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Audiobooks by Gerald Everett Jones
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No job? Fresh out of school? Laid off? In the rapidly emerging gig economy, millions of workers will never have a job. But they can have a lifetime of profitable and satisfying assignments and projects. Written by an adept consultant who hasn’t had “permanent employment” since 9/11, this handy little book will help you survive - and thrive - as an independent contractor. Don’t wait for someone else to decide your future - here’s how to write your own story.
Inspired by a true story.
Hank Ellis was murdered in his own home for dissing the cops in front of his neighbors.
Cynical personal-injury attorney Eli Wolff rediscovers his idealism for simple justice when he sues the city for the wrongful death of an unarmed African American man at the hands of two police officers. Ellis was killed in his own home, choked to death, after angry officers stormed in without a warrant, anxious to teach him a lesson for disrespecting them in front of his neighbors.
The guilty parties probably think you care more about entertainment than justice. But no one will make you write Congress about it. The author suggests in the epilogue that holding mandatory public inquests in these cases might disclose evidence and encourage dialogue before some angry mob decides that setting fire to their neighborhood is the only way to get their side of the story told.
Print edition won 2020 Independent Press Awards Distinguished Favorite and Eric Hoffer Award Finalist in Mystery
A lapsed divinity student who is fascinated by astrophysics finds his best friend has shot himself in a cornfield, but it might not be suicide. Having returned to his farm roots near Lake of the Ozarks, Evan works as a skip tracer for the local car dealer. He finds his friend was involved in dispute over farmland ownership that goes back two centuries - complicated now by plans to make an old Army facility a tourist attraction.
In 1892 Paris, Julius Stewart painted The Baptism, a Vanderbilt family scene that contains an embarrassing secret. In the present day, art historian Grace Atwood becomes obsessed with the painting and its hidden clues for reasons that have more to do with her personal ghosts. Either her doting husband is trying to make her think she's crazy, or she really is in the early stages of dementia.
