Of #1 New York Times-bestselling author Sue Grafton, NPR's Maureen Corrigan said, "Makes me wish there were more than 26 letters." With only one letter left, Grafton's many devoted readers will share that sentiment.
The darkest and most disturbing case report from the files of Kinsey Millhone, Y is for Yesterday begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate-and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns state's evidence and two of his peers are convicted. But the ringleader escapes without a trace.
Now, it's 1989 and one of the perpetrators, Fritz McCabe, has been released from prison. Moody, unrepentant, and angry, he is a virtual prisoner of his ever-watchful parents-until a copy of the missing tape arrives with a ransom demand. That's when the McCabes call Kinsey Millhone for help. As she is drawn into their family drama, she keeps a watchful eye on Fritz. But he's not the only one being haunted by the past. A vicious sociopath with a grudge against Millhone may be leaving traces of himself for her to find...
Of #1 New York Times-bestselling author Sue Grafton, NPR's Maureen Corrigan said, "Makes me wish there were more than 26 letters." With only one letter left, Grafton's many devoted readers will share that sentiment.
The darkest and most disturbing case report from the files of Kinsey Millhone, Y is for Yesterday begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate-and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns state's evidence and two of his peers are convicted. But the ringleader escapes without a trace.
Now, it's 1989 and one of the perpetrators, Fritz McCabe, has been released from prison. Moody, unrepentant, and angry, he is a virtual prisoner of his ever-watchful parents-until a copy of the missing tape arrives with a ransom demand. That's when the McCabes call Kinsey Millhone for help. As she is drawn into their family drama, she keeps a watchful eye on Fritz. But he's not the only one being haunted by the past. A vicious sociopath with a grudge against Millhone may be leaving traces of himself for her to find...
Of #1 New York Times-bestselling author Sue Grafton, NPR's Maureen Corrigan said, "Makes me wish there were more than 26 letters." With only two letters left, Grafton's many devoted readers will share that sentiment.
X: The number ten. An unknown quantity. A mistake. A cross. A kiss.
X: The shortest entry in Webster's Unabridged. Derived from Greek and Latin and commonly found in science, medicine, and religion. The most graphically dramatic letter. Notoriously tricky to pronounce: think xylophone.
X: The twenty-fourth letter in the English alphabet.
Sue Grafton's X: Perhaps her darkest and most chilling novel, it features a remorseless serial killer who leaves no trace of his crimes. Once again breaking the rules and establishing new paths, Grafton wastes little time identifying this sociopath. The test is whether Kinsey can prove her case against him before she becomes his next victim.
Of #1 New York Times-bestselling author Sue Grafton, NPR's Maureen Corrigan said, "Makes me wish there were more than 26 letters." With only two letters left, Grafton's many devoted readers will share that sentiment.
X: The number ten. An unknown quantity. A mistake. A cross. A kiss.
X: The shortest entry in Webster's Unabridged. Derived from Greek and Latin and commonly found in science, medicine, and religion. The most graphically dramatic letter. Notoriously tricky to pronounce: think xylophone.
X: The twenty-fourth letter in the English alphabet.
Sue Grafton's X: Perhaps her darkest and most chilling novel, it features a remorseless serial killer who leaves no trace of his crimes. Once again breaking the rules and establishing new paths, Grafton wastes little time identifying this sociopath. The test is whether Kinsey can prove her case against him before she becomes his next victim.
Of the #1 New York Times bestselling Kinsey Millhone series, NPR said, “Makes me wish there were more than 26 letters.”
Two dead bodies changed the course of my life that fall. One of them I knew and the other I’d never laid eyes on until I saw him in the morgue.
The first was a local PI of suspect reputation. He’d been gunned down near the beach at Santa Teresa. It looked like a robbery gone bad. The other was on the beach six weeks later. He’d been sleeping rough. Probably homeless. No identification. A slip of paper with Millhone’s name and number was in his pants pocket. The coroner asked her to come to the morgue to see if she could ID him.
Two seemingly unrelated deaths, one a murder, the other apparently of natural causes.
But as Kinsey digs deeper into the mystery of the John Doe, some very strange linkages begin to emerge. And before long at least one aspect is solved as Kinsey literally finds the key to his identity. “And just like that,” she says, “the lid to Pandora’s box flew open. It would take me another day before I understood how many imps had been freed, but for the moment, I was inordinately pleased with myself.”
In this multilayered tale, the surfaces seem clear, but the underpinnings are full of betrayals, misunderstandings, and outright murderous fraud. And Kinsey, through no fault of her own, is thoroughly compromised.
W is for . . . wanderer . . . worthless . . . wronged . . .
W is for wasted.
You have never met an (ex) FBI agent like Brigid Quinn
Keeping secrets, telling lies, they require the same skill. Both become a habit, almost an addiction, that's hard to break even with the people closest to you, out of the business. For example, they say never trust a woman who tells you her age; if she can't keep that secret, she can't keep yours. I'm fifty-nine.
Brigid Quinn's experiences in hunting sexual predators for the FBI have left her with memories she wishes she didn't have and lethal skills she hopes never to need again. Having been pushed into early retirement by events she thinks she's put firmly behind her, Brigid keeps telling herself she is settling down nicely in Tucson with a wonderful new husband, Carlo, and their dogs.
But the past intervenes when a man named Floyd Lynch confesses to the worst unsolved case of Brigid's career the disappearance and presumed murder of her young protégée, Jessica. Floyd knows things about that terrible night that were never made public, and offers to lead the cops to Jessica's body in return for a plea bargain.
It should finally be the end of a dark chapter in Brigid's life. Exceptthe new FBI agent on the case, Laura Coleman, thinks the confession is fake, and Brigid finds she cannot walk away from violence and retribution after all, no matter what the cost.
