Audiobooks Narrated by Ensemble Cast

Tomboy: A Graphic Memoir

Growing up, Liz Prince wasn't a girly girl, dressing in pink tutus or playing Pretty Pretty Princess like the other girls in her neighborhood. But she wasn't exactly one of the guys either, as she quickly learned when her Little League baseball coach exiled her to the outfield instead of letting her take the pitcher's mound. Liz was somewhere in the middle, and Tomboy is the story of her struggle to find the place where she belonged. Tomboy is a graphic novel about refusing gender boundaries, yet unwittingly embracing gender stereotypes at the same time, and realizing later in life that you can be just as much of a girl in jeans and a T-shirt as you can in a pink tutu. Tomboy explores Liz's ever-evolving struggles and wishes regarding what it means to be a girl.

Liz Prince (Author), Ensemble Cast, Ensemble Cast (Narrator)

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Calling All Cars: Volume 1

Calling All Cars, a popular crime drama heard from 1933 to 1939. One of radio's earliest and most durable police procedural shows, the series' stark and gritty realism is strongly reminiscent of Warner Brothers gangster films of the 1930s- particularly with the presence of real-life LAPD dispatcher Jesse Rosenquist, whose unique voice and name became the showss trademark; Rosenquist contributed to the American lexicon the program's title and the now time-honored phrase that is all. None of the actors on the series ever received on-air credit, but sharp eared radio fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, Gale Gordon, John Bigson, Richard LeGrand, and Hanley Stafford. Episodes include: The Laughing Killer, Desertion Leads to Murder, Ransom Ring, The Ice House Murder, John Doe Number Seventy One, The Disappearing Scar, The Bamboo Snake, The Case of the Broken Xylophone, True Confession, The Case of the One-Pound Note, The Case of the Bone Button, Muerte En Buena

William Robson (Author), Ensemble Cast, Ensemble Cast (Narrator)

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Calling All Cars: Volume 2

Calling All Cars, a popular crime drama heard from 1933 to 1939. One of radio's earliest and most durable police procedural shows, the series' stark and gritty realism is strongly reminiscent of Warner Brothers gangster films of the 1930s- particularly with the presence of real-life LAPD dispatcher Jesse Rosenquist, whose unique voice and name became the show's trademark; Rosenquist contributed to the American lexicon the program's title and the now time-honored phrase that is all. None of the actors on the series ever received on-air credit, but sharp eared radio fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, Gale Gordon, John Bigson, Richard LeGrand, and Hanley Stafford. Episodes include: The Cut Rate Murder, The Murder of a Soul, A Cup of Coffee, Some Strychnine, and You, The Moving Picture Murder, Highlights of 1934, Crime Does Not Pay, The San Quentin Prison Break, Banker in the Well, California's Two-Man Crime Wave, Undercover Woman, The Mae West Jewel Robbery

William Robson (Author), Ensemble Cast, Ensemble Cast (Narrator)

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Calling All Cars: Volume 3

Calling All Cars, a popular crime drama heard from 1933 to 1939. One of radio's earliest and most durable police procedural shows, the series' stark and gritty realism is strongly reminiscent of Warner Brothers gangster films of the 1930s- particularly with the presence of real-life LAPD dispatcher Jesse Rosenquist, whose unique voice and name became the show's trademark; Rosenquist contributed to the American lexicon the program's title and the now time-honored phrase that is all. None of the actors on the series ever received on-air credit, but sharp eared radio fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, Gale Gordon, John Bigson, Richard LeGrand, and Hanley Stafford. Episodes include: Meet the Baron, The Oakland Payroll Train Holdup, The Human Claw, Opium Den, Escape, Fire! Fire! Fire!, Murder for Insurance, Lieutenant Hugh Crowley Murder, Catching the Louse Kid, Invitation to Murder, Paroled!, The Corpse by the Road, The Polly Moran Jewel Robbery, Death Unde

William Robson (Author), Ensemble Cast, Ensemble Cast (Narrator)

