrates, is the site of Babylon. The area is located north of the great alluvial plain of southern Iraq, a landscape of silts deposited by the Tigris and Euphrates into a vast rift created by tectonic movement as the Arabian plate slips beneath the neighboring Eurasian plate. In addition to defining modern-day Iraq's northern and eastern boundaries, the Taurus and Zagros mountain ranges were created by the same collision. As a result, Mesopotamia encompasses several environmental zones, but Babylon itself is found in the flat alluvial plain in southern Iraq.
Leonard Woolley, an archaeologist from Britain, returned to Iraq in 1922, almost 4,000 years after the nuclear ancient catastrophe, to uncover ancient Mesopotamia.An imposing ziggurat standing out in the desert plain drew him to the nearby site of Tell el-Muqayyar, where he began excavating. As old walls, artifacts, and inscriptions were unearthed, he realized he was digging up ancient Ur-Ur of the Chaldees.
Twelve years of his work were conducted through a joint expedition between the British Museum in London and the University of Pennsylvania Museum in Philadelphia. For those institutions, Sir Leonard Woolley found some of the most dramatic objects and artifacts in Ur. However, what he discovered may well surpass anything ever exhibited before.
In the course of removing layers of soil deposited by desert sands, the elements, and time from the ruins, the ancient city began to take shape-here were the walls, there were the harbors and canals, the residential quarters, the palace, and the Tummal, the elevated sacred area. Woolley's discovery of a cemetery dated thousands of years ago included unique 'royal' tombs discovered by digging at its edge is the find of the century.
According to Vedic philosophy, there are four eras in every world cycle. They represent a gradual decline from enlightenment (Satya Yuga) to chaos and ignorance (Kali Yuga) before it starts again. Each of these eras lasts roughly 2160 years.
You're probably familiar with the four ages of Hindu philosophy: Satya Yuga, Treta Yuga, Dwapara Yuga, and Kali Yuga. The golden age is when pure knowledge is widespread, and people live in harmony. The dark age is when everything goes wrong—the World falls into chaos, and humanity descends into ignorance. But what happens next?
What is the meaning of 'the end of the world'?
Igigi unrest leading to the Zu Incident was just a harbinger of other troubles to come-troubles inherent in long-term interplanetary missions, and female companionship was one of the significant problems.
The problem was less acute with the Earth-stationed Anunnaki since they contained females from the first landing party (some named and assigned tasks in Enki’s autobiography). In addition, a group of nurses led by their daughter of Anu was sent to Earth. She was known as Ninmah (= ‘Mighty Lady’); her role on Earth was that of Sud (= ‘One who gives succor’): she served as the Anunnaki’s Chief Medical Officer and was crucial to any subsequent events.
Its ancient tide echoed its opening words: Inuma ilu awilum (‘When the gods became like men’): however, there was also trouble among the Earth-based Anunnaki, especially those assigned to mining duties. Several unintended consequences resulted from the Anunnaki’s Mutiny in the Atra-Hasis Epic, which tells of an uprising by the Anunnaki who refused to work in the gold mines.
While the gods, like men, bore the toil and work. There was great toil for the gods, and the result was heavy; there was much distress.
The very Akkadian term, Awilu, means ‘employee,’ rather than simply ‘Man,’ as it is usually translated. In the Epic tale, the man takes over the work of the gods. Despite the absence of men on Earth, the gods toiled as though they were men. Enki and Ninmah achieved that feat, but it was not a story with a happy ending, as far as Enlil was concerned.
The Anunnaki in the Epic of Gilgamesh compared to the Nephilim Flood Narrative?
Scholars have long debated whether the Anunnaki in the Epic of Gilgamesh is the same beings as the Nephilim of Genesis 6. there is a direct connection between these two groups of entities which sheds light on this critical question. One of the biggest problems with interpreting certain parts of ancient texts, such as the Book of Genesis, and other writings, can be traced back to an almost fanatical obsession. Many have treated all such writings as purely historical documents rather than trying to understand them within their proper cultural context. We run into all kinds of challenges because we deal with stories initially intended to be read or listened to for entertainment or some religious significance rather than for their scientific or historical accuracy. This does not mean that these narratives have no value in terms of what they can teach us about ancient societies but means that scholars need to approach them from different perspectives if they wish to make any progress when it comes time for interpretation.
Was Noah’s flood an actual event?
“The Epic of Gilgamesh,” written in ancient Akkadian and Babylonian, is an epic poem discovered on 12 clay tablets. It tells the story of Gilgamesh, a demigod king who seeks to find immortality after being grieved by the death of his companion Enkidu. The hero travels across the world and meets Utnapishtim, the survivor of a great flood sent by the gods to destroy humankind. After hearing about Utnapishtim’s story and lessons, Gilgamesh returns home to his city empty-handed.
The Egyptians were considered participants in the drama of sacred life as members of the natural cosmic order. In the Metaphysical and Funerary Treatises, the interaction between the Neteru and human beings is described without distinction of such conditions, emphasizing only the purity of the person’s life or intentions.
Since it was uncovered in the late nineteenth century, the Dynasty 12 papyrus A Dispute Between a Man and His Ba has intrigued translators. While the work raises issues about the social conditions of the time it was written, it is, without doubt, a reflection of Egyptian concepts about the spiritual aspects of One’s earthly life, just like the Ba, the Ka, and the transformation of the soul. In ancient Egypt, “sacred anatomy” has also been used to illustrate spiritual concepts and moral values, elements of great importance for the development of temple students.
A Mysterious Group of People came to settle in southern Mesopotamia, sometime around 5400BC. What is now the modern state of Iraq, the first city of Mesopotamia was founded named Eridu. Although historians have generally regarded this as the world’s first city, we have seen this challenged on numerous occasions by recent discoveries too numerous to mention here. Eridu had all the things we ordinarily associate with an ancient city: temples, administrative buildings, housing, agriculture, markets, art, and, of course, walls to keep out unsavoury characters.The elusive aspect is we have absolutely no idea where they acquired their language, and bizarre language it is, we have no idea what they originally looked like. Their language, which we call Sumerian, and the subsequent Akkadian derivative were linguistic isolates. Sumerian is the oldest known written language on Earth, and any languages it might have derived from or developed alongside have been lost to time. Figuring out what their baffling ethnic identity based on their art is a doomed effort, because their art was so stylized that a good case could be made that it portrays people of any ethnicity, or the people they encountered. The Sumerian language was not Semitic, and the Akkadian conquests of 2334 BCE disrupted the ethnic and cultural isolation of the Sumerian people.