With a fiercely original and compelling voice, Becky Masterman's Rage Against the Dying marks the heart-stopping debut of a brilliant new thriller writer.
In 1982, Sue Grafton introduced us to Kinsey Millhone. Thirty years later, Kinsey is an established international icon and Sue, a number-one bestselling author. To mark this anniversary year, Sue has given us stories that reveal Kinsey's origins and Sue's past.
"I've come to believe that Grafton is not only the most talented woman writing crime fiction today but also that, regardless of gender, her Millhone books are among the five or six best series any American has ever written."-Patrick Anderson, The Washington Post
Kinsey and Me has two parts: The nine Kinsey stories (1986-93), each a gem of detection; and the And Me stories, written in the decade after Grafton's mother died. Together, they show just how much of Kinsey is a distillation of her creator's past even as they reveal a child who, free of parental interventions, read everything and roamed everywhere. But the dark side of such freedom was that very parental distance.
The same feisty voice and witty apercus readers fell in love with in A Is for Alibi permeate the Kinsey stories. Those in the And Me section trace a remarkable voyage, from anger to understanding, from pain to forgiveness. They take us into a troubled family, dysfunctional as most families are, each in their own way, but Grafton's telling is sensitive, delicate, and ultimately, loving. Enriching the way we see Kinsey and know Sue, these stories are deeply affecting.
A woman with a murky past who kills herself - or was it murder? A spoiled kid awash in gambling debt who thinks he can beat the system. A lovely woman whose life is about to splinter into a thousand fragments. A professional shoplifting ring working for the Mob, racking up millions from stolen goods. A wandering husband, rich and ruthless. A dirty cop so entrenched on the force he is immune to exposure. A sinister gangster, conscienceless and brutal. A lonely widower mourning the death of his lover, desperate for answers, which may be worse than the pain of his loss. A private detective, Kinsey Millhone, whose thirty-eighth-birthday gift is a punch in the face that leaves her with two black eyes and a busted nose. And an elegant and powerful businessman whose dealings are defnitely outside the law: the magus at the center of the web. V: Victim. Violence. Vengeance.From the Compact Disc edition.
It's April 1988, a month before Kinsey Millhone's thirty-eighth birthday, and she's alone in her office catching up on paperwork when a young man arrives unannounced. Michael Sutton is twenty-seven, an unemployed college dropout. More than two decades ago, a four-year-old girl disappeared, and a recent newspaper story about her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial and could identify the killers if he saw them again. He wants Kinsey's help in locating the grave and finding the men. It's way more than a long shot, but he's persistent and willing to pay cash up front. Reluctantly, Kinsey agrees to give him one day of her time.
But it isn't long before she discovers Sutton has an uneasy relationship with the truth. In essence, he's the boy who cried wolf. Is his story true, or simply one more in a long line of fabrications?
Moving effortlessly between the 1980s and the 1960s, and changing points of view as Kinsey pursues witnesses whose accounts often clash. Gradually, we come to see how everything connects in this twisting, complex, surprise-filled thriller. And as always, at the beating heart of her fiction is Kinsey Millhone, a sharp-tongued, observant loner who never forgets that under the thin veneer of civility is a roiling dark side to the soul.
In what may be her most unsettling novel to date, Sue Grafton's T is for Trespass is also her most direct confrontation with the forces of evil. Beginning slowly with the day-to-day life of a private eye, Grafton suddenly shifts from the voice of Kinsey Millhone to that of Solana Rojas, introducing readers to a chilling sociopath. Rojas is not her birth name. It is an identity she cunningly stole, an identity that gives her access to private caregiving jobs. The true horror of the novel builds with excruciating tension as the reader foresees the awfulness that lies ahead. The suspense lies in whether Millhone will realize what is happening in time to intervene.
Though set in the late eighties, T is for Trespass could not be more topical: identity theft; elder abuse; betrayal of trust; the breakdown in the institutions charged with caring for the weak and the dependent. It reveals a terrifying but all-too-real rip in the social fabric. Once again, Grafton opens up new territory with startling results.
S is for silence: the silence of the lost, the silence of the grave, the silence of oblivion.Thirty-four years ago, Violet Sullivan put on her party finery and left for the annual Fourth of July fireworks display. She was never seen again. In the small California town of Serena Station, tongues wagged. Some said she'd run off with a lover. Some said she was murdered by her husband. But for the not-quite-seven-year-old daughter Daisy that she left behind, her absence has never been explained or forgotten.Now, thirty-four years later, she wants the solace of closure.In S IS FOR SILENCE, Kinsey Millhone's nineteenth excursion into the world of suspense and misadventure, S is for surprises as Sue Grafton takes a whole new approach to telling the tale. And S is for superb: Kinsey and Grafton at their best.
Here together for the first time on CD is the continuation of Kinsey Millhone's adventures...
"D" Is for Deadbeat
Alvin Limardo hires Kinsey Millhone to deliver $25,000 to a fifteen-year-old kid. Seems pretty straightforward; or it would have been if Limardo wasn't a phony. Burned but determined, Kinsey finds Limardo-dead. Finding the killer will be a tough assignment, but not as tough as making a stiff pay his debts.
"E" Is for Evidence
When Kinsey is framed for insurance fraud, she is expecting a complicated, tiring investigation. But she's not counting on the involvement of her long-departed ex-husband. And she's certainly not counting on murder.
"F" Is for Fugitive
Kinsey must prove the innocence of a man already found guilty of murder. Bailey Fowler, escaped convict of a crime he swears he didn't commit, is picked up on a fluke of mistaken identity and turns to Kinsey to keep him from being sent back to prison, by finding the real killer.