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Calling All Cars: Volume 4

Calling All Cars, a popular crime drama heard from 1933 to 1939. One of radio's earliest and most durable police procedural shows, the series' stark and gritty realism is strongly reminiscent of Warner Brothers gangster films of the 1930s- particularly with the presence of real-life LAPD dispatcher Jesse Rosenquist, whose unique voice and name became the show's trademark; Rosenquist contributed to the American lexicon the program's title and the now time-honored phrase that is all. None of the actors on the series ever received on-air credit, but sharp eared radio fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, Gale Gordon, John Bigson, Richard LeGrand, and Hanley Stafford. Episodes include: Reefers by the Acre, The Crimson Riddle, The Corpse in the Sack, A Chance Meeting Murder, All That Glitters, Twenty Keys to Death, The Verdugo Hills Murder, Hard to Kill, Nine Years a Safecracker, The Corpse in the Red Necktie , Multiple Murder, The Milk Bottle Murder, Curiosity

William Robson (Author), Ensemble Cast, Ensemble Cast (Narrator)

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Calling All Cars: Volume 5

Calling All Cars, a popular crime drama heard from 1933 to 1939. One of radio's earliest and most durable police procedural shows, the series' stark and gritty realism is strongly reminiscent of Warner Brothers gangster films of the 1930s- particularly with the presence of real-life LAPD dispatcher Jesse Rosenquist, whose unique voice and name became the show's trademark; Rosenquist contributed to the American lexicon the program's title and the now time-honored phrase that is all. None of the actors on the series ever received on-air credit, but sharp eared radio fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, Gale Gordon, John Bigson, Richard LeGrand, and Hanley Stafford. Episodes include: The Double Cross, Murder in the Morning, Pegleg Justice, Murder Week, The Turk Burglars, The Man Who Lost His Face, The Case of the Perfumed Cigarette Lighter, Man Overboard, Alibi, The Case of the Manila Envelopes, The Criminal Returns, Tobaccoville Road

William Robson (Author), Ensemble Cast, Ensemble Cast (Narrator)

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Calling All Cars: Volume 6

Calling All Cars, a popular crime drama heard from 1933 to 1939. One of radio's earliest and most durable police procedural shows, the series' stark and gritty realism is strongly reminiscent of Warner Brothers gangster films of the 1930s- particularly with the presence of real-life LAPD dispatcher Jesse Rosenquist, whose unique voice and name became the show's trademark; Rosenquist contributed to the American lexicon the program's title and the now time-honored phrase that is all. None of the actors on the series ever received on-air credit, but sharp eared radio fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, Gale Gordon, John Bigson, Richard LeGrand, and Hanley Stafford. Episodes include: Murder In Basin Street, The Crimson Crusader, The Two-Edged Knife, Death In The Forenoon, The Case of the Bloodstained Coin, The Case of the Phantom Radio, The Bad Man, The Skeleton In The Desert, The General Kills At Dawn, The Shanghai Jester, The Sands Of The Desert, The Buccane

William Robson (Author), Ensemble Cast, Ensemble Cast (Narrator)

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Calling All Cars: Volume 7

Calling All Cars, a popular crime drama heard from 1933 to 1939. One of radio's earliest and most durable police procedural shows, the series' stark and gritty realism is strongly reminiscent of Warner Brothers gangster films of the 1930s- particularly with the presence of real-life LAPD dispatcher Jesse Rosenquist, whose unique voice and name became the show's trademark; Rosenquist contributed to the American lexicon the program's title and the now time-honored phrase that is all. None of the actors on the series ever received on-air credit, but sharp eared radio fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, Gale Gordon, John Bigson, Richard LeGrand, and Hanley Stafford. Episodes included: The Case of the Long Bladed Knife, Murder With Mushrooms, The Case of the Pink-Nosed Pig, Murder At Midnight, The Case of the Ruined Suspenders, The Case of the King's Ransom, The Case Of The Greasy Rail, The 25th Stamp, The Case of the Incorrigible Youth, The Big Shot, The Kase

William Robson (Author), Ensemble Cast, Ensemble Cast (Narrator)

