A full-cast dramatisation of this comic tale about an eighteenth-century gentleman who tries to tell his life story, but continually finds that he must digress...
Featuring some of the best-known and well-loved characters in English literature, including Uncle Toby, Corporal Trim, Dr Slop and the Widow Wadman. Beginning (or attempting to begin) at the moment of his own conception, Tristram Shandy recounts his progress through the world and utterly fails to stick to the point.
Sterne's comic masterpiece is an extravagantly inventive work which was hugely popular when first published in 1759, and is now considered a landmark in the history of the novel. Its often bawdy humour and numerous digressions are combined with bold literary experiments, and 260 years after its publication it remains one of the most influential and widely-admired books of the 18th century. A joyful celebration of the endless possibilities of the art of fiction, Tristram Shandy is also a wry demonstration of its limitations.
Also included in this release is a bonus programme - In Our Time: Tristram Shandy - in which Melvyn Bragg discusses the comic masterpiece with Professor Judith Hawley (University of London), Professor John Mullan (UCL) and Dr Mary Newbould (University of Cambridge).
Cast:
Tristram...Neil Dudgeon
Mother...Julia Ford
Father...David Troughton
Uncle Toby...Adrian Scarborough
Corporal Trim...Paul Ritter
Dr Slop...Tony Rohr
Obadiah...Stephen Hogan
Susannah...Helen Longworth
Great-Grandmother/Bridget...Ndidi Del Fatti
Great-Grandfather/Pontificating Man/Death...Stuart Mcloughlin
Bishop Hall/Le Fever...Hugh Dickson
Widow Wadman...Deborah Findlay
Dramatised by Graham White
Directed by Mary Peate
Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the worlds' leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.
Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the worlds' leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.
Laurence Sterne's beloved comic novel, The Life and Opinions of Tristram Shandy, Gentleman is the "biography" of Tristram Shandy-a wonderfully humorous and eccentric narrator who guides the reader from his conception to his birth, and on to his life as an adult. The twists and turns of Tristram's life expose him to such memorable characters as Uncle Toby, Corporal Trim, Parson Yorick, Dr. Slop and the Widow Wadman-whose own stories enrich the central narrative of Tristram's life. Published in nine separate volumes from 1759 - 1767, Tristram Shandy is recognized today as one of the first modern novels in English literature.
Penguin Classics presents Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman, adapted for audio and available as a digital download as part of the Penguin English Library series. Read by Steven Pacey.
'I am got, I know not how, into a cold unmetaphorical vein of infamous writing, and cannot take a plumb-lift out of it for my soul; so must be obliged to go on writing like a Dutch commentator to the end of the chapter, unless something be done ...'
Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick. A joyful celebration of the endless possibilities of the art of fiction, Tristram Shandy is also a wry demonstration of its limitations.
Part of a series of vintage recordings taken from the Penguin Archives. Affordable, collectable, quality productions - perfect for on-the-go listening.
Published just months before his death in 1768, A Sentimental Journey is Sterne's lightly fictionalised account of his own European travels; and being Sterne, it is more about digressions, misunderstandings and risqué jokes than the places he visits. Narrated by the (apparently) innocent Parson Yorick, who appeared in Sterne's other masterpiece, Tristram Shandy, it is full of anecdote and incident, and is far more about the people than the landscapes on the road from Calais. Despite the title, any sentimentality is offset by the elegance of the writing, the engaging companionship of Yorick himself and the constant, playful surprises.
Laurence Sterne's most famous novel is a biting satire of literary conventions and contemporary eighteenth-century values. Renowned for its parody of established narrative techniques, Tristram Shandy is commonly regarded as the forerunner of avant-garde fiction. Tristram's characteristic digressions on a whole range of unlikely subjects (including battle strategy and noses!) are endlessly surprising and make this one of Britain's greatest comic achievements. A cast of strange characters populate this strangest of novels: gentle Uncle Toby, sarcastic Walter and of course, the pompous, garrulous Tristram himself. This edition is read by Anton Lesser in a tour de force performance.
Tristram Shandy is an ironic masterpiece, a work of extraordinary originality, wit and learning. It is a work of considerable philosophical complexity but at the same time it is just a piece of flim-flam: it has been called the longest shaggy dog story in English literature. It is both a classic novel and an anti-novel. It includes passages of seemingly serious theology - but it can also be read as an elaborate bawdy joke.