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Calling All Cars: Volume 8

Calling All Cars, a popular crime drama heard from 1933 to 1939. One of radio's earliest and most durable police procedural shows, the series' stark and gritty realism is strongly reminiscent of Warner Brothers gangster films of the 1930s- particularly with the presence of real-life LAPD dispatcher Jesse Rosenquist, whose unique voice and name became the show's trademark; Rosenquist contributed to the American lexicon the program's title and the now time-honored phrase that is all. None of the actors on the series ever received on-air credit, but sharp eared radio fans can hear the likes of Elvia Allman, Jackson Beck, Charles Bickford, Gale Gordon, John Bigson, Richard LeGrand, and Hanley Stafford. Episodes include: The Case of the Portuguese Crooner, The Case of the Four Lead Slugs, The Case of the Rasping Voice, The Case of the Blind Man's Bluff, The Case of the Poisoning Jezebel, December Rhapsody, Murder at Sunset, 6 Three Faces West, The Case of the Grass Skirt, The Case of the Silver Co

William Robson (Author), Ensemble Cast, Ensemble Cast (Narrator)

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Amos 'n' Andy, Volume 1

Amos 'n' Andy is an American radio and television sitcom set in Harlem, Manhattan's historic black community. The original radio show, which was popular from the 1920s through the 1950s, was created, written, and voiced by two white actors, Freeman Gosden and Charles Correll, who played a number of different characters, including the titular Amos Jones (Gosdon) and Andrew Hogg Brown (Correll). When the show moved to television, black actors took over the majority of the roles; white characters were infrequent. Amos 'n' Andy began as one of the first radio comedy series and originated from station WMAQ in Chicago. After the first broadcast in 1928, the show became a hugely popular radio series. Early episodes were broadcast from the El Mirador Hotel in Palm Springs, California. The show ran as a nightly radio serial, as a weekly situation comedy, and as a nightly disc-jockey program. A television adaptation ran on CBS, and continued in syndicated reruns.

Freeman Gosden, Freeman Gosden (Author), Ensemble Cast, Ensemble Cast (Narrator)

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Amos 'n' Andy, Volume 2

Amos 'n' Andy is an American radio and television sitcom set in Harlem, Manhattan's historic black community. The original radio show, which was popular from the 1920s through the 1950s, was created, written, and voiced by two white actors, Freeman Gosden and Charles Correll, who played a number of different characters, including the titular Amos Jones (Gosdon) and Andrew Hogg Brown (Correll). When the show moved to television, black actors took over the majority of the roles; white characters were infrequent. Amos 'n' Andy began as one of the first radio comedy series and originated from station WMAQ in Chicago. After the first broadcast in 1928, the show became a hugely popular radio series. Early episodes were broadcast from the El Mirador Hotel in Palm Springs, California. The show ran as a nightly radio serial, as a weekly situation comedy, and as a nightly disc-jockey program. A television adaptation ran on CBS, and continued in syndicated reruns.

Freeman Gosden, Freeman Gosden (Author), Ensemble Cast, Ensemble Cast (Narrator)

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Amos 'n' Andy, Volume 3

Amos 'n' Andy is an American radio and television sitcom set in Harlem, Manhattan's historic black community. The original radio show, which was popular from the 1920s through the 1950s, was created, written, and voiced by two white actors, Freeman Gosden and Charles Correll, who played a number of different characters, including the titular Amos Jones (Gosdon) and Andrew Hogg Brown (Correll). When the show moved to television, black actors took over the majority of the roles; white characters were infrequent. Amos 'n' Andy began as one of the first radio comedy series and originated from station WMAQ in Chicago. After the first broadcast in 1928, the show became a hugely popular radio series. Early episodes were broadcast from the El Mirador Hotel in Palm Springs, California. The show ran as a nightly radio serial, as a weekly situation comedy, and as a nightly disc-jockey program. A television adaptation ran on CBS, and continued in syndicated reruns.

Freeman Gosden, Freeman Gosden (Author), Ensemble Cast, Ensemble Cast (Narrator)

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